Manga Mondays: Legend of Chun Hyang

Legend of Chun Hyang is based on a Korean folktale, and is about the young Chun Hyang, a woman living in an oppressive society. The land of Koriyo has around three hundred towns and is ruled by the Chun-An government. In order to govern these towns, the Chun-An appointed three hundred and twenty-one Yang Ban—ruling nobles. Unfortunately, some of these Yang Ban are corrupt and have enslaved the towns they are meant to watch over, leveling harsh taxes and laws on the citizens. Furthermore, they punish anyone who disobeys with death.

Chun Hyang lives in one of these abused towns, fortunately for her fellow townsfolk. She’s spirited, beautiful, and good-natured. Pretty much, she’s every typical feminine trait in order for us to like her. Oh, and she’s a badass martial artist who rises up against the oppression her people face.

In the original legend, Chun Hyang is a commoner who fell in love with a nobleman. However, when she and her beloved were separated by “fate”, as it were, other suitors asked for her hand in marriage. She refused their advances and was thrown in jail because of it. This has made her a symbol of chastity, and even this day, she is honored for it. If there’s more to the original legend outside a young woman being punished for refusing a man and honored for her endurance in the face of all that, the manga doesn’t really say.

From what I can tell, the manga takes a lot of artistic license with this story. Here, Chun Hyang is more or less an active fighter against the evil Yang Ban ruling her town. It’s actually quite nice to see a female protagonist who isn’t a complete damsel in distress. She still meets her lover from the original legend, and the two fall in love, but she is no longer a victim of circumstances.

Unfortunately, I can’t say that I’m all that interested in the story. The manga is only one volume long, so it’s a short read, but the art gets to me. It’s really not good, and there were some panels that I had to stare at for a while before I figured out what was happening due to bad perspectives and lines. What first threw me off it, though, was the storytelling in general. In the very first few pages, a Yang Ban’s son is about to force a common woman to go home with him so he can rape her. After Chun Hyang arrives to beat up his guards and succeeds in saving the woman, the art annoyingly changes to a chibi-fied version of her and the son. She laments not having a better challenge, and the son has a “cute” angry face because he can no longer rape a woman. It was a bit of a WTF moment.

The story’s not that bad, but it could be better. The art is where it suffers most. Read it if you want to. It does feature a fairly interesting—if clichéd—female protagonist, but she is active, and that’s something. If you decide to skip it, it probably won’t be a big loss.

Sexualized Saturdays: Girl-Bashing in Yaoi Fics

MadameAce: I love fanfiction. Don’t you? Fanfiction has created a wonderful community where people can share their interpretations of a story. Share how they perceive the characters. Offer new insights into the narrative. Represent sexualities that don’t otherwise get represented. Fanfiction is a realm where people who are otherwise oppressed can come out freely through pre-written characters. There are very few places more sexually liberated than fanfiction. Fanfiction is wonderful.

Unless of course, you’re a female character in a typical yaoi or slash story.

Manga Mondays: Tale of Nezha

So I enjoy clicking on random links on a manga site’s home page. Sometimes it goes awesomely, sometimes it goes horrendously. Tale of Nezha is in the middle of the two extremes.

One positive: the art is absolutely gorgeous. And it is all in color. I find it mind-blowingly beautiful. The second positive is the story. Tale of Nezha is a Chinese manga based on a Chinese Buddhist myth about a magical young boy named Nezha who sacrifices himself so that ritual human sacrifices made to a dragon deity could be returned to their homes. He then appears to his mother in a dream and tells her to build a temple in his honor. But when Nezha’s father discovers the temple, he burns it down. That incites Nezha’s wrath and he tries to kill his father.

I really wish I could figure out the story from the manga itself and not Wikipedia. Because it sounds like a fascinating story. But the color pages are a negative point here because you can’t tell what is being said. Eighty plus pages of manga and I had absolutely no idea what was going on. And I still have no idea what that first chapter was about.

I really wanted to like this series. I really wanted to love this series. But I just couldn’t understand it. Now, I don’t know if that was how the manga was initially done or if the translators took a couple liberties when they could. Regardless, I think the translation that I read on Manga Reader was poor.

This series reads left to right, as opposed to right to left like everything else. It took me a while for me to figure that out, which probably didn’t help my comprehension of the series.

Tale of Nezha is right up the alley of (probably) most of the people who read this blog. If you feel inclined, go check it out. But watch your translator.

