Web Crush Wednesdays: All Hallow’s Read

What is All Hallow’s Read? Well, I’d let Neil Gaiman tell you, as it was his idea, but the youtube video of his introduction is ‘currently unavailable.’ (Here’s the blog post that started it all.) Basically, one day he asked himself why there weren’t more holidays where people gave out books.

I propose that, on Hallowe’en or during the week of Hallowe’en, we give each other scary books. Give children scary books they’ll like and can handle. Give adults scary books they’ll enjoy.

I propose that stories by authors like John Bellairs and Stephen King and Arthur Machen and Ramsey Campbell and M R James and Lisa Tuttle and Peter Straub and Daphne Du Maurier and Clive Barker and a hundred hundred others change hands — new books or old or second-hand, beloved books or unknown. Give someone a scary book for Hallowe’en. Make their flesh creep…

Give a scary book.

Basically, All Hallow’s Read is an initiative to give kids (and other people) scary books around and on Halloween. It’s a fun way to encourage reading and get in the holiday spirit at the same time!

You can learn more about All Hallow’s Read at their website, or by following the #AllHallowsRead hashtag on Twitter.

Holy Bundle of Books!

With one week down and one to go, let’s look at the Humble eBook Bundle. This is the first Humble Bundle featuring e-books, and it got off to a strong start a week ago before slowing considerably. At this point it’s done over $465,000 in sales, which is a nice lump sum around $50,000 for all of the authors and nonprofits involved if split evenly. That’s nothing to sneeze at. At least, that’s what one of the men who organized it hopes. He hopes to show publishers and retailers that it is possible to make money on e-books without high prices and restrictive DRM. If things worked that way, maybe more authors would get paid for their work.

For those unfamiliar with the Humble Bundle, here’s the deal. There are five books, each book is written by a different author, and they are for sale. They cost however much money you want to pay for them. Seriously, whether you think they are collectively worth fifty dollars or fifty cents, they will take your money and you will get your stuff. The books you get will be in e-book format. They will be downloadable a limitless number of times, in several formats, and all without any security measures to control what you do with them. They work on Kindle, Nook, iOS, Android, Mac, Windows, Linux easily. Your purchase price, by default, is split between the authors, several nonprofits, and the Humble Bundle website. The nonprofits available are: Child’s Play, which brings electronic entertainment to sick children; EFF, which seeks to protect our privacy and rights on the internet; and Science Fiction & Fantasy Writers of America, just a bunch of obviously kick-ass people.

Honestly, from the amount I’ve gotten into each of them, these books do each look pretty good. Oh, I forgot to mention that you get a bonus if you pay at or above the average price. Those bonuses are Old Man’s War, a science fiction novel by John Scalzi, and Signal to Noise, a graphic novel written by Neil Gaiman and illustrated by Dave McKean. So, that’s pretty awesome, and of course the average price seems to keep rising as more and more people make sure they get their bonus material.

You should really check it out, and pick up some books for the price you actually value them for. They’ll be yours forever. True, e-books may lack much of the romance of printed books, but this is about more than that. This is about more authors being able to get their work published fairly, and more people being able to access it fully, quickly, and affordably. That would lead to more good books for you to buy and enjoy in paper-form. I’m going to go back to reading, now.

Update: Five more e-books have just been added to the bundle. They are all compilations of popular webcomics. There are two Penny Arcade books, two Saturday Morning Breakfast Cereal books, and one xkcd book.

Nerd News: Neil Gaiman Continues to be Awesome

We here at Lady Geek Girl and Friends have a continuing and unabashed love for all things Neil Gaiman, so we felt it was important to share this double-whammy of great things.

First of all, our buddy Neil won a Hugo Award (a prestigious award for greatness in the sci-fi genre) for the Doctor Who Series 6 episode “The Doctor’s Wife”, one of my all-time favorite episodes. (That’s the one where the TARDIS is in a lady, you remember.)

(Here’s the full list of Hugo winners, if you’re interested.)

The sleepy author himself, wielding his Hugo.

Secondly, it has been revealed that Gaiman will also be penning another Who episode, theoretically slated to fall in the second half of Series 7. (I say theoretically because “The Doctor’s Wife” was originally supposed to be part of Series 5, and was pushed back into 6 because of reasons, so ‘New Gaiman Episode’ may experience a similar fate.) Who’s got two thumbs and is super excited about this? This girl!

