Spoilers for Season 7 of Game of Thrones throughout.
Before the seventh season came out, I knew that it would probably be worse than the seasons before it. I just didn’t know how it would be worse. But disappointed I was not. The horribleness this time around more than exceeded my expectations. There are so many things to talk about, but here on Lady Geek Girl & Friends we try to keep our posts below a certain word limit, so we don’t bog you readers down with a post the size of a novella. And Game of Thrones’s seventh season is so asinine that a novella is exactly what I’d be in danger of writing if I tried tackling all my thoughts. Thankfully for me, Mikely will be by later this month with his own Game of Thrones Season 7 review. In the meantime, however, I’ve got a bone to pick with Prince Rhaegar Targaryen, his annulment to Elia Martell, and all the worldwide implications that entails.
Trigger warning for abuse, violence, and sexual assault up ahead.
At one point about a year ago, I was thinking of writing a Sexualized Saturdays post on Portal, but when I discovered that our own BrothaDom had already written that article, I cursed the whole “great minds think alike” thing and moved on. But something about Portal kept refusing to let me drop the idea of doing an article on it and I think I finally figured out what it is: GLaDOS is, arguably, an unsung feminist icon.
Admit it, even after all the attempted murder… you still kinda want to give her a hug right? (Image via The Portal Wiki.)
Much of the media discussion of Portal centers around the awesomeness of Chell as a groundbreaking example of “female as generic default” for a game protagonist… because she is! But, mostly in Portal 2, there’s a whole lot more narrative devoted to GLaDOS’s backstory and the way it changes the emotional tone of her relationship with Chell. Along the way, we get a narrative about who and what GLaDOS really is, which takes her from being little more than a gameplay mechanic to a truly deep and memorable character. The main story arc in which that transpires is one in which Chell and GLaDOS confront a patriarchal system that has turned them both into pawns in an infinite game and where the cycle of violence brought by abuse is a central theme.
(TW: Discussion of abusive relationships and violence against women.)
It’s now officially Fall! …Or that’s what the calendar tells me, but the unwelcome persistence of 80 degree weather (that’s 27~ degrees Celsius to you Celsius-using folk) is weaving a different tale. In an effort to prove that temperature doesn’t rule my life–even when I’m dying and making offerings for those crisp fall days to come the fuck on already–I’ve started to dive into that good seasonal content. Of course, that means witches and magic!
Back in March of last year I talked about how excited I was for the upcoming anime adaptation of the manga The Ancient Magus’ Bride, and just recently the three part OVA, Those Awaiting A Star, finished airing in Japan. Despite being unaware that an OVA was even happening, I eagerly dove into the three 25 minute episodes. It was advertised as a prequel story, so I was a bit hesitant that the OVA would be focusing mostly on the situation that brought heroine Chise to her living arrangements with her fiance, the titular ancient magus; doing so would almost certainly mean focusing on the neglect and abuse Chise suffered, and three episodes of that sounds kind of like the worst thing ever. It’s impossible to avoid that completely, as the episodes focus on Chise’s childhood, but if you share my concerns, I’m here to tell you that the OVAs didn’t turn into the Chise torture hour. More importantly, Those Awaiting A Star subtly shows off the environment Chise comes to thrive in as well as her relationship to Elias (the magus) in a way that quells the worries I, as someone who hasn’t read the manga, had about that too!
They’re so cute and good, you guys. (Screenshot taken by me)
From its inception, Animorphs was always a series dedicated to what we’d term social justice today. It featured five kids of various ethnicities trying to save the world from a secret alien invasion, becoming child warriors in the process. But as a product of the 90s, it didn’t focus on LGBTQ+ issues very much. Sure, the protagonists were very young, and author K.A. Applegate might not have been able to get any LGBTQ+ rep through her publishers if she had had any ideas, but the fact remains that a series about kids literally changing their bodies as a weapon of war should have made trans issues front and center in Animorphs‘s otherwise excellent diversity.
Fortunately, in recent years the Animorphs fandom has taken steps to correct this oversight. One of my previous FFs, Bird in a Cage, was a character study of Tobias, arguably the Animorph with the most gender dysphoria. Canonically, Tobias never felt comfortable in his human body, and when he ended up trapped in his hawk morph, it wasn’t his body he missed, but his humanity in general. In that fic, author etothepii explores the idea of Tobias as a trans girl coming to terms with her gender identity. Today’s fanfic broadens the scope of these gender identity issues by changing the gender identity of all the Animorphs. The Word of Your Body is a series of vignettes about trans, intersex, and nonbinary Animorphs that looks at the many social and family issues that the gender-diverse Animorphs have to go through in the shadow of the war.
Trigger warning for gender dysphoria, transphobia, and internalized transphobia in the fic. As Animorphs was originally written in the 90s, this fanfic was written using LGBTQ+ terms that would have been used in the 90s, despite the fact that we no longer use some of these terms today. Please read with caution.
Overwatch has been out for over a year now. We’ve seen lots of updates and gameplay patches, tons of cosplays, and an approximately infinite amount of fanart and articles on the game’s social issues and impacts. Suffice to say, the game has been a worldwide phenomenon among many audiences. In this regard, Overwatch has executed the seemingly difficult task of being a hit with both experienced players and casual players, as well as with both gameplay enthusiasts and fandom participants (and of course, these two can overlap). It’s one of the best examples of a game that has accomplished garnering such an audience, and I’d like to explore how they’ve done this.
It’s been ages since the last time I read the Seventh Tower series by Garth Nix, but I’d been meaning to read it again, so this weekend I sat down and blasted through all six volumes. (At around 200 middle-gradey pages each, they’re not a heavy read.) I did remember enjoying the series when I read it the first time—probably way back around when it was published between 2000–2002—but very little else. All I remembered was that I liked them enough, so they’d survived several cullings of my ridiculously large book collection until such time as I could reread them and rejudge.
Having finally done just that, I am happy to report that the series is definitely an enjoyable read, although I probably won’t be holding onto them for another round a decade into the future. I was impressed to see that The Seventh Tower uses magic and worldbuilding in a fascinating way that allows for a deconstruction of privilege that feels organic to the story, while providing us with a strong female touchpoint character as well. Although, given that it was Garth Nix writing, I probably shouldn’t have been surprised. Continue reading →
The last thing I need right now is another game. I know this, but I also know full well that I’ll always, always make time for dating sims. I was pulled into this one by a couple of people from one of my D&D groups and was pleasantly surprised to discover that while I’m certainly easily swayed into trying dating sims by people simply saying that they’re good, this game is good. Very good. Follow me below the cut for a tale of murder, magic, intrigue, and most importantly, the Arcana.