Manga Mondays: Trigun

Coming off the high that is Anime Boston, I’ve gotten a refresher of sorts of why I enjoy anime—also why I dislike it and the culture that comes along with it, but mostly why I like it. Reminders of the anime that started this long-lived affair (it was Panda! Go Panda, by the way), and the anime and manga that have kept these fires stoked. One such anime/manga also started my adoration for complicated villains. I’m honestly surprised that no one has tackled this behemoth of a story yet. So, today let’s take this opportunity to look at my favorite swirling vortex of feels, The Humanoid Typhoon, and his life as told through Trigun.

Manga Mondays: Lament of the Lamb

This is one of those series that I forgot existed, until, at a loss for what to write, I went scrounging around my house for ideas, and lo and behold, there it was shoved into the back of my closet. I wouldn’t say Lament of the Lamb by Kei Toume is entirely forgettable, but it’s been nearly ten years since its debut and it’s not particularly memorable in terms of plot. What initially drew me to it is its art—which is probably the most notable part of the series. It has a very distinctive style, especially on the covers, and even after coming across my forgotten collection, while just one look at the cover wasn’t enough to make me remember the story and characters—except in the most basic sense—my thoughts were immediately flooded with the visuals before even turning the first page.

Manga Mondays: It’s Not My Fault That I’m Not Popular

It’s Not My Fault That I’m Not Popular by TANIGAWA Nico (a pen name for two artists) is a manga about a high school girl just figuring her life out. I saw it on the home page for a scanlation site and I was intrigued by the title, so I decided to start reading it. I got through about twenty chapters before I had to stop reading.

Kuroki Tomoko has no real friends and is a super introvert; all of her ‘social skills’ she’s learned through anime and her borderline-pornographic video games. She spends her free time in her room watching anime and only has one friend, her old friend from middle school.

I have no problem with the concept of the series; it’s a coming of age story about a super nerdy girl. However, Tomoko is seriously creepy. In one chapter, she went to her old school roof to watch fireworks but instead was a peeping tom (watching some couple ‘get busy’) with some middle school boys. She vacuumed her own skin so that it looked like she had been kissed to impress her elementary-school-aged cousin. She’s also delusional; if any boy so much looks in her general direction she flips out. Oh, and she cheats at card games against elementary schoolers.

As a nerdy, ‘not-popular’ girl, I take offense to this entire series. By making Tomoko out as some sort of pervert (which the series does), it puts forward the idea that all socially awkward girls obsess constantly about sex and engage in this sort of self-harming behavior; that every not-so-popular person is a Tomoko. That is blatantly wrong. While I do pity her to a certain extent,Tomoko is a terrible character and is a horrendous example of what typical nerdy, anti-social girls are like.

She is so extreme in her actions that it leads me to believe that the authors think that they’re being funny, that Tomoko’s over-the-top antics are supposed to be laughed at. Well, they aren’t funny. At all. This is a terrible way to stereotype antisocial high schoolers and is in no way, shape, or form funny.

On a completely different note, the art is off-putting. Tomoko’s eyes are super creepy, which goes with her personality. Unfortunately.

In short, I do not recommend It’s Not My Fault That I’m Not Popular.

Manga Mondays: Ibitsu Special

When I saw this panel on my Tumblr dash, I knew that I had to find the manga it was from. I had to. From the type of art and the subject—as much as the subject as I can guess from one line—I could guess that it was either horror or pseudo-hentai, both of which I wouldn’t have minded but only one of which I would have been allowed to publish here. With the new technology of searching via image on Google, finding the source was a piece of cake, but I couldn’t believe it. Much like its main antagonist, it seems as though this manga will never leave me alone.

A little over a year ago I reviewed Ryou Haruto’s Ibitsu, a horror manga about a deranged woman that goes around looking for older brothers and killing their little sisters if they have any. While I pored over the main chapters, I didn’t give any attention to the manga’s extra chapters. A mistake on my part; I can’t believe I previously missed out on this funny, poignant commentary on people who take their original characters way too seriously.

Manga Mondays: Rock Lee’s Springtime of Youth

Here’s what I think when I read this series: What. Da. Hell?

Rock Lee’s Springtime of Youth is a spin-off of Naruto that focuses on one of Naruto’s peers named Rock Lee. Everyone is chibi and the series takes place in the past so everyone is there and carefree and happy. And did I mention they’re all chibi?

Most chapters are episodic in nature so you can pick up the series at practically any point and just start reading. You won’t miss much. And if you have an unabated passion for Naruto then you will probably find a place in your heart for this one.