American Gods

Hello, dear readers! Today, we have an oldie, but goodie: Neil Gaiman‘s American Gods.

What if gods walked among us? In traditional myth the gods created the land, the sea, the sky, the animals, and finally the humans. But what if they didn’t? What if the gods are the ones who are made? What if they sprung forth from the human mind and the reason that these creations need worship and sacrifice is not to appease them, but to keep them alive? These questions and more are what Neil Gaiman tackles beautifully and not without that famous Gaiman dry humor. It all begins when a quiet and strong giant of a man called “Shadow” is let out of prison early. Normally this would be a good thing, but unfortunately the reason is not. His beloved wife Laura and his best friend Robbie were killed in a drunken road-head related car crash.

After losing both his cheating wife and his potential job all at once, Shadow is left with few options. On the plane to the funeral he meets a strange old man who calls himself Mr. Wednesday, who asks Shadow to work for him. At first Shadow turns it down, but soon he is cruising the highways and byways of America, doing different jobs and tasks for Mr. Wednesday, meeting both old and new gods along the way. Throughout the novel the unlikely duo try to convince the old gods to fight in the war against the new gods. Some of the new gods include technology, media, celebrity, along with many other modern conveniences.

Though Gaiman is English he manages to portray America with understanding, and even sometimes affection. Though the novel can get a bit heavy at times it is still a delightful book that would appeal to any Gaiman fan, and if you like mythology and theology, so much the better. I highly recommend this novel and its sort of sequel Anansi Boys. Anansi Boys is a bit sillier and won’t have as many philosophical questions, but it is still a good read. Also in American Gods, Shadow fights a ridiculously tall drunken leprechaun named Mad Sweeney, so that is something to look forward to.

And for those of you who are based in Pittsburgh, PA, Neil Gaiman will be lecturing in the Carnegie Music Hall in Oakland at 7:30 pm on Wednesday, November 14, 2012. Tickets will be available August 27th. Hope to see you there!

I wrote this and much more besides! What have you done with your life?

Is there a book, television show, or movie you would like me to review? Just leave your suggestions in the comments section and I will do my best to review them.

Oh, My Pop-Culture Trickster: Loki in Pop Culture

I’m pretty sure the Avengers is still in theaters, and if you haven’t seen it already get your ass there or we can’t be friends anymore.

Are you humming the Avengers theme music now? because I am.

… You’re back. Did you enjoy it? Damn straight you did. Now you may have noticed the guy in the silly hat and the green and gold armor that did all that bad stuff.  Loki has gone from a figure in Norse mythology to a full-on badass villain in the Marvelverse, but you can see him or variations of his trickter god character elsewhere too. Spoilers for both American Gods and Supernatural below.

American Gods

The Loki of this story bears little resemblance to the Marvel villain, at least as far as daddy issues are concerned. In this book by Neil Gaiman, the characters Low-Key Lyesmith and Mr. Wednesday (secretly Loki Liesmith and Odin) cook up an elaborate, decades-spanning scheme to sacrifice the gods of the new world (media, the Internet, etc.) and the gods of the old world (Anansi, Bast, Ganesh) at once to restore themselves to the power they once knew.

Really, though, how can you hate on a guy with this fab of a false moustache?

Supernatural

When does Supernatural not feature in an OMPCJ discussion? It’s just so rife with unpackable religious imagery! Anyway, the main trickster in Supernatural turns out to be not Loki, but (spoilers for S5) Gabriel, but he plays the trickster game up until (and a little bit after) the big reveal; even the other non-Judeo-Christian gods who appear in season five’s “Hammer of the Gods” believe him to be Loki, inviting him to their anti-Apocalypse pow-wow and referring to him with the Norse god’s name.

Where else do the trickster gods lurk? I was tempted to include the kooky-sounding anime Mythical Detective Loki Ragnarok but having not actually watched it I feared doing it injustice. Let me know in the comments, and as always, tune in next time to get some religion!

Sexualized Saturdays: Aziraphale and Crowley

If you have read any of my Oh, My Pop Culture Jesus then you know at least a little about one of my favorite books, Good Omens by Neil Gaiman and Terry Pratchett. If you haven’t read this book–I demand you do so immediately!

Everyone’s favorite angel in Good Omens is Aziraphale. Many people think Aziraphale is gay–even in the book.

“Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide.”

The book further explains, however, that Aziraphale cannot actually be gay.

“… and angels are sexless unless they really want to make an effort.”

Can I add that the “unless they really want to make an effort” part as fueled many a smutty fanfic but Aziraphale, but despite this line many people asset that Aziraphale is gay and is in fact love with the demon Crowley.

Crowley’s sexual orientation is never stated in the book, but since Crowley is a fallen angel we can assume that the same sexlessness applies. Despite this an extremely close relationship is seen between Crowley and Aziraphale despite being on opposites of the cosmic battle. Crowley panics when he thinks Aziraphale dies in a fire in his bookshop and Aziraphale often worries about Crowley’s safety. The two eat together, hang out, and even tried to stop the apocalypse together.

But despite all of this I’m going to hold true to what the book says that neither of this character are gay together. Even if they were they would basically be an asexual but romantic couple considering that neither of them have a sex.

So in conclusion neither Aziraphale or Crowley are gay unless they really want to make an effort.

Oh, My Pop-Culture Jesus: The Antichrist

Every end of the world tale needs the antichrist. It’s not really the end of the world without him.

For those of you that may not know, the antichrist is kind of the evil mirror image of Christ, as the name suggests. The antichrist is mentioned in the Bible several times, along with other antichrists, who are connected to him. It’s not strictly stated what the antichrist(s) relationship is to Satan. We only know that the antichrist is a bad person who will do many bad things.

In our pop culture, however, the antichrist is always directly tied to Satan. This isn’t a complete invention of pop culture; though no explicit relationship is stated in the Bible, the relationship between Satan and the antichrist is in many Christian traditions. Some think the antichrist is Satan incarnated in human form, much like Jesus was God incarnated in human form. Others think the antichrist is autonomous from Satan, but rather is Satan’s son following after his father in the ways of evil. However, this leads to an interesting theme that’s been popping up in our pop culture. Let’s take a look!

There are a lot of movies with adult antichrists, but I don’t want to talk about those. Why? Because they’re boring. Adult antichrists are always evil, mustache-twirling villains with little to no personality. Who wants to read a post about that? No one, that’s who. I would like to talk about the antichrist’s evolution in pop culture though. You see, somewhere along the line someone realized that if the antichrist was in human form and was supposed to be this mirror image to Christ, well then, he had to grow up like Christ, right?

The Omen:

The Omen is one of my all time favorite horror movies. It takes that basic idea that people sometimes speculate on: if you met someone who you knew would grow up to be evil could/would you kill them when they were an innocent child? Damian, our little antichrist, is not an innocent child, I don’t even think any part of him is human, but to most of the adults around him he appears to be, thus dealing with the moral debate of the above question.

Some brief background information: Robert Thorn, the U.S. ambassador to England, and his wife Katherine suffer a tragedy when Katherine’s baby is born dead, but a “kind” priest points out that another baby lost it’s mother. He convinces Robert to switch the babies and spare his wife the sorrow of losing their baby. Thorn agrees and begins raising Damien. Many creepy deaths happen around Damien, along with having a creepy nanny, and acting violently when he’s near churches. Eventually, after much convincing from priests and a photographer, and after the death of his wife, Thorn finally realizes that Damien is the antichrist and tries to kill him. He fails and is shot by police and Damien is take to live with the president of the United States who was conveniently a close friend of Thorns.

Though the main characters in The Omen are unsure and often deny that Damien is the antichrist, it’s only done to build the suspense of the audience. The evidence the viewer is presented with makes it extremely clear that Damien is the antichrist. The audience even sees moments when Damien is simply alone with his nanny that more than reveal his evil nature. There is never a moment where one feels that Thorn is hallucinating things.

In this way, the character of the antichrist doesn’t develop much from the adult version. He is still pure evil, but he’s a little kid. This did have one major development however, the idea that the antichrist could grow up with a human family and maybe even have a human mother. This idea allowed for many interesting changes in the character of the antichrist.

Supernatural:

I like to think that people are good people and that human beings are somehow special. I think this comes, in many ways, with the territory of being a Christian. Humans (also everything ever) was created by God and thus basically good, and since humans were created in God’s image and likeness we have a special place in creation. To me this naturally evokes many humanist concepts. All people regardless of religion tend to believe there is something special about humanity (of course we’re also all humans, so I guess we’re kind of bias).

