The recently concluded arc of Moon Girl and Devil Dinosaur, “The Smartest There Is”, opened on nine-year-old protagonist Lunella Lafayette learning that, thanks to her results on a test created by Bruce Banner, she is the smartest person. Not the smartest kid, or the smartest girl, or the smartest human, or the smartest being on Earth; she’s flat out “the smartest there is”, hence the name of the arc. The other people on the list (mostly adult men) are a bit salty about a little Black girl from the Lower East Side stealing their thunder, but none more so than one Victor Von Doom.
Doom sends robots to attack Lunella, and they’re unlike anything she’s fought before. Namely, they’re powered by Doom’s magic rather than by some kind of quantifiable science. So what does the smartest there is do when faced with something that defies scientific understanding? Attempt to explain it scientifically anyway.
After Fantastic Beasts and Where to Find Them came out, a good number or people looked at how Newt talked and acted and started to believe that he was autistic. It’ssomething that many people seem to be discussing and enjoying as a headcanon, andthat’s great. But if Newt isreally autistic in the movie, is he good representation, and how would this expansion of the Harry Potter world deal with an autistic character?
I very recently started watching Star vs The Forces of Evil (no spoilers, please!) and was amused by an episode where Star needs to undo a spell she’s cast on Marco. She pulls out the wand’s manual, an ancient, crumbling tome filled with the wisdom of ages of wand users to consult, only to realize that all of their notes are so cryptic and poorly organized that it will take her ages to make any sense of them. This got me thinking about magical journals in general. A common staple of fantasy fiction is a magical guide to the world in question, typically in the form of some kind of handwritten diary or log. Sometimes a book is just a book; I can’t imagine, for example, that Newt’s finished version of Fantastic Beasts and Where to Find Them will be anything but a basic bestiary. That’s not necessarily a bad thing. However, these books are often most compelling when they serve a greater purpose than simply as a how-to or a reference of some kind. By including these books in a layered way, we can add additional complexity to the stories we tell.
Harry Potter is a pillar of civilization by this point. What began as a series of children’s/young adult novels is now a virtual empire, with eight movies, several spinoff books, movies of the spinoff books, theme parks, and the website Pottermore to ensure that the franchise is constantly alive and being added to. Given the impact this series has had since its release in the ‘90s, you’d be hard pressed to find someone in the Western world who hasn’t been influenced by it—and it would be nigh-impossible to find someone who hasn’t read the books that have shaped a generation.
You’d think that, but you would be wrong—Mike Schubert, a twenty-four-year-old American man, has never read the Harry Potter novels that so defined the childhood of his peers. And so, in a grand experiment, he’s sitting down to read them all one after the other, and discuss them with his Potterhead friends in this week’s web crush: the Potterless podcast.
Not long ago, Ace and I were discussing how the wizards in the Harry Potter universe never seem to grow as a society. They are still stuck with very basic technology, and while many tasks are certainly made easier with magic, no one can deny that Muggles seem leaps ahead of wizards in a lot of ways. From being able to explore space, to using computers, to even having pens, Muggles have it better—seriously, why would I ever use a quill? But this got me thinking: this isn’t just in the Harry Potter world. A lot of magical societies in fiction seem to be stuck in a more medieval era. This led me to considerhow we evolve as a society. It is just a fact that human beings are more likely to grow and change to fulfill a need. It’s easier to wash clothes with a machine than by hand, and having a computer makes it easier for us to access information, keep in touch with friends, or learn new things. But for magic users, when you can wave a wand to conjure fully prepared food or teleport yourself somewhere in an instant, is there ever really a need or desire to grow and change?
Like most of you, I grew up devouring Harry Potter, but I’m not sure how many of you had problems understanding just how the big prophecy worked. I know I did. Basically, Voldemort’s stooge overhears a seer prophesy that a true adversary to Voldemort will rise, and that “neither can live while the other survives”. Much ink is spilled, both in fandom and in the canon, over just what this prophecy means. Does it mean that Harry is fated to kill Voldemort (or Voldemort, Harry) or does Harry’s free will operate outside the confines of this prophecy? If the prophecy is true, it means Harry really is the Chosen One, chosen by fate to confront Voldemort. But that could mean that Harry doesn’t really have a choice in the matter. In the final book, Harry doesn’t seem like he does have a choice; the universe seems like it’s manipulated him to the point where he feels utterly compelled to fulfill the prophecy. The conflict is between fate, or providence, and free will. If we look at real-world ideas about providence and free will, we can get a better idea of how these might work.
When you are as obsessed with Harry Potter as I am, you start to notice some of the overarching worldbuilding issues that affect the characters you love so much. One big issue is definitely the Statue of Secrecy, which has been the cause of a lot of conflict in the Harry Potter universe. The Statute of Secrecy makes it so that all wizards have to hide themselves and their magic from Muggles. However, there are a lot of problems with this, and Grindelwald certainly seemed to have a point about the Statue of Secrecy at the end of Fantastic Beasts and Where to Find Them. In the video below, Grindelwald (still disguised as Graves) states that the Statute of Secrecy is a law that “has us scuttling like rats in the gutter, a law that demands we conceal our true nature, a law that directs those under its dominion to cower in fear lest we risk discovery. I ask you, Madame President, I ask all of you, who does this law protect, us or them?”
Grindelwald’s words seem to ring with a terrifying truth in that moment after the death of Credence, a charge that none of the other wizards present truly seems to be able to answer. Granted, Grindelwald’s plans to take over the world and enslave Muggles are neither good nor reasonable, but I can certainly see why he seemed to draw a larger following than someone like Voldemort. The Statute of Secrecy makes it so that wizards really can’t do much to help Muggles or even help themselves. It definitely causes issues with the worldbuilding in the series as well, and it would be beneficial to have a character who could better show the complexity of this issue.