The last thing I need right now is another game. I know this, but I also know full well that I’ll always, always make time for dating sims. I was pulled into this one by a couple of people from one of my D&D groups and was pleasantly surprised to discover that while I’m certainly easily swayed into trying dating sims by people simply saying that they’re good, this game is good. Very good. Follow me below the cut for a tale of murder, magic, intrigue, and most importantly, the Arcana.
This weekend was the Emmys, and usually, nothing much interesting happens at the Emmys aside from the opening monologue. However, I was ecstatic to hear that one of my very favorite TV shows from this year, Master of None, won the Emmy for Outstanding Writing for a Comedy Series. The episode nominated, “Thanksgiving,” was about the story of protagonist Dev’s queer Black friend, Denise, coming out to her family through the years and was co-written by Lena Waithe, herself a queer Black woman. In Waithe’s acceptance speech, she said:
I see each and every one of you. The things that make us different – those are our superpowers. Every day when you walk out the door and put on your imaginary cape and go out there and conquer the world, because the world would not be as beautiful as it is if we weren’t in it.
Waithe’s words are both true and a rarity in today’s world, which generally pays lip service to LGBTQ+ solidarity but hardly ever celebrates the stories of actual (non-white and non-male) queer people. The idea of LGBTQ+ people being superheroes in their own right, not in spite of but because of the parts of themselves that mainstream society often doesn’t accept, is something that many queer youth need to hear and which many superhero stories need to understand.
Many superhero stories will rely on faulty allegories for the LGBTQ+ experience, like the X-Men hiding their abilities from their parents, despite the fact that queer people are not inherently dangerous. These stories often have little to no actual representation, and they almost never show the LGBTQ+ experience in an authentic, realistic light. Fortunately, the world of publishing is slowly pushing itself towards diversity, and one of the fruits of this labor is the 2017 novel Dreadnought by April Daniels. As a superhero story about a transgender protagonist written by a transgender author, it’s every bit as real as Master of None’s “Thanksgiving” and is a beautifully written novel that shows how a superhero story can be more than just another coming-of-age tale.
Minor spoilers for Dreadnought and trigger warning for transphobia/internalized transphobia after the jump.
Have you ever wondered exactly what’s going on inside your friends’ heads? Of course you have. Have you ever wanted to take a surreal and frightening journey inside the physical manifestation of your friends’ thoughts, feelings, and worries? Maybe? No? Well, in these two series, you can!
Fiction provides us with a unique opportunity to see into the minds of others, in that we get to live out other people’s stories and lives and see the world through their point of view for a time. Fantasy and sci-fi elements that allow us to literally see into and interact with the minds of characters, such as the dream-diving in Paprika and Inception, take this a step further. Through literally venturing into a physical manifestation of another character’s mind, you can learn a lot about them that they may not show you on the surface, such as hidden insecurities and secret memories. And sure, as a writer you could get the same information across in a dream sequence that lets the audience see inside that character’s mind for a scene, but the act of physically entering someone else’s mental landscape is what I want to talk about today. It lets the other characters, rather than solely the audience, learn what’s going on in the subject character’s head, and does so in a way that also moves the plot forward and provides a physical adventure at the same time.
Puella Magi Madoka Magica and Flip Flappers are two series that, via magic, give their characters the opportunity to explore their co-cast members’ inner worlds, sending them all down a proverbial rabbit hole into surreal, symbolism-heavy, and often frightening landscapes that teach them (and the audience) something about their peers that they couldn’t have known before. The two series use a lot of the same tools, artistically speaking, but the consequences and emotional outcome of their heroes’ journeys into each other’s mindscapes is very different in each case. Heavy spoilers for both shows beyond the jump!
Welcome to Night Vale constantly amazes me with how unique it is, especially when it comes to religion. It manages to take real religious ideas and weave something entirely new and different from the thing that originally inspired them. The Smiling God, the beagle puppy, and the angels are inspired by Abrahamic religions, but while it’s clear that Huntokar and the other gods are definitely at least inspired by real deities, the creators of Night Vale have managed to create their own unique pantheon.
Several episodes ago, we learned that the god Huntokar, who has been mentioned in passing throughout the show, is the god of Night Vale and has been protecting the people of Night Vale since the very beginning. However, we came to discover that her protection also nearly doomed Night Vale by causing the multiple versions of the town in different universes to collapse in on themselves. In this episode, Huntokar mentions that she is one of four old gods that include the Glow Cloud (ALL HAIL), the Woman from Italy, and the Distant Prince.
Writers tend to take two different routes when it comes to adding deities to their stories. They either use gods of real religions, or they invent their own. Creating your own deities has the major advantage that you aren’t taking the risk of portraying another religion’s deities in a potentially harmful way. However, we cannot escape the fact that we are affected by what we know about religions and their deities and inevitably the audience may realize that these “fake gods” are inspired by real ones. It’s fine to be inspired by real deities, but it’s important to still develop them in such a way as to make them their own unique god, otherwise the portrayal could still end up seeming problematic. And that is exactly what the creators of Welcome to Night Vale were able to do. Their deities are clearly inspired by different real gods, but are written in such a way that they become their own unique god and are not simply a copy of another deity.
Spoilers for Welcome to Night Vale for up to Episode 113.
After several decades of hemming and hawing in the face of the evidence that movies about female heroes and/or starring more than one woman can be financially successful, I suspect that Wonder Woman finally was the straw that broke the camel’s back. Before Wondy, we had the moderately successful Ghostbusters: Answer the Call; coming next year, we will be #blessed by Ocean’s Eight. However, the thing about the latter two films, both reboots of previously all-male franchises, is that they are movies where the gender of the protagonists is incidental. That’s why it’s possible to reboot them with women; there’s no reason a lady can’t bust a ghost or rob a casino as effectively as a dude.
But of course Hollywood can never get it quite right, and now The Powers That Be have predictably got ahead of themselves by confusing incidental and intentional gendering in lady-led reboots.
At long last I finished the first season of Dice, Camera, Action!, a D&D webshow much in the vein of others such as The Adventure Zone and Critical Role. The events leading up to the final showdown with the vampire lord Strahd was as about as intense and chaotic as one could expect, yet as the dust settled I found myself wanting more. Yes, there’s another season out–which I started–but something about the way things finished left me seeking out some comfort fic both for the characters and to ease my shaken heart. Luckily, even amidst the seemingly small bounty, fanfic provides. Continue reading