Humanism is a major theme in Supernatural. Pitting the very human Sam and Dean against monsters, demons, and angels. Humanity, despite all it’s flaws and weaknesses, is what makes Sam and Dean so strong.

Another major theme is free will. Humans have the distinct ability to make choices that these other beings don’t, at least not without consequences.

These two themes come into play in the evolution of the antichrist. If the antichrist is not evil incarnate but simply born of an evil being and a human than the antichrist has to have that same spark of humanity and the same free will. In the same way that Christ could have chosen not to start his ministry and die on a cross, the antichrist could choose not to bring about the reign of the evil one.

In Supernatural, Sam and Dean come to a town where lies children believe (the tooth fairy, your face will freeze that way, etc) begin coming true. They discover this is because of a boy named Jesse, who is the product of a demon (notably not Satan) and a human woman the demon was possessing. Jesse doesn’t know any of this. Nor does he know he has powers. Castiel, the angel, realizing the boy is the antichrist tries to kill him despite Sam believing that Jesse could choose not to be evil. Castiel fails and is followed by Sam and Dean, who want Jesse to choose to fight with them, and then Jesse’s demon father who is trying to convince Jesse to join the devil. After the truth is revealed to Jesse, the boy makes a decision. He gets rid of the demon, puts the town back to normal, and uses his powers to disappear. Choosing not to fight for either side but remain out of the war all together.

Again this shows the unique development of a young innocent antichrist who is half human and thus, basically good, using his free will to make the correct decision. A decision not to fight all together. In this way Jesse removes himself entirely from the script both Heaven and Hell have placed on him, which is perhaps his greatest power of all.

But Supernatural isn’t the first to write a humanistic tale involving the antichrist.

Good Omens:

How much do i love Good Omens? So much! Good Omens, written by Neil Gaiman and Terry Pratchett, tells the story of the end of the world. The story focuses primarily on an angel and a demon who have grown attached to the world, and a young antichrist who has grown up with a normal middle class family in England. The story clearly is at least partly satirizing The Omen. Adam, the antichrist, is meant to grow up with a wealthy American family in America, but a mix up in the hospital (run by Satanic nuns) causes little Adam to grow up in a completely average family and environment.

Adam realizes he has powers and at first is tempted to use them. In an otherwise hilarious book one scene comes off as actually being pretty spooky. Adam uses his powers to control his friend’s will. This only lasts a minute or two before he realizes how wrong what he’s doing is. Adam’s powers allow him to figure out how the world will end, and he and his young friends leave to try and stop the apocalypse. Adam faces down the four horsemen (including Death himself), Beelzebub, and the Metatron. Adam, when faced with these supernatural beings, seems genuinely annoyed with them and determined to defend earth and humanity.

“‘I don’t see what’s so t’riffic about creating people as people and then gettin’ upset ‘cos they act like people,’ said Adam severely. ‘Anyway, if you stopped tellin’ people it’s all sorted out after they’re dead, they might try sorting it all out while they’re alive.’”

Good Omens really focuses on humanistic ideals. Adam, despite being the literal son of Satan, grows up a normal human child with good parents, friends, and a great life. He sees the virtue of humanity and is annoyed by Heaven and Hell for trying to make humanity into something it isn’t. Adam himself shows the virtues of being human by living just a normal life and being able to make choices, and the right choices at that.

The end of the world focuses a lot on good people and bad people, the Saved and the Damed, but these more humanist versions of the antichrist ask a fundamental question: What is the real sin? Perhaps it’s not being human. People are created as people, but then try not to act like people because they think that what they are is flawed and wrong.

The fun thing about shows like Supernatural and books like Good Omens is that they explore what really makes humanity what it is what makes them good, using the narrative of the end of days to show how great people can be and important humanity really is.

Next time on Oh, My Pop Culture Jesus: Humanity at the End of the World

Tune in next time and get some religion!

Oh, My Pop-Culture Jesus: O Death!

Do I really need to explain why death is important to religion? Life, death, and the afterlife are key parts of any religion. That mysterious force that is death has perplexed humanity for… well, ever. Why do some people die while others live? And what part does God have in it all? Well, let’s look at my three favorite examples of Death as he/she is often personified in pop culture.

Check out the first appearance of Supernatural‘s Death.

