Black History Month is moving right along, and while everyone is out there quoting Martin Luther King Jr. or incorrectly talking about Frederick Douglass, I think it’s important that we look at issues surrounding our Black women, as well. Luckily, we’re slowly but surely getting more Black girls and women in our media! Unfortunately, from looking at depictions of Black girls and women in media, such as last year’s scandal over Riri Williams, it’s easy to see that Black (and darker-skinned) women tend to be more sexualized in nerd media than their white (and fairer-skinned) counterparts. This creates a culture where darker bodies are seen as inherently more sexual, and thus more acceptable as targets of objectification and sexual violence.
As usual, our yearly Valentine’s pairing extravaganza will be showing up later today. To balance out that romance-filled spectacle, we’ve compiled a list of some of our favorite feminist movies that don’t have strong romantic messages for the not-so-romantically-inclined to curl up with on this fine Tuesday night.
Hit the jump to find out what we picked, in no particular order!
Moana was several different brands of delightful, but one aspect that captured my heart is that it draws its inspiration from mythology rather than from fairy tales—something Disney hasn’t really done since Hercules, and something that gives its heroine a very interesting dynamic. The movie features the trickster god Maui as one of its main characters and incorporates other elements of Polynesian folklore, but I was especially interested—and pleasantly surprised—to see that Moana herself has quite a traditional mythical hero’s character arc.
She is a leader, chosen by nature and destiny, who sets out on a quest surrounding an important magical object, where she ventures through the realm of the supernatural and tangles with gods. When it’s over, the balance of nature is restored and she returns to her people as a wiser and more capable ruler. It’s a quintessential hero-king quest narrative, which, incidentally, is also a quintessentially male narrative. But without so much as a shrug, Moana gives this archetype to its female heroine and sends her on her journey.
Spoilers for the whole movie after the jump!
One of the biggest mysteries of this season in my eyes is “how in the world have the Harry Potter films become a Christmas/holiday tradition?” Sorcerer’s Stone came out in November back in 2001, but the timeframe doesn’t instantly make a film a Christmas classic. Sure enough, though, every December I can turn the channel to ABC Family (or whatever it’s called now) and find each and every Harry Potter film nestled snugly in between other classics such as How the Grinch Stole Christmas and The Polar Express. While this mystery may never be solved in my eyes, it got me thinking about a certain facet of the Harry Potter series that, in all its exploration of magic, seems to be woefully underutilized—a fellow holiday tradition, food.
Fans of course remember the grand banquets during the sorting ceremonies and have fond memories of the pumpkin pasties and the chocolate frogs available on the Hogwarts Express, but all things considered, wizard food remains strangely mundane compared to Muggle food. Stranger still is how it seems that, in general, the more realistic the story, the more magical its food seems to be. Yet in a way this makes sense; these seemingly at odds representations of the magic of food serve to reinforce what the characters are looking for in their respective stories.
This October, Disney announced that it would soon be making a live-action remake of its 1998 movie Mulan, thus continuing 2016 as the Year of the Remake. Like most remakes, this one was immediately engulfed in controversy. There were rumors, later confirmed, that Disney was planning on inserting a white male love interest for Mulan who falls in love with her and saves China for her, thus proving that everything Hollywood touches turns to the opposite of gold. Fortunately, Disney has now said that everyone of note in the movie will be Chinese, but given Hollywood’s past missteps with this and other movies, I’m not entirely convinced of their sincerity. Yet it’s frustrating to me that Disney is already failing at basic representation when there are so many other ways they could mess up this remake that they haven’t yet addressed. So let’s take a look back at the original Disney movie and try and figure out what kind of story the remake might be.
A while back I reviewed a trailer for a little movie called Moana. I was worried about the lack of early advertising the movie was getting—I hoped that the hype among my own age group and demographic would translate to ticket sales, so that Disney couldn’t use a less-than-successful premiere to justify avoiding nonwhite Princess stories for another decade.
Turns out I needn’t have worried—Moana opened this weekend to a phenomenal box office take, only barely failing to unseat Frozen as the #1 Thanksgiving animated film opening of all time, and I’m honestly pinching pennies in the hope of seeing it again soon. To me, it was a sweet, empowering, and well-made movie; however, some native Polynesian critics felt that it played too fast and loose with their culture. Let’s get into it after the jump!
Spoilers for everything, by the way!
Most people have what they would consider their quintessential Halloween movie, from groan-worthy B movies to the scariest of horror flicks. While I would be hard pressed to pick the Halloween movie for me—I’m indecisive—I would absolutely say that one of them is the 1998 made-for-Disney-TV-movie Halloweentown. I mean, it’s got “Halloween” right in the title. Yet, as with most things from our childhoods, there’s always the fear that going back and revisiting previously cherished media will reveal how shitty and terrible it actually was. I’m not sure if it was by virtue of it being a Disney flick (and thus having to be pretty safe anyway) or the quality of the film’s script, but even almost twenty years later, Halloweentown, despite some problems, remains a bright spot in Disney’s filmography because it focuses on the power of family in an almost unbelievable situation.