Sadly, I still haven’t gone to see the new live-action Beauty and the Beast yet, but since it seemed timely, I decided to go back and revisit the 1991 animated film first. Ever since it came out, Belle has been lauded as one of the more feminist Disney princesses, especially in comparison to other older Disney protagonists such as Cinderella or Ariel. Belle is book-smart, curious, and outgoing, and she defies societal conventions by being completely unapologetic about who she is. So of course we see her as feminist, and it’s through the use of magic that Disney attempts to capture a feminist message in her narrative. However, despite all of Belle’s potential feminist characteristics, Disney still creates a world in which the only possible option for Belle and the other princesses is to fall in love with and marry a man. The magic in these movies exist to subvert some patriarchal values, but in the end, they adhere to others by continuously rewarding its protagonists with unwanted love interests.
During the middle of last week, Disney finally released their U.S. trailer for their own theatrical jaunt into the Day of the Dead mythos, Coco. I, for my part, completely forgot this movie was even going to be a thing, and still kind of wish that it wasn’t. The bad blood Disney created during the film’s production still lingers, and with a seemingly superior film, The Book of Life, having already been released, many still question why we even need Disney’s spin on Mexican culture. Does Coco seem worth giving the time of day? For the time being, I’m going to give it a somewhat wary “yes”.
Disney-Pixar’s Up has a special place in my heart. It’s a fun adventure film with some stunning animation and great writing, and every time I sit down to rewatch it, I find myself in love with nearly everything on the screen all over again. This wasn’t always the case, though. The story is centered on a man dealing with his wife’s death, and fridgings are an overused trope that I hate a great deal. But the more I thought about it, the less this fridging in particular bothered me. Up takes that common trope and reworks it into an important life lesson with a surprisingly positive message about dealing with the death of a loved one.
Black History Month is moving right along, and while everyone is out there quoting Martin Luther King Jr. or incorrectly talking about Frederick Douglass, I think it’s important that we look at issues surrounding our Black women, as well. Luckily, we’re slowly but surely getting more Black girls and women in our media! Unfortunately, from looking at depictions of Black girls and women in media, such as last year’s scandal over Riri Williams, it’s easy to see that Black (and darker-skinned) women tend to be more sexualized in nerd media than their white (and fairer-skinned) counterparts. This creates a culture where darker bodies are seen as inherently more sexual, and thus more acceptable as targets of objectification and sexual violence.
As usual, our yearly Valentine’s pairing extravaganza will be showing up later today. To balance out that romance-filled spectacle, we’ve compiled a list of some of our favorite feminist movies that don’t have strong romantic messages for the not-so-romantically-inclined to curl up with on this fine Tuesday night.
Hit the jump to find out what we picked, in no particular order!
Moana was several different brands of delightful, but one aspect that captured my heart is that it draws its inspiration from mythology rather than from fairy tales—something Disney hasn’t really done since Hercules, and something that gives its heroine a very interesting dynamic. The movie features the trickster god Maui as one of its main characters and incorporates other elements of Polynesian folklore, but I was especially interested—and pleasantly surprised—to see that Moana herself has quite a traditional mythical hero’s character arc.
She is a leader, chosen by nature and destiny, who sets out on a quest surrounding an important magical object, where she ventures through the realm of the supernatural and tangles with gods. When it’s over, the balance of nature is restored and she returns to her people as a wiser and more capable ruler. It’s a quintessential hero-king quest narrative, which, incidentally, is also a quintessentially male narrative. But without so much as a shrug, Moana gives this archetype to its female heroine and sends her on her journey.
Spoilers for the whole movie after the jump!
One of the biggest mysteries of this season in my eyes is “how in the world have the Harry Potter films become a Christmas/holiday tradition?” Sorcerer’s Stone came out in November back in 2001, but the timeframe doesn’t instantly make a film a Christmas classic. Sure enough, though, every December I can turn the channel to ABC Family (or whatever it’s called now) and find each and every Harry Potter film nestled snugly in between other classics such as How the Grinch Stole Christmas and The Polar Express. While this mystery may never be solved in my eyes, it got me thinking about a certain facet of the Harry Potter series that, in all its exploration of magic, seems to be woefully underutilized—a fellow holiday tradition, food.
Fans of course remember the grand banquets during the sorting ceremonies and have fond memories of the pumpkin pasties and the chocolate frogs available on the Hogwarts Express, but all things considered, wizard food remains strangely mundane compared to Muggle food. Stranger still is how it seems that, in general, the more realistic the story, the more magical its food seems to be. Yet in a way this makes sense; these seemingly at odds representations of the magic of food serve to reinforce what the characters are looking for in their respective stories.