I’ll admit it, I started watching Princess Principal because it just looked fun. Young women kicking ass as spies in a steampunk fantasy version of turn-of-the-century London, set to a jazzy soundtrack and wrapped up in science-magic? Yes, please. I’ve been pleasantly surprised to discover that this show that I picked up solely for its geeky Cool Factor is… actually really damned good, delivering consistently sharp writing, interesting and layered characters, and some wonderfully efficient and intriguing magical worldbuilding that makes fantastic use of that old writing adage “show, don’t tell” that paints a vivid picture of its fantasy world from its very first scene.
Because it did such a good job laying the groundwork and piquing this viewer’s interest, let’s look just at the show’s first episode, and the small but important details the premiere gives us (and how) that let us build a picture of the world… without leaning too heavily on narration, pausing or cutting into the action to explain what’s going on, or having an audience point-of-view character that others teach things to.
I think I’ll tryyyyy defyyying graviityyyy. (via aldi404)
During these troubling times, I like to go to my safe space for a while so that I can process things, and for me that often means diving into comics. Recently I was thinking about the 2017 Wonder Woman movie, which I loved, but also had some troubling religious aspects. We talked previously about how Wonder Woman was heavily Christianized, with Ares acting more like the Christian devil and less like the God of War, putting Wonder Woman in the Christ/savior role. But today I want to focus on the lack of goddess figures in Wonder Woman, excluding Wonder Woman herself, of course. Why, in a society of just women, was there so much focus on Zeus as the main god they followed, especially when previous comic incarnations of the Amazons did have them worshiping the Greek goddesses over the gods?
In the balmy days of our summer vacation I figured it would be as good a time as any to clear out my mobage (mobile game) catalog on my emulator. Yet, as is the result of most of my cleaning ventures, I made space only to fill it up once again. Whoops!
Among my newest set of free to play mobile adventures is Tales of the Rays, a Namco Bandai exploration into how to adapt a console Tales game into a more portable format. Though I started only recently, Rays’s troubling trends only seem to get worse and worse the further I get. Not in terms of the gameplay (which is pretty fun, honestly), but in the development of the two protagonists, especially in concerns to the lady on the squad, Mileena.
Voltron: Legendary Defender‘s Season 3 has come and gone already – pretty easy when the runtime of the whole season is less than three hours. With only seven episodes to satiate my needs for its particular brand of mediocre-to-promising character development and giant robot lions punching things, the obvious next step was turning to fanfic. And although the Voltron AO3 section can be like a kinked-out version of the Wild West on the best of days, I was lucky enough to find this character-centric gem after just a bit of searching.
As my favorite Voltron fics often are, this fic is told from a trans!Pidge’s POV, and centers on her relationship with Shiro following the events of this season.
(Note: a free review copy of the Hyper Force Neo graphic novel was provided by the distributor)
Around a year or so ago, I picked up the first issue of Hyper Force Neo by Jarrett Williams at a convention. Its striking art style and premise caught my eye, and as predicted, it was right up my alley. I more or less enjoyed it with a few minor gripes here and there, but overall had a good time with it.Since then, the series run was cancelled in favor of a single graphic novel release. Luckily for me, this is my preferred method for reading comics! So now that the full narrative is out there, what did I think? Well, arguably, both its positives and negatives from the first issue have remained the same! So I definitely still liked it, but I’d argue that it is more polarizing.
Now that Moana has been released and Lindsey Ellis, formally known as the Nostalgia Chick, did a video essay comparing it to Pocahontas and talking about cultural appropriation, I’ve been thinking a lot more about Disney’s 1995 Pocahontas movie. I absolutely don’t want to defend Pocahontas because, well… it’s bad. It’s really bad and racist, but this movie did have a lot of positive effects on me and my understanding of the genocide white people waged on Native Americans. And even nowadays, over twenty years later, it once again indirectly managed to help me come to terms with a personal trauma. Lindsey Ellis’s video does a really good job deconstructing everything that’s wrong with this movie and I wholeheartedly recommend everyone watch it, because Pocahontas is on the whole a really awful movie. Despite my love for it and the positive influence it had on my life, those things do not erase the negatives.
Luce: Well, guys, it’s been a long journey to the finale. Five years of twists and turns later, we’ve finally reached the end of the journey (or, at least, this journey) for Clone Club. But how did our favorite clones fare at this, the end of all things, and did they all make it through unscathed? Reviewing the end of Orphan Black is too much to take on alone, so I’m super glad to be joined by all of our faithful Orphan Black review team for this very last review.