I didn’t intend to write this post about yet another queer comic. I didn’t even intentionally buy one, not that I’m complaining—the guy at the comics shop just described Heathen to me as a re-imagining of Norse mythology similar to ODY-C. Since ODY-C is a trippy and beautiful comic re-imagining the entire Odyssey with a cast of only women, you can see why I might be interested. Of course, given its almost entirely female cast, ODY-C is also preeeetty gay, so the comparison probably should have tipped me off.
Heathen starts with a bit of lore-building: the Valkyrie Brynhild, formerly leader of Odin’s immortal warrior women, was cursed by the Allfather after refusing to follow his orders. She must live her endless days in exile and must marry a mortal. Brynhild, however, was able to parley that she would at least be able to choose said mortal. (This exchange entirely lacks gendered language, heyo foreshadowing.) Odin agreed, and sent her off to await her erstwhile suitors.
I need very little motivation to give a recommended new book a try. Sometimes it’s the plot concept that grabs me; more often than not, someone just says “it has queer people in it” and that’s enough for me. (I’ve ended up trying some terrible books this way; LGBTQ+ representation and quality are not mutually guaranteed.) Combining an author I already know I love with the promise of queer representation, though, is a no-brainer for my ever-growing to-read list. So when I saw that James Tynion IV had written a comic series I’d somehow never heard of, and that it came highly recommended by Bisexual Books, I obviously had to check it out.
Vague spoilers for Vol. 1 of The Woods below the jump.
After the roaring success of Netflix’s many Marvel shows, Hulu has finally thrown their lot in with the comic book crowd and ordered a Runaways live-action series. The Runaways are a team of kids and teenagers who joined up to strike out on their own after they all found out that their parents were supervillains. They didn’t exactly set out to be a superhero team, but because so many of them inherited superpowers or impressive technology from their evil parents, trouble kind of finds them. They are definitely amongst Marvel’s most underrated and under-utilized teams, so it’s great that they’re getting an opportunity to shine in a new series. Personally, if we were going to have a Marvel teen superheroes series I was gunning for my little babes the Young Avengers, but hey, it’s not like I’m bitter or anything. The Runaways and the Young Avengers did have a lackluster team-up once, so I can dream.
There are a lot of important aspects of the Runaways that make them unique, so I have a lot of expectations about this Hulu series. The comics set a high bar for diversity back in 2003, so I have a couple of points that I consider perfectly attainable and also very important for the show to be progressive, inclusive, and true to the comics.
Let’s face it, 2016 was tough, and 2017 doesn’t look to be much easier. So let’s delve into some of our favorite geeky romantic pairings to help us cope! Yep, it’s Valentine’s Day, that sickeningly sweet holiday when our authors nominate and then vote on ships for our Top 20 Romantic Couples in Geekdom (10 Canon/10 Fanon) list. It is now my duty to present to you the super cute and sexy ships of 2017!
Gentle readers, you may or may not know that I love me some Steven Universe. You may or may not also know that a new Steven Universe ongoing comic series debuted earlier this week.
I’m usually not that interested in comics series that are directly tied to ongoing series—for example, although I liked the various six-issue Adventure Time series that delved into the backgrounds of characters who might never get a lot of showtime, I never really felt the urge to pick up the actual Adventure Time comic. However, I broke with my personal tradition this week to try out the new Steven Universe series, because, well, I love me some Steven Universe.
Geek culture has evolved. Over the last few decades, a push for greater inclusiveness and better representation has gained major ground as our generation’s penchant for nostalgia simultaneously breathes new life into dusty classics. One of the more excellent byproducts of all this dusty life-breathing has been the tendency to reexamine some of our favorite classic female characters and expose them to modern feminist criticism. In the midst of it all, however, I feel like one of the most unique ladies in comics has remained largely confined to “cult status”: Tank Girl.
This foul-mouthed, sexually liberated, substance-abusing, interspecies dating, ultra-violent, post-apocalyptic badass has been around since the late punk days and has given us some of the most incredible and incredibly fucked up stories I’ve ever read. She has been able to retain such a consistent emotional energy throughout decades of artists interpreting her that she nearly seems to have some level of real-world agency; at times she almost feels real. I, and many of her fans, see her as a sort of pop culture meta-demigod-thing: “Tank Girl, goddess of anarchofeminism and blowing shit up.”
You really don’t want to make her mad.
Tank Girl is, in many ways, the comic book equivalent of the punk and riot grrrl musical movements. Born a decade after the Sex Pistols but a few years before Bikini Kill, Tank Girl’s pagesradiate a sense of anarchistic artistic resistance to the inequality born of extreme commercialism and the emotional damage caused by rigid and oppressive social norms. Tank Girl is regularly portrayed literally destroying systems of oppression, often going to ludicrous extremes to avenge minor injustices (such as the mafia buying up all the good beer to sell everyone crap at inflated prices) and occasionally committing major injustices in the process, highlighting and mocking the fragile nature of these systems along the way.
This is the most awesome trailer I’ve seen in ages.I think it’s a pretty safe bet to say that I haven’t been this excited for a strictly X-Men movie in a while now, especially one that has Wolverine as the main character. But this? This is all I have ever wanted in a new X-Men movie, and it sets things up for hopefully diverse X-Men movies in the future.