First, dear readers, a confession: I never read the Batgirl of Burnside comics, more out of a disinterest in Batgirl as a character and DC’s New 52 as a whole than out of any particular feeling for the aesthetic or storytelling. I bring this up because the creative team from that Batgirl comic (comprised of Brenden Fletcher, Cameron Stewart, and Babs Tarr) has found a new home in Motor Crush, an indie comic with a cyberpunk feel that focuses on a motorcycle street racer with a strange problem and everything to lose. It’s my first outing with this particular trio of creators, and I’m mostly having a fun ride of it (that’s a pun, folks) so far.
When I first watched Star Trek: The Next Generation as a kid, I was struck by how strongly I connected to the characters. For many of us, I think, it was one of the first shows to really inspire. Not only as a bold continuation of Roddenberry’s vision for the future, but as role models for how to live our lives. Picard, Data, Dr. Crusher, even Wesley all served as early examples of what we aspire to be and how to start living up to that aspiration. But as I grew older, I realized that one character in particular was causing me to think about gender roles and romance in ways I wouldn’t fully understand for years: Lt. Commander Geordi LaForge.
“Oh crap, Picard’s got that ‘I need you to violate the laws of physics’ look on his face again.”
In rewatching those episodes, I have come to understand the character of Geordi LaForge as, among other things, a parable about how easy it is to fall prey to toxic masculinity and how genuine confidence and respect rather than bravado and entitlement are the keys to avoiding it. This was something that takes years for many people to understand, and fortunately, we have years worth of TNG to see Geordi’s masculinity evolve as he begins to understand these things as well.
Nintendo fans got lots of exciting news this month: a new system that has a lot of good third party support, new Fire Emblem games, a new Mario game, and, perhaps most anticipated, more news on the newest Legend of Zelda game, Breath of the Wild. While I still have many reservations about the game, especially concerning Zelda’s role and the stupidity of her not being a playable main character, watching the new trailer actually made me want to play a Zelda game for the first time in a long while. Thinking back, the last time I was actively interested in a Zelda game was back when The Phantom Hourglass came out in 2007. Though unrelated in narrative, the 3DS game borrowed heavily from the 2002 Gamecube game, Wind Waker, which remains one of my favorite iterations of the Zelda story and is by far my favorite art style of the whole series.
My Zelda flames stoked once more, I set out in search of fic of my favorite Wind Waker-verse character, Tetra. While the headstrong pirate girl got seriously shafted in the second half of Wind Waker due to her “true calling” as a reincarnation of Princess Zelda, I found her character intriguing. How did this pre-teen-looking girl become the captain of a pirate crew? How did she end up forming this found family with a bunch of strange dudes? Furthermore, how would she adapt to her duties as princess while still holding onto to her pirate life? While the fic I found doesn’t answer anything about her past, it does make a pretty good guess about her future—while throwing in a ship that I didn’t know I wanted, but am glad that I know of now.
I’m of rather mixed feelings about Netflix’s newest original series, A Series of Unfortunate Events. If I take it at face value, it’s a very faithful adaptation of the book series, and it’s honestly an enjoyable way to spend eight hours. Neil Patrick Harris does a fantastic job as Count Olaf, and slips into and out of each of Olaf’s disguises with a whimsical flair that makes the unfortunate events of the series seem drearily entertaining rather than just dreary. Though it seems at times darker than the book series, much of the acting is clearly meant for a children’s demographic, as the characters go through the plot reveals with all the suspense of a Scooby-Doo-esque “I would have gotten away with it too if it weren’t for you meddling kids!” And the runtime, though a little bloated, allows a lot of time for the adult actors to make their shenanigans funny. I really enjoyed watching this series. However, in adapting the book series to Netflix, a few things were expanded on that ended up making the story’s internal logic a little, well, unfortunate.
Having seen two out of the three abysmally bad Fantastic Four movies already, I figured that by now I was probably jaded enough to tackle the original 1994 version without risking my sanity. After all, the 2015 version was absolute rock bottom: so bad that it derailed before looping back around to “hilariously bad” and ended up in a fiery heap somewhere between terrifying and boring. Much to my relief, while the 1994 version is indisputably terrible, it’s the sort of terrible you can watch in relative comfort and have a giggle at. Some charming aspects are that it’s mercifully short, comically overblown, and features (genuinely) the best movie version of Dr. Doom we have. Some terrible aspects are that it feels like a high school kid did the final editing, it treats women like garbage, and while it’s technically fairly accurate to the comics, it chose specifically the worst faults of the comics to stay faithful to.
This is it, folks; this is the last Web Crush I will ever write, because I have found the best thing on the internet and possibly the world, and I shall never care about anything else ever again.
… Okay, okay, I’m joking. Just a little bit.
In all seriousness, though, this week I want to share my love for Critical Role, a weekly internet broadcast from Geek & Sundry, which basically shows how a bunch of nerdy voice actors play Dungeons & Dragons. The series features some of the most compelling storytelling and some of the best acting I have ever seen, as well as some excellent queer characters. It’s really difficult to speak about this show—this phenomenon, really—without descending into an incoherent blubbering mess whose feelings boil down to “OMG OMG it’s amazing!”, but I shall try.
Despite the Johnny Depp of it all, I’m still excited to see Grindelwald as a character in the Fantastic Beasts sequels and to see if they expand on the relationship between him and a young Dumbledore. Part of Grindelwald’s depth comes from their relationship; the two were extremely close and basically planned to take over the world together until a fight between Grindelwald, Dumbledore,and Dumbledore’s brother ended tragically in Dumbledore’s sister’s death. This caused a rift between the two, and Grindelwald struck out on his own, while Dumbledore attempted to delay his confrontation with Grindelwald after Grindelwald started to seize power in Europe.
I previously believed that Albus and Gellert were confirmed to have been in a relationship, and so when I heard that Albus’s sexuality would be explored in future Fantastic Beasts films, I assumed that would include their relationship. But while researching this post, I discovered that J.K. Rowling never believed that Grindelwald reciprocated Dumbledore’s feelings, and in my opinion, this really takes away from the complexity of the character. Furthermore, if their relationship became a major focus in the movies, it would be huge. Queer main characters whose relationship is at the forefront of the story and not playing second fiddle tothe main straight couple would be major representation.