People in fandom debate fiercely about numerous parts of the Mass Effect narrative and how “good” they are. Yet no one seems to argue about how great the series is at giving its players that found family goodness (and if there’s someone who does argue about it, they’re wrong). Much of this highly prized content come from the protagonist’s krogan squadmates—Wrex, Grunt, and now Drack—but on my way to find the “Shepard bails Grunt out of jail for partying too hard” fic that I wanted, I found another sort of fic which nevertheless embodied so much of what it meant to be part of Commander Shepard’s team on the Normandy. The only problem I had with it was that I read it too early in the day and my emotions weren’t steeled enough to keep me from bawling over my favorite characters.
Like many fanbases, the Bioware fanbase/playerbase is a trash fire at any given time. Said fanbase didn’t even let Mass Effect: Andromeda get off the ground before lambasting it for various graphical inadequacies and stilted line delivery. However, while there do exist some graphical glitches, weird bugs, and a disappointing character creator, ME: A is not that bad. Since I’m not even halfway through the game yet (no spoilers!) this isn’t going to be a full review, but rather a look at a troubling reaction by Mass Effect’s audience. After already being labeled as “SJW propaganda” by people who loathe anything that looks like a diverse cast, it’s absolutely no surprise that there’s such negativity surrounding a woman in charge; even less surprising when that woman is Black. While there’s absolutely fault on the fanbase for the unfair treatment surrounding her, in what I’ve seen and experienced I can only come up with one conclusion: Bioware set up Sloane Kelly to fail.
Spoilers beneath the cut. Continue reading
Perhaps to the surprise of very few, it wasn’t too long ago that I sat down and finished Love Live!’s second incarnation, Love Live! Sunshine!!. For all intents and purposes, Sunshine is exactly the same plot as the first Love Live!: a group of three second-year high school girls working hard to become school idols, eventually recruiting three first-years and winning over the skeptical group of three third-years to round out their final group. While a good portion of the Love Live! fanbase and tenets the show is built on are problematic due to their sexualization of young girls, the show itself is typically not any worse than any other anime you may have seen. Unfortunately, though the first season gave me a wealth of girls supporting girls and legitimately touching moments, Sunshine never quite got its feet off the ground. Much of this can be attributed to protagonist Chika’s lack of personality or drive, but the aspect that truly ruined the whole season beyond redemption was the gaslighting of Mari by the two friends she trusted the most, and the show does nothing to show how what they did was wrong.
Spoilers if you haven’t watched past episode 8 of Sunshine.
Once upon a time I was one of the many people trying to catch up with Critical Role. During this fantastical, entertaining slog (and it was a slog at times) fellow fan Noodle suggested to me that I take a different route with my catch up plans: instead of watching each 3+ hour episode, I read the summaries of the episodes instead. “What a perfectly logical solution!” I thought. While my stubbornness eventually saw me through the 20-some episodes I was behind on, I ended up enjoying the site Noodle linked me to, Project Derailed, for its other nerdy content and reviews.
The newest season of RWBY was, in my opinion, one of the better seasons: the animation was beautiful and the characters continued to grow in impactful ways. There were unsurprisingly a few missteps, but one of these missteps almost ruined the entire season for me—and while it didn’t, it certainly took me out of a couple episodes. Before this season, RWBY didn’t offer too much in the ways of characters with physical disabilities, but the characters they did show were pretty badass. Torchwick’s right hand woman, Neo, managed to be intimidating, skilled, and infuriating (in a good, villain-y way) all without use of her voice, and Cinder’s companion, Mercury, used his prosthetic legs as naturally and dangerously as any trained warrior would. Their disabilities didn’t define either one or hold either of them back, it was just a part of who they were. Which is why I was disappointed and frustrated that in RWBY Season 4, the characters now learning how to live with their new physical disabilities weren’t given the same sort of narrative support — a problem most heinously shown through the character Yang.
This isn’t typically what I do for Trailer Tuesdays, or at least I usually don’t go out looking for a terrible trailer to trash. However, the moment I saw the trailer for Wish Upon playing silently on my Facebook wall, I knew the film would be bad. Out of some morbid curiosity, I decided to find out just how bad this film was willing to be in the name of hopping on the generic gritty fairy tale trend, and hoo boy, does this film look bad in the terrible, boring ways we’ve all become accustomed to.
I finally had a chance to sit down and watch Season 4 of RWBY—something I was really looking forward to after how much I enjoyed the previous season. With everything seemingly in ruins, Season 3 left me wondering how Team RWBY and their friends would be left to pick up the pieces and Season 4 did not disappoint. Though not as action-packed as the season before it, Season 4 finally took some time to give both the main characters and the side characters some much needed development. However, some of these developments left me feeling a little confused and questioning why the writers took that path (and not in a good way). And while RWBY’s world continues to improve in terms of diversity, at times it felt like a mirror of the name of one of the season’s episodes: one step forward, two steps back.