If you haven’t yet seen the new Wonder Woman movie… seriously, why haven’t you? It’s fabulous. After we gushed about its awesomeness while coming out of the theater, I mentioned to my group that Diana Prince seems like an awesome unconventional Christ figure. They were a little confused, because (spoiler alert) Wonder Woman isn’t crucified, and she’s certainly not a man. I couldn’t really explain it well then, but I can now.
Wonder Woman might be the most famous female superhero. While her story makes references to Greek myths, it doesn’t seem like her creators were Greek, and her writers didn’t really bother for accuracy when it comes to those myths. On the other hand, Christianity is so influential to Western culture and its history that Christ figures show up all over the place in our stories. We’ve already talked about how Disney’sHercules draws from Greek myths but still turns Hercules into a Christ figure. Nearly all fictional Christ figures are male. So while making Wonder Woman into a Christ figure doesn’t do much for Greek mythology, it breaks new ground in the way we can understand what a Christ figure can be.
Comics and religion don’t often mix, and that’s why it was so surprising when the new Ms. Marvel burst onto the scene and became such a smash hit. Kamala Khan (i.e., the current Ms. Marvel) and her Muslim family and friends provide a respectful, realistic portrayal of a family of faith that anyone from a religious background—especially one grounded in a strong family and ethnic tradition—can relate to. Of course such a story could have been written about any religious family, because the same thing could have come across if the Khans had been Greek Orthodox Christians like my family, or Polish Catholics, or Orthodox Jews, or Indian Hindus, etc. etc. But it’s extremely important that the series instead chooses to normalize a family of darker-skinned Muslims, as they have been such a persecuted group in the Western world lately. Realizing that a group different from your own is, in fact, simply human Just Like You is the first step in encouraging empathy and in changing attitudes, and Ms. Marvel does a great job with that. Now, I’m not Muslim, nor do I know an awful lot about Islam. I’m an Eastern Orthodox Christian with a priest for a father, and I grew up hearing some very Islamophobic opinions from him. It took me a long time to get over that, but it wasn’t until reading Ms. Marvel that I realized that Orthodox Christians and Muslims might actually have a lot more in common than I thought. It’s also just lovely to have representation of a religious character in comics, in which faith is organically woven into the story without being preachy or just surface-level!
Note that I’ve only read through the latest trade paperback of the series (Volume 6, up to issue #12 of the current run). But Saika tells me these points still hold for the latest issues. Mild spoilers up to my current stopping point below!
I have recently become obsessed with Gravity Falls. I know it is too little, too late, since the show is over and the fandom is sort of dead, but hey, I still have Rick and Morty, which is in the same multiverse as Gravity Falls, so it’s fine. As I was watching Gravity Falls over and over again this past couple of weeks, I started thinking about Bill Cipher and religion. Bill Cipher is the main villain in Gravity Falls. He is a triangle from the second dimension and seems to be a demon or some kind of demigod with numerous powers. Throughout the show, Bill attempts to merge the nightmare dimension, which he currently resides in, with the Gravity Falls dimension, and because of this he often interacts with and influences humanity.
If I existed in the same universe as Bill Cipher, I would seriously be concerned about Bill’s influence on religion, because triangles are everywhere in religion. It’s arguably one of the most universal symbols in real-world religions. And according to Gravity Falls canon, Bill has been making deals and influencing humankind for a long time, so the idea that he could have influenced ancient and current religions is not that out there.
Hulu’s recent adaptation of Margaret Atwood’s The Handmaid’s Tale couldn’t have hit our screens at a better time. Just as American politicians are “debating” all kinds of controversial healthcare policies (especially women’s reproductive health), we’re treated to a retelling of Atwood’s feminist dystopian classic. Atwood paints a world in which America is overtaken by a radical right-wing fundamentalist Christian sect, forcing women into subservient roles determined by their fertility. It’s the autobiographical story of June, aka Offred, one woman trying to survive life under the new regime. One of the best things about the Hulu adaptation is its determination to bring complexity to a variety of themes in the story. It’d be easy to write off The Handmaid’s Tale as a religious horror story, but it’s so much more than that.
Spoilers for the first three episodes of Hulu’s The Handmaid’s Tale and Atwood’s novel, plus trigger warnings for mentions of sexual slavery and forced pregnancy below.
You’d think that a comic based on an actual god figure from real-world mythology would be rife with potential for this column, but most of the time The Mighty Thor, which stars the new Jane Foster iteration of the character, doesn’t actually deal with much that could be considered theological in nature. However, the last three or so months’ worth of issues (#15-17, to be specific) have featured a very interesting conflict that gets at a meaty question. What does it mean to be a god? More specifically, does ultimate cosmic power come with a responsibility to one’s worshippers? How ought gods prove their power to their followers? This conflict is addressed through a competition that is both fascinating and horrifying.
Happy Easter everyone! By the time you read this, I will probably be done with church and knee deep in vegan chocolate. I admit that I struggled a lot with today’s post, because there aren’t exactly many things about Easter in pop culture. I think that’s because Easter is either viewed as silly (bunnies delivering eggs) or “too religious” by our secular culture. But other than resurrection motifs, which we have already talked about, and The Lion, the Witch, and the Wardrobe, which we have also already talked about, there really isn’t much about Easter in our pop culture. However, one movie does discuss Easter to some extent, and that is Rise of the Guardians. While no reference to Jesus is made in the movie, it still discusses the important religious elements of hope and belief.
Hello there, good readers! I am back to the blog after a whole year hiatus; much has happened in my life, but in summary the two most important forces to have influenced my new life are Prozac and Protestantism (I’ve always had a thing for alliteration, I guess). I’m jumping right back in with a good ol’ OMPCR. One of the most hotly debated topics in Protestant Christianity (indeed, all Christianity) is the idea of predestination—in particular in relation to “chosen-ness”. The two biggest names in the Protestant Reformation in fact came to their own interpretations of predestination via studying the teachings of St. Augustine of Hippo, revered by Catholics as one of the greatest teachers of the faith: however, as usual, Luther and Calvin could not reach a common consensus (Luther went for single predestination, whereas Calvin advocated for double predestination). As Western Christianity celebrates Palm Sunday, or Passion Sunday, today, I thought it a great time to look at the idea of a Chosen One embracing their destiny—today the Western churches proclaim Jesus entering into Jerusalem to begin the culmination of his destiny as Messiah through the trials of Holy Week leading to the resurrection of Easter. Let’s look at some other Chosen Folk and see how they are both chosen and choosing.