Man, doesn’t that video just give you chills.

The portrayal of Death in Supernatural is one of my favorites. Despite looking completely normal, if a bit skeletal, Death is clearly a wholly other being of great power. When Dean Winchester first meets Death it becomes very clear fighting Death will not be plausible. That becomes even more obvious when Dean actually talks to Death. Death describes how he is so powerful that to him Dean appears like nothing more than an ameba and even describes Lucifer, arguably one of the most powerful angels in exist as “a bratty child.” But Death’s power becomes even more obvious when he talks about God. He describes himself as being as old as God, maybe even older. He furthermore explains how in the end even God will die and he’ll reap God. And though it’s never shown in the TV series, it is implied that Death talks to God and knows where God is—God has been notably absent in the show. Death, like God, sees the big picture and understands how the world works. Because of his power and his ability to understand seemingly everything, Death appears as this indifferent larger-than-life figure.

Death spares Chicago because he likes the pizza, he pulls Sam’s soul from hell, but refuses to do the same for Adam, and seems to only do this because he wants something from Dean. The only person that Death seems particularly fond is actually God. When Dean, Sam, and Bobby bind Death to them in order to kill Castiel, who proclaimed himself god, Death doesn’t understand that they want him to kill the Castiel god and thinks that they want him to kill the God. Death tries to stall. He lies and says that he can’t, and when Castiel shows up calling himself god Death makes fun of him, calling him a “mutated angel” and says, “I know God, and you sir, are no God.”

I think the Death of Supernatural is portrayed as he is because he is based on humanity’s own feelings about death. Death is the awe-inspiring, impartial, unfeeling force in the universe, but for those of us with some spirituality we also have a sense that Death is apart of something greater and more important. In this respect, Death in Supernatural is portrayed extremely well.

Neil Gaiman and Terry Pratchett, how do I love thee? Let me count the ways…

I’m not ashamed to say that Good Omens is perhaps my all time favorite novels with one of my all time favorite portrayals of Death, or I guess for these purposes we should call him DEATH. In this portrayal, DEATH is not impartial. DEATH is excited for the end of the world. It is described by him and the other horseman as waiting for Christmas or your birthday. At the end of the novel, the antichrist Adam faces down DEATH because he doesn’t want the world to end. DEATH wants the world to end and tries to convince Adam to follow along with his nature, but when Adam and his friends defeat the other horseman, DEATH grudgingly concedes that the apocalypse cannot continue, but makes of point of saying that he is not defeated.

BUT I, he said, AM NOT LIKE THEM. I AM AZRAEL, CREATED TO BE CREATION’S SHADOW. YOU CANNOT DESTROY ME. THAT WOULD DESTROY THE WORLD.

The heat of their stare faded. Adam scratched his nose.

“Oh, I don’t know,” he said. “There might be a way.” He grinned back.

DEATH himself cannot be defeated and even the other horsemen seem to continue to exist in some form, but Adam implies that perhaps there is a way. I think this might be implying the idea that Christ defeats it in the act of his crucifixion and resurrection, or even the obvious fact that if DEATH does go through with the apocalypse there will either be Hell on earth or Heaven on earth, meaning that DEATH would no longer need to exist. In enacting the apocalypse, DEATH would actually be killing himself.

Neil Gaiman apparently owns my soul because he has another portrayal of Death that is my absolute favorite. Death in the Sandman Comics is very different for several reasons. First, unlike most portrayals of Death, this Death is a woman, shown as being a young attractive goth chick. She is also very different in the way that she functions. This Death is not distant, impartial, uncaring; she is invested in the world. She adds the spark of life to all babies when they are born and remembers them all, calling them by name when they die. She enjoys life and enjoys humanity and the many other creatures that inhabit the Sandman universe. She is often seen giving advice to her brother Dream and genuinely seems to care about everyone.

This Death is clearly a benevolent and caring one who understands the importance of Death, while understanding the fear and misunderstanding of Death that comes from those finite beings that can’t see the larger picture.

I hope all this talk about Death hasn’t depressed anyone. Personally, I find it extremely hopeful. This makes me think that though we humans fear our own death,  we fear the death of everything just as much, while at the same time many people long for the end of days. Weird, right?

Next time on Oh, My Pop Culture Jesus: The End is Here

Tune in next time and find some religion!