Well, Whovians, Season 8 has been a wild ride. While the first half of the season may have been a bit bumpy, the second half seemed to have a slightly more cohesive story, chugging forward toward the two-part season finale. And oh what a finale it was: action, drama, and feels galore. One of the most common criticisms of Moffat’s work as Doctor Who showrunner is that he won’t give his characters lasting, meaningful consequences to their actions. This time we get some serious consequences. I can’t say much more without a spoiler warning, so here we go!
We geeks have a complicated relationship with religious violence. We live in a world where religious fanatics are practicing conversion by force, and that’s putting the situation in the Middle East in the most sanitized terms possible. It’s hard to find anyone today who would condone any type of religious violence, or try to defend it. Even historical religious violence, which occurred in a different cultural context than our own, makes us uncomfortable. With such an intense reaction to real religious violence, one would think that our pop culture would reflect it. Instead, geek culture seems to accept religious violence in some contexts, but not others. So why is that?
Spoilers for His Dark Materials, Doctor Who, Avatar: The Last Airbender and The Legend of Korra below.
It’s been a while since we last checked in with Doctor Who’s Season 8. We last covered the Season 8 premiere, and I had some mixed feelings about it. The next five episodes haven’t followed much of a cohesive plot. Rather, they’re one-off ideas for what might make an interesting Doctor Who episode. Steven Moffat seems to be asking a lot of questions about who the Doctor really is, and what it means to be the Doctor. We’re also finally getting some character development for the Doctor’s companion, Clara. So has Moffat produced some quality Doctor Who? Sort of.
Spoilers for the first half of Season 8 below.
Welcome back, Whovians. After eight months of waiting, we’re finally treated to series eight of Doctor Who. We’ve got a new Doctor, a dinosaur, clockwork-y cyborgs, and the Paternoster gang. With the massive amounts of media hype surrounding the series (including some major script and episode leaks), does the series opener live up to its promise? Sort of.
Loads of spoilers for this episode below the cut.
We’ve lamented the downward spiral of Doctor Who’s general quality here before, but one thing that’s annoyed me throughout Moffat’s run is his treatment of religious institutions. More specifically, I’m talking about the fictional Church of the Papal Mainframe, which, it seems, he created more as a foil to the Doctor than as any sort of genuine religious organization.
One of the most common criticisms we at Lady Geek Girl and Friends have of geeky media concerns a lack of representation in our books, films, and TV shows. So why, exactly, is it so important to have diversity in our geek media? Why does authentic representation matter so much? Is it enough to simply have diverse characters on our screens, or is there something more? In order to dive into these questions a little more deeply, let’s take a look at how one group, Black women, are represented in geek media. Continue reading
Geek culture really has a thing for nuns. Specifically, Christian (mostly Roman Catholic) women who have made vows to live in community with one another in order to pray and do good works while living a chaste, simple lifestyle. But geek culture doesn’t like nuns for the right reasons. Whenever nuns pop up in geek media, they almost always function as some kind of trope-filled plot device. They look more like the writer’s idea of what a nun is, and less like real nuns. If nuns were depicted accurately, they’d be a great source for feminist characters and plotlines.