Until recently, I wouldn’t have considered myself a horror movie person by any stretch of the imagination, but I have been improving my horror education. I decided to watch the original 1990 It movie which came out this weekend in preparation for the the new one, which I greatly enjoyed—well, for the most part. Let’s face it: Stephen King isn’t exactly known for his stellar endings and the original It was no exception. The movie might even be the most infamous of Stephen King’s bad endings. Nevertheless, I still enjoyed the movie and Tim Curry’s performance of the menacing clown Pennywise. With that in mind, I was excited and anxious about the new film. It is pretty much considered a horror movie classic at this point and remakes don’t always live up to the original, but the trailers looked good and so I entered the theater with high hopes. While the movie was excellent, scary, and extremely well made, I was a little disappointed, but not surprised, by the lack of representation. Just a fair warning, I have not read the book so I am entering into this critique not knowing the original source material, only the movies.
I’m not usually into horror, but while I was on my webcomics binge this break, I stumbled upon a little comic called Brainchild. I didn’t know anything about it and I had the vague idea that it was about mutants, so I went in pretty much completely unprepared. Quick update: it’s not really about mutants. However, it is about an enormous, unsettling conspiracy that looks to have a great effect on the personal and professional life of its protagonist, Allison Beaufort. I was thoroughly creeped out and thoroughly entertained, and that’s all I can ask for from a webcomic.
Children play a lot of different roles in fiction. Sometimes they embody innocence and goodness, such as in Rise of the Guardians or Hook. Other times, they’re used in direct contrast to that in order to create a sense of horror. Small creepy children with magical powers are… well, creepy. When we think of children, most people think of innocence, and there’s a reason for that. After all, many children have yet to be exposed to the horrors of living and their naivety only helps to reinforce the idea that they are good deep down. As such, when our media gives us children with awesome powers, especially if those children are evil, it plays into our fears by perverting something many of us commonly see as good.
When I heard the news, I grabbed a copy of the book to get a sense of what we’ll be in for. Lovecraft Country is an excellent novel which makes a few daring choices in transmuting 1950s America into the sort of non-Euclidean horrorscape that made Lovecraft himself a household name. Better still, it does not shy away from confronting the shocking racial hatred that always underpinned Lovecraft’s work: the man who invented the Cthulhu Mythos also penned “On the Creation of N******”.
We’ll be in good hands with Jordan Peele bringing this to the screen: Peele has proven himself more than capable at fulfilling the promise of his genre.
Trigger warning for frank discussion of racism below.
Sometimes it’s a bad idea to think too hard about the things you love. Last week, while we were looking for something to watch between the Tonys red carpet and the actual Tonys, my friend and I settled on a channel showing Toy Story.
Now don’t get me wrong, I adore the Toy Story franchise. However, it’s one of many beloved childhood stories where, if you poke too closely at the seams of the worldbuilding, it starts to unravel into questions that only get more disturbing.
Pacific Northwest Stories, which has expanded to becomePublic Radio Alliance, the same group that creates shows like The Black Tapesand Tanis, has recently come out with a new podcast called Rabbits. The podcast is only four episodes in and it is definitely addictive and interesting, but it also already has several issues that really bug me.
One of the hottest comics when I got into the medium was Locke & Key, written by horror author Joe Hill and illustrated by Gabriel Rodriguez. At the time (about four years ago now), it was far enough along in its run that it would have been silly verging on impossible to attempt to find single issues, so when I came into a gift card, I bought the first trade. From the slew of awards it had won or at least been nominated for, and the strong recommendations from both friends and comics personalities whose opinions I trusted, I started to read it expecting to have my socks knocked clean off… and never finished it. This week, it caught my eye from between my Sandmans and my DC Bombshells on the shelf, and I figured, welp, might as well try again.
Time and distance, apparently, do not make the heart grow fonder. Maybe I have bad taste in comics, but I have no idea how this won an Eisner or anything else. Locke & Key Vol. 1: Welcome to Lovecraft did absolutely nothing for me.