Trailer Tuesdays: Thor: Ragnarok

We’re lucky enough to be getting three MCU movies this year, even if I was a bit underwhelmed by the first one. The casting news about Thor: Ragnarok had me pretty hyped for this movie, but now that I’ve seen the trailer, I’m only about 40% hype. The remaining 60% is confusion.

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Fanfiction Fridays: The Chilling Crimes of Chinchilla Chick by Traincat

Squirrel Girl! @unbeatablesg
WHO EATS NUTS KICKS BUTTS AND JUST KISSED THE RADDEST ROOMMATE EVER idk but i bet she’s super cool and finished all her homework

Squirrel Girl! @unbeatablesg
LIKE A CHAMP #eatsnutskicksbutts #andassignments

Nancy W @sewwiththeflo
So glad Mew approves of my new relationship. That would’ve been awkward. #neithersinglenorreadytomingle

Squirrel Girl! @unbeatablesg
@sewwiththeflo Hahaha but it would’ve worked out anyway right Nancy

Squirrel Girl! @unbeatablesg
@sewwiththeflo Nancy?

Squirrel Girl! @unbeatablesg
@sewwiththeflo NANCY

Squirrel Girl! @unbeatablesg
@starkmantony aw you ol’ softie you! thanks for the edible arrangement!

Tony Stark @starkmantony
@unbeatablesg Don’t mention it. Really.

Squirrel Girl! @unbeatablesg
@starkmantony could’ve used more nuts, though

Tony Stark @starkmantony
@unbeatablesg What did I just say?

The first time Nancy kissed Doreen she tasted like acorn buttercream and New York City grit. Nancy had never thought of that as a winning combination, but somehow Doreen made it work. She also dipped Nancy, because Doreen kissed like she did everything else: with 300% enthusiasm and like she’d learned it off a pack of trading cards written by a maniac in a full-face mask.

The Chilling Crimes of Chinchilla Chick may not be an actual canonical Unbeatable Squirrel Girl comic, but it’s pretty much the next best thing. Actually, it’s got femslash, so it’s inherently better. Let’s do this.

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Magical Mondays: “The Smartest There Is” Takes on Magic

The recently concluded arc of Moon Girl and Devil Dinosaur, “The Smartest There Is”, opened on nine-year-old protagonist Lunella Lafayette learning that, thanks to her results on a test created by Bruce Banner, she is the smartest person. Not the smartest kid, or the smartest girl, or the smartest human, or the smartest being on Earth; she’s flat out “the smartest there is”, hence the name of the arc. The other people on the list (mostly adult men) are a bit salty about a little Black girl from the Lower East Side stealing their thunder, but none more so than one Victor Von Doom.

Doom sends robots to attack Lunella, and they’re unlike anything she’s fought before. Namely, they’re powered by Doom’s magic rather than by some kind of quantifiable science. So what does the smartest there is do when faced with something that defies scientific understanding? Attempt to explain it scientifically anyway.

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My Mom Doesn’t Know “Mr. Blue Sky” and Other Things I Had Feelings About During Guardians of the Galaxy Vol. 2

Well, Guardians of the Galaxy Vol. 2 sure was a thing I watched.

I should start with a positive, right? It had a great soundtrack. (Although I was shocked to discover that I recognized some of the songs and my music aficionado mom did not.)

Also, I’d definitely argue that it was better than its predecessor. If you’ll recall my review, I left Vol. 1 deeply disappointed, and I felt like this movie offered a lot of the character beats and emotional high notes that I wished the first film had hit. It also improved the representation on the team by giving us the first MCU team-up with some semblance of gender parity.

That said, I’m not sure what this story adds to the overall Marvel Cinematic Universe worldbuilding, and being a band-aid for the previous film’s issues isn’t necessarily a good look for a sequel.

Spoilers after the jump!

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Unpopular Opinion: Steve Rogers Was Always a Fascist

There’s been a lot of good writing, here and elsewhere, about why it’s so upsetting for Marvel to reboot Steve Rogers, the original Captain America, as a crypto-Nazi HYDRA agent. But oh, is it worse than that. I want to offer this: Rogers, in both the comics and the movies, has always been a fascist. It’s just that he’s previously been on our side.

To be fair, he’s not usually a racist, white supremacist, or otherwise an evildoer; that’s a new aspect of the HYDRA-Steve persona. But behind the red, white, and blue shield and optimistic, inclusive rhetoric, there is a man who believes, ultimately, that only he can truly separate right from wrong and stand between good and evil. The simple fact that he’s been written so that the reader/viewer will agree with his conclusions is a mere distraction from his antipathy for democratic values and individual rights.

captain america demand

Scan from “Civil War” (image via idratherbeloislane)

Here he is at his most idealistic, righteous, and pure. And yet, he’s 100% wrong: he goes after the press, the politicians, and the “mob”, dismissing the public, their representatives, and their voices with a simple assertion of his own moral views. The United States was not founded on a principle of individual defiance of the general will: rather, we were founded as a nation of laws, not men, of separated powers, of due process, and of representative government. Such scorn for media, politicians, and the electorate is more commonly reserved for repressive regimes.

If anything, the traditional version of Steve Rogers provides a more apt and chilling warning about the risk of an authoritarian America than any weak-sauce HYDRA parody of the man.

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Throwback Thursdays: Gender, Feminism, and Exploitation Tropes in Y: The Last Man

The comic book series that I come back to over the years tend to be the ones with the most memorable and well fleshed out characters. I generally also re-examine these treasured tomes from a more critical perspective as time goes on, often from an explicitly feminist one. Of these all-time favorites, one that particularly warrants that reexamination is Y: The Last Man.

Y - Cover.PNG

The team dynamic in a nutshell. (Scan from Y: The Last Man)

I won’t lie, I’ve been wanting to write about Y since I survived the Jedi/Sith training required to write for LGG&F; I’ve also been absolutely dreading it. For those of you not familiar with the series, Last Man is a story by Brian K. Vaughan that ran from 2002–2008 in which all the characters aside from the titular protagonist are women, as is nearly every other human being alive. It’s a story, written by a man, about the last man alive in a world full of women. To say that there are some inherently problematic issues in the series from that information alone is an understatement. Many of my favorite comic book authors are men and many of my favorite comic book characters are women; that critical angle is one I encounter frequently, but Y takes it to a whole new level as nearly every character you encounter or see is female (or AFAB).

In looking back at The Last Man here, let’s explore how it inverts exploitation narratives in order to undermine them and how it uses gender as a lens through which to examine human nature.

Spoilers for the whole series, including the end, follow.

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Oh, My Pop Culture Deities: It’s Tough to Be a God

You’d think that a comic based on an actual god figure from real-world mythology would be rife with potential for this column, but most of the time The Mighty Thor, which stars the new Jane Foster iteration of the character, doesn’t actually deal with much that could be considered theological in nature. However, the last three or so months’ worth of issues (#15-17, to be specific) have featured a very interesting conflict that gets at a meaty question. What does it mean to be a god? More specifically, does ultimate cosmic power come with a responsibility to one’s worshippers? How ought gods prove their power to their followers? This conflict is addressed through a competition that is both fascinating and horrifying.

(via the Marvel wikia)

Spoilers for the aforementioned issues below the jump.

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