Yoooooooooooooooooooooooooooooooooooooo!! Yoooooooooooooo!!!!!! Yo, the gat dang Last Jedi trailer is here. Are you hype? I’m hype.
In honor of Earth Day, which was just this past Saturday, let’s talk about Earth magic! Many fantasy stories are filled with the idea that the Earth is a magical thing, and it certainly seems that way in real life. After all, this beautiful planet is where we live and grow, and where we get to see gorgeous sights or amazing animals. After watching just one episode of Planet Earth, you can understand why so many fantasy authors see the Earth and magic as one and the same.
But despite the fact that our world is so beautiful and amazing, fantasy authors have also recognized that humans, for whatever reason, seem intent on destroying it. Because of this, fantasy authors tend to incorporate nature spirits that fight on behalf of nature and call us to take up the fight as well. Even when fantasy authors write about other worlds that are different from ours, they still address issues of environmentalism that are relevant to our society.
Happy Easter everyone! By the time you read this, I will probably be done with church and knee deep in vegan chocolate. I admit that I struggled a lot with today’s post, because there aren’t exactly many things about Easter in pop culture. I think that’s because Easter is either viewed as silly (bunnies delivering eggs) or “too religious” by our secular culture. But other than resurrection motifs, which we have already talked about, and The Lion, the Witch, and the Wardrobe, which we have also already talked about, there really isn’t much about Easter in our pop culture. However, one movie does discuss Easter to some extent, and that is Rise of the Guardians. While no reference to Jesus is made in the movie, it still discusses the important religious elements of hope and belief.
This isn’t typically what I do for Trailer Tuesdays, or at least I usually don’t go out looking for a terrible trailer to trash. However, the moment I saw the trailer for Wish Upon playing silently on my Facebook wall, I knew the film would be bad. Out of some morbid curiosity, I decided to find out just how bad this film was willing to be in the name of hopping on the generic gritty fairy tale trend, and hoo boy, does this film look bad in the terrible, boring ways we’ve all become accustomed to.
In my grand tradition of rewatching old Scooby-Doo movies for this column, I sat down this week with yet another Saika family fave: Scooby-Doo and the Cyber Chase. It’s been ages since I’d watched the movie, so much so that it’s possible that I’ve played the PS1 game based on it more recently than I’ve seen it.
So it was with almost fresh eyes that I turned back to this particular title in my teensy VHS collection. I have to say, upon rewatching, I found myself both amused and bemused, but never quite engaged enough to make this a fave like Zombie Island.
I wasn’t planning to see the new Power Rangers movie. I was certainly not planning to love the new Power Rangers movie. Having read Ace’s trailer review without actually watching the trailer itself, I figured I’d put the price of a New York City movie ticket toward something else. Then a friend asked me if I wanted to see it with her, and, on a whim, I agreed. And holy shit, am I glad I did. Was the movie good? Not by any stretch of the imagination. Was it immensely fun and everything I didn’t know I wanted in a movie experience, on top of being more inclusive than pretty much any big-budget ensemble movie I can think of? Absolutely.
Spoilers after the jump!
After the pleasant (but still mildly depressing) surprise that was My Life as a Zucchini, I’ll admit: I was pretty excited to check out the final Oscar’s animation nod for this year. Add to that the fact that Studio Ghibli also had their hands in this animated feature and, well, it just seemed like a slam dunk. Despite everything it had going for it, though, director Michaël Dudok de Wit’s The Red Turtle—La Tortue Rouge in French and Aru Shima no Monogatari in Japanese—just didn’t stack up to any of the excitement or expectations I had for it. It’s no secret that the Oscars, or any mainstream award show, is basically just a huge circle jerk for popular companies. Still, the fact that this film was even nominated at all, to me, shows that Disney’s association with Ghibli (and, well, how awesome Ghibli usually is) overrode any actual critical viewing of this film.