The Great Muppet Caper is probably one of my favorite Muppets movies. I mean, it’s hard for me to actually dislike any Muppet movie, but still, this is one of the better ones. This movie came out in 1981 and is a mystery musical comedy. Kermit, Fozzie, and Gonzo are reporters for a newspaper called the Daily Chronicle who are investigating a robbery committed against prominent London fashion designer Lady Holiday. This eventually leads them on a wild adventure to prove Miss Piggy innocent when she is accused of stealing Lady Holiday’s jewels. I discovered the movie was available on Amazon Prime and was excited to watch an old classic, but while it was as hilarious as I remembered, some things in the movie sadly didn’t age so well.
Black History Month is moving right along, and while everyone is out there quoting Martin Luther King Jr. or incorrectly talking about Frederick Douglass, I think it’s important that we look at issues surrounding our Black women, as well. Luckily, we’re slowly but surely getting more Black girls and women in our media! Unfortunately, from looking at depictions of Black girls and women in media, such as last year’s scandal over Riri Williams, it’s easy to see that Black (and darker-skinned) women tend to be more sexualized in nerd media than their white (and fairer-skinned) counterparts. This creates a culture where darker bodies are seen as inherently more sexual, and thus more acceptable as targets of objectification and sexual violence.
These days we spend a lot of time talking about abstract concepts like toxic masculinity and rape culture, and whether discussing them in the realm of politics or in a more geeky way as we do on this site, we rarely spend any time defining these terms or arguing with people who say that these concepts aren’t real. Fortunately, for people who want to either understand these concepts a little better or who want real-world examples of how these concepts work, there’s the internet. Today’s web crush is for people who want to laugh and educate themselves on intangible concepts at the same time.
Advisory: Potentially NSFW content.
Geek culture has evolved. Over the last few decades, a push for greater inclusiveness and better representation has gained major ground as our generation’s penchant for nostalgia simultaneously breathes new life into dusty classics. One of the more excellent byproducts of all this dusty life-breathing has been the tendency to reexamine some of our favorite classic female characters and expose them to modern feminist criticism. In the midst of it all, however, I feel like one of the most unique ladies in comics has remained largely confined to “cult status”: Tank Girl.
This foul-mouthed, sexually liberated, substance-abusing, interspecies dating, ultra-violent, post-apocalyptic badass has been around since the late punk days and has given us some of the most incredible and incredibly fucked up stories I’ve ever read. She has been able to retain such a consistent emotional energy throughout decades of artists interpreting her that she nearly seems to have some level of real-world agency; at times she almost feels real. I, and many of her fans, see her as a sort of pop culture meta-demigod-thing: “Tank Girl, goddess of anarchofeminism and blowing shit up.”
Tank Girl is, in many ways, the comic book equivalent of the punk and riot grrrl musical movements. Born a decade after the Sex Pistols but a few years before Bikini Kill, Tank Girl’s pages radiate a sense of anarchistic artistic resistance to the inequality born of extreme commercialism and the emotional damage caused by rigid and oppressive social norms. Tank Girl is regularly portrayed literally destroying systems of oppression, often going to ludicrous extremes to avenge minor injustices (such as the mafia buying up all the good beer to sell everyone crap at inflated prices) and occasionally committing major injustices in the process, highlighting and mocking the fragile nature of these systems along the way.
I won’t lie to you, readers: I’ve been excited to write this Web Crush for a while now. Strong as my love is for dating sims, I’ll be the first to admit that the setups usually draw from the same pool. School romances with various magical trappings; the new woman in a business where all her other co-workers are men: the tropes are familiar and comfortable, but sometimes we all need a little spice in our lives. A little something to shake things up. So today I present to you a dating sim that breaks out of the more typical shoujo romance mold and thrusts you into a world of corporate intrigue where romance may be the last thing on your mind.
I’ve finally taken the time to sit down and watch the Fire Emblem Direct that aired on the 18th. While I’m excited for the proposed game coming out for the Switch in 2018 (about which no details have been given yet), and I’ll probably enjoy Fire Emblem Warriors with the same undevoted, “it’s good for killing some time” mindset that I did Hyrule Warriors, I find myself conflicted on the other two titles that were brought up during the event. Both Fire Emblem: Echoes and Fire Emblem: Heroes are beautiful games that will probably be fun and enjoyable. However, with both of them, I fear that the series may be slipping back into some tropes that we really should be past in 2017.
Having seen two out of the three abysmally bad Fantastic Four movies already, I figured that by now I was probably jaded enough to tackle the original 1994 version without risking my sanity. After all, the 2015 version was absolute rock bottom: so bad that it derailed before looping back around to “hilariously bad” and ended up in a fiery heap somewhere between terrifying and boring. Much to my relief, while the 1994 version is indisputably terrible, it’s the sort of terrible you can watch in relative comfort and have a giggle at. Some charming aspects are that it’s mercifully short, comically overblown, and features (genuinely) the best movie version of Dr. Doom we have. Some terrible aspects are that it feels like a high school kid did the final editing, it treats women like garbage, and while it’s technically fairly accurate to the comics, it chose specifically the worst faults of the comics to stay faithful to.