Children play a lot of different roles in fiction. Sometimes they embody innocence and goodness, such as in Rise of the Guardians or Hook. Other times, they’re used in direct contrast to that in order to create a sense of horror. Small creepy children with magical powers are… well, creepy. When we think of children, most people think of innocence, and there’s a reason for that. After all, many children have yet to be exposed to the horrors of living and their naivety only helps to reinforce the idea that they are good deep down. As such, when our media gives us children with awesome powers, especially if those children are evil, it plays into our fears by perverting something many of us commonly see as good.
Jordan Peele, long known as a comedian, is apparently now cornering the market in the genre of anti-racist horror. Having broken all kinds of records with Get Out, news broke last month that he will be adapting Matt Ruff’s Lovecraft Country for HBO, backed by J.J. Abrams.
When I heard the news, I grabbed a copy of the book to get a sense of what we’ll be in for. Lovecraft Country is an excellent novel which makes a few daring choices in transmuting 1950s America into the sort of non-Euclidean horrorscape that made Lovecraft himself a household name. Better still, it does not shy away from confronting the shocking racial hatred that always underpinned Lovecraft’s work: the man who invented the Cthulhu Mythos also penned “On the Creation of N******.”
We’ll be in good hands with Jordan Peele bringing this to the screen: Peele has proven himself more than capable at fulfilling the promise of his genre.
Trigger warning for frank discussion of racism below.
Sometimes it’s a bad idea to think too hard about the things you love. Last week, while we were looking for something to watch between the Tonys red carpet and the actual Tonys, my friend and I settled on a channel showing Toy Story.
Now don’t get me wrong, I adore the Toy Story franchise. However, it’s one of many beloved childhood stories where, if you poke too closely at the seams of the worldbuilding, it starts to unravel into questions that only get more disturbing.
Pacific Northwest Stories, which has expanded to become Public Radio Alliance, the same group that creates shows like The Black Tapes and Tanis, has recently come out with a new podcast called Rabbits. The podcast is only four episodes in and it is definitely addictive and interesting, but it also already has several issues that really bug me.
Spoilers for Rabbits below.
One of the hottest comics when I got into the medium was Locke & Key, written by horror author Joe Hill and illustrated by Gabriel Rodriguez. At the time (about four years ago now), it was far enough along in its run that it would have been silly verging on impossible to attempt to find single issues, so when I came into a gift card, I bought the first trade. From the slew of awards it had won or at least been nominated for, and the strong recommendations from both friends and comics personalities whose opinions I trusted, I started to read it expecting to have my socks knocked clean off… and never finished it. This week, it caught my eye from between my Sandmans and my DC Bombshells on the shelf, and I figured, welp, might as well try again.
Time and distance, apparently, do not make the heart grow fonder. Maybe I have bad taste in comics, but I have no idea how this won an Eisner or anything else. Locke & Key Vol. 1: Welcome to Lovecraft did absolutely nothing for me.
Spoilers for the first volume after the jump!
The recent controversy over the bullshit Death Note whitewashing has caused me to crave the original version of Death Note, specifically the animated series. I will admit that while I am a fan of this anime, I have never actually finished it, thanks to L’s untimely death. To this day, I still don’t know much about how the show ends. Now, however, on top of my own desire to watch it again, my husband wants to watch it for the first time. So after many years I am set to finally finish this series, but it has been so long since I have watched this anime that upon beginning my re-watch, I immediately noticed things I missed the first time around. I still adore this anime and think it is extremely well done, but I couldn’t help but dislike the treatment of the character Naomi Misora.
Spoilers for Death Note below.
This isn’t typically what I do for Trailer Tuesdays, or at least I usually don’t go out looking for a terrible trailer to trash. However, the moment I saw the trailer for Wish Upon playing silently on my Facebook wall, I knew the film would be bad. Out of some morbid curiosity, I decided to find out just how bad this film was willing to be in the name of hopping on the generic gritty fairy tale trend, and hoo boy, does this film look bad in the terrible, boring ways we’ve all become accustomed to.