On this, the day of the Great Pumpkin’s return, I would be remiss if I didn’t take the opportunity to showcase a trailer in the horror vein. As with most horror movies, I, myself, probably won’t end up seeing this—against my better judgement, my viewing of a horror film is usually directly correlated to how grave its potential for badness is—yet there are some things within this film’s trailer that intrigue me. Maybe even enough to watch it.
With the second season of Syfy’s creepypasta inspired show, Channel Zero, well into its run, I figured it was finally time to sit down and watch its first season. You know. For science. Last year I showed off the trailer and addressed some of my worries surrounding this leg of the series, but I’ll give a quick recap. First of all, for those perhaps a little less internet-niche-y, “creepypasta” refers to short, scary (or attempting to be scary) stories that get passed around the internet until they become ingrained in that niche’s mind—or in the case of less serious creepypastas, they enter more mainstream meme status, such as the lines “who was phone” or “man door hand hook car door”.
Channel Zero’s first season, Candle Cove, was based off a well-beloved creeepypasta of the same name which, through forum posts, shows a short interaction between people remembering a children’s show from their past that may not have actually existed. As far as creepypasta-based media goes, Channel Zero is nowhere near the worst thing I’ve ever seen. However, it was disappointing to discover that most of my fears from my earlier post were well-founded, and that even though the creators had a clear love for the creepypasta itself, Channel Zero seemed to forget what made the story scary in the first place.
Fandom secret: I actually really like a lot of Buzzfeed’s content.
I know it’s the cool thing these days to shit on everything that happens to carry the name “Buzzfeed” on it, and yeah, some of their videos and articles take a full dive into “what the actual fuck”, but if you think there’s not a single interesting thing on there, then I have to believe you’re full of shit. For me, the prime time for watching Buzzfeed videos is the same sort of time period where one may be drawn into watching things from the creepier and weirder side of YouTube–some nebulous time at night where there may be something better to do, but who knows what that is. Thankfully Buzzfeed has a series that covers both of those categories; one that I hope continues to flourish.
Yes, readers, this is what I have been reduced to. September will soon become October, and it’s still hot as balls outside. I am unwilling to give up on the idea of the possibility of a more temperate autumn, though! So this week I went all the way–from cute magical anime to B-grade horror flicks.
After watching the 2014 Ouija movie, I basically lost all hope of there being a good horror movie concerning Ouija boards ever. (Not that I was expecting that movie to be great, it was just so, so much worse than I could have ever anticipated.) And on starting the 2013 indie film The Ouija Experiment, I didn’t expect anything amazing either. In fact, I almost didn’t watch it until I realized that, shockingly, most of the main cast wasn’t white. While the diversity was enough to initially draw me in, and the movie’s determination to not immediately fall into the typical tropes of Ouija bullshit kept pulling me along, in the end The Ouija Experiment’s casting did very little to save it. In fact, the diverse casting seemed to only exist so the writer, Tony Snearly, had an excuse to whip out a bunch of racist jokes.
Until recently, I wouldn’t have considered myself a horror movie person by any stretch of the imagination, but I have been improving my horror education. I decided to watch the original 1990 It movie which came out this weekend in preparation for the the new one, which I greatly enjoyed—well, for the most part. Let’s face it: Stephen King isn’t exactly known for his stellar endings and the original It was no exception. The movie might even be the most infamous of Stephen King’s bad endings. Nevertheless, I still enjoyed the movie and Tim Curry’s performance of the menacing clown Pennywise. With that in mind, I was excited and anxious about the new film. It is pretty much considered a horror movie classic at this point and remakes don’t always live up to the original, but the trailers looked good and so I entered the theater with high hopes. While the movie was excellent, scary, and extremely well made, I was a little disappointed, but not surprised, by the lack of representation. Just a fair warning, I have not read the book so I am entering into this critique not knowing the original source material, only the movies.
I’m not usually into horror, but while I was on my webcomics binge this break, I stumbled upon a little comic called Brainchild. I didn’t know anything about it and I had the vague idea that it was about mutants, so I went in pretty much completely unprepared. Quick update: it’s not really about mutants. However, it is about an enormous, unsettling conspiracy that looks to have a great effect on the personal and professional life of its protagonist, Allison Beaufort. I was thoroughly creeped out and thoroughly entertained, and that’s all I can ask for from a webcomic.
Children play a lot of different roles in fiction. Sometimes they embody innocence and goodness, such as in Rise of the Guardians or Hook. Other times, they’re used in direct contrast to that in order to create a sense of horror. Small creepy children with magical powers are… well, creepy. When we think of children, most people think of innocence, and there’s a reason for that. After all, many children have yet to be exposed to the horrors of living and their naivety only helps to reinforce the idea that they are good deep down. As such, when our media gives us children with awesome powers, especially if those children are evil, it plays into our fears by perverting something many of us commonly see as good.
When I heard the news, I grabbed a copy of the book to get a sense of what we’ll be in for. Lovecraft Country is an excellent novel which makes a few daring choices in transmuting 1950s America into the sort of non-Euclidean horrorscape that made Lovecraft himself a household name. Better still, it does not shy away from confronting the shocking racial hatred that always underpinned Lovecraft’s work: the man who invented the Cthulhu Mythos also penned “On the Creation of N******”.
We’ll be in good hands with Jordan Peele bringing this to the screen: Peele has proven himself more than capable at fulfilling the promise of his genre.
Trigger warning for frank discussion of racism below.
Sometimes it’s a bad idea to think too hard about the things you love. Last week, while we were looking for something to watch between the Tonys red carpet and the actual Tonys, my friend and I settled on a channel showing Toy Story.
Now don’t get me wrong, I adore the Toy Story franchise. However, it’s one of many beloved childhood stories where, if you poke too closely at the seams of the worldbuilding, it starts to unravel into questions that only get more disturbing.
Pacific Northwest Stories, which has expanded to becomePublic Radio Alliance, the same group that creates shows like The Black Tapesand Tanis, has recently come out with a new podcast called Rabbits. The podcast is only four episodes in and it is definitely addictive and interesting, but it also already has several issues that really bug me.