That’s where the plus sides end however. It’s like every bad Hetalia episode put back to back (and I know I’m going to get torn a new one for saying that). Everyone and everything is completely ridiculous and it loses all appeal after approximately two pages. I love Hetalia, but what I think balances out the ‘cray-cray’ of it all is that it is a political commentary (which is what I truly love about Hetalia). RLSToY doesn’t have some greater message to achieve balance. It’s over-the-top for the sake of being over-the-top.

Actually, RLSToY exists to make money. It’s a way of earning a couple more bucks for Shounen Jump and it’s blatant; no effort was made to hide this: if you want to make a series solely for earning the money, at least make it interesting. Most of the plots of RLSToY make for very dumb stories. If you want me to read a spin-off, make it better than fanfiction I can find online.

So if you are a diehard Naruto fan and somehow don’t know about this, check it out. If you don’t fall into that category, you’re better off staying away.

Manga Mondays: Wild Ones

After many, many decades of stories that follow the similar plot of ‘princess goes to school and tries to lead a normal life,’ the question is not how to make a new story, but rather how it can be repackaged to seem more interesting. So what did Kiyo Fujiwara bring to the table with her 2004 manga, Wild Ones (アラクレ)?

Well… nothing too terribly new or entertaining. At least, not on the shoujo front.

Our heroine du jour is one Sachie Wakamura, an excitable, spunky girl who thinks honesty is mandatory and holds no love in her heart for liars or thieves. If you’re thinking that this sounds dangerously close to other Shoujo Beat licensed manga, SA, you wouldn’t be wrong: both Sachie and Hikaru are pretty much sisters from another mister excluding the fact that Sachie is not as mind-numbingly naïve. After the death of her mother, Sachie is approached by a strange man, who turns out to be her grandfather, and is taken to his home. Thoughts roll through her mind as to why she had never heard of her grandfather before this moment, but soon after she enters the household it becomes glaringly clear they are not the only ones living there. Indeed, her grandfather’s home is also home to his second family: his yakuza gang.

This part, this part right here. This is cool. This would make an excellent manga, especially with all the conflicts that are brought up within the family. Sachie’s mother left her grandfather’s house on her own whims. This may have caused her to raise Sachie in poverty, but it also allowed this woman hardened by the yakuza lifestyle to raise her daughter with the morals and a sense of justice and safety that she probably didn’t have growing up.

Due to this, Sachie should be more conflicted about the position she’s put into. Certainly she has a bunch of nice things now, a group of people that love her and cherish her, but can she really abide by what they do in the shadows? Will she try and change the gang to fit her perception of what is just or will she herself change? I really wish that there was a good resolution to these questions, but the only thing that Fujiwara presents us with is an ‘eeeh, kinda?’ It’s simply because the time that should be spent exploring this is spent on the incredibly boring romance plot.

He’s a Little Possessive…

I don’t normally say this, but this manga is ruined by the romance. Our romantic lead, Rakuto Igarashi, is assigned as Sachie’s bodyguard after she arrives with her grandfather. From there, it’s the most basic story of forbidden love and perhaps one of the more stupid ones. It plays off the ‘are they going to get together’ thing until the very end of the manga, but there is literally nothing keeping them apart. Rakuto feels like he isn’t good enough for her, sure, but it doesn’t stop him from sabotaging Sachie’s other potential love interests. This combined with the fact that Rakuto has been longing after Sachie since they were five years old makes him seem more like a stalker than someone you want to root for.

Despite this however, Wild Ones has some really strong characters. Some really strong female characters. Their stories, along with the bumbling-yet-still-dangerous yakuza gang’s, make a well-rounded cast with some fun stories. I just wouldn’t recommend this manga on the merits of its genre.

Manga Mondays: Diabolo

It’s rare that I read manga. Even when I was much more into anime I just never read manga. Usually this was because I was often introduced to various stories through the anime which made me less likely to read the manga, because I would get bored already knowing what was going to happen. Plus, manga are expensive and when I was younger I didn’t know about sites that allowed me to read manga online. Add to this the fact that a few manga I did buy were suddenly discontinued by their authors and you can see why I grew really weary of manga.

So for me to read a manga something about it had to catch my eye, and then I would usually sit and read the manga for a bit. If it didn’t immediately grip me in those first couple pages, I didn’t buy. My pickiness paid off when I found Diabolo.

Diabolo was my first horror manga. It’s the type of manga that sinks its claws into and refuses to let go. The series was completed in only three short volumes, but it stays with you even after you’ve finished reading.

Trigger warnings for rape/sexual assault, abuse, murder, and gore.

These trigger warnings are a little less for this review and more for the trilogy in general; please beware before you read this series: this is a gory psychological horror series that doesn’t pull any punches.