Happy Halloween, everybody! Sadly, this will be the last post of the year. I know, it’s awful, but we writers have been working hard, and we need a longer break than usual to recover.
I do hope you have all been enjoying yourself, because I have not. October has been a rough month for me, and my quest to find something to watch to fulfill my Halloween needs hasn’t helped much. Lord knows American Horror Story is, well… it’s something. And the original 1990 It didn’t do much for me either. It was halfway through It that I realized Stranger Things’s second season was out—excited, I forced my sister-in-law to quit It with me and watch it. And oh, thank God. Stranger Things was the pick-me-up I needed. It is so wonderful watching a story where the good outweighs the bad. I hope my love for this show hasn’t been influenced by the shit I watched before it, but Stranger Things’s second season was awesome.
With the second season of Syfy’s creepypasta inspired show, Channel Zero, well into its run, I figured it was finally time to sit down and watch its first season. You know. For science. Last year I showed off the trailer and addressed some of my worries surrounding this leg of the series, but I’ll give a quick recap. First of all, for those perhaps a little less internet-niche-y, “creepypasta” refers to short, scary (or attempting to be scary) stories that get passed around the internet until they become ingrained in that niche’s mind—or in the case of less serious creepypastas, they enter more mainstream meme status, such as the lines “who was phone” or “man door hand hook car door”.
Channel Zero’s first season, Candle Cove, was based off a well-beloved creeepypasta of the same name which, through forum posts, shows a short interaction between people remembering a children’s show from their past that may not have actually existed. As far as creepypasta-based media goes, Channel Zero is nowhere near the worst thing I’ve ever seen. However, it was disappointing to discover that most of my fears from my earlier post were well-founded, and that even though the creators had a clear love for the creepypasta itself, Channel Zero seemed to forget what made the story scary in the first place.
Way back in my senior year of high school, my friends and I took full advantage of our senior year freedom to go see The Forbidden Kingdom in theaters several times. As far as we were concerned, The Forbidden Kingdom was the long-awaited team-up of Asian action stars Jackie Chan and Jet Li—it didn’t matter to us that the plot included some white guy as the main protagonist. In fact, we were pretty happy about it—we thought the white protagonist would make the movie much more attractive to Americans and thus make more money at the box office, thereby proving that Asians could sell movies. And to be fair, The Forbidden Kingdomdid rank #1 at the box office in its opening weekend. But nearly a full decade later, it’s pretty apparent that The Forbidden Kingdom‘s flaws in 2008 are the same flaws that Hollywood still has today.
Sure, stick a white guy in here, that’s what we need. (via lylesmoviefiles)
There are a lot of great movies coming out in the next few months. There’s Star Wars: The Last Jedi, obviously, and Black Panther looks amazing, and then… there’s this one. Ferdinand, by Blue Sky Studios, is going to be coming out on the same day as The Last Jedi, and, just between you and me, I don’t think it’s going to do so well.
After hearing the news that James Cameron would be helming a film adaptation of Battle Angel Alita next year, I decided to take a dive into the series and see what the fuss was about. I’d never actually read it, but after 15 years of anime convention-going I was sure I’d heard the name before. And since I like to be an informed critic, and am already strapped in and ready to critique the movie (with its tragically predictable almost-Asian-less cast) I figured there was no harm in familiarizing myself with it for dragging’s sake.
Well, after reading all nine volumes of the series, I can confidently say that while I can explain the story, I have no idea what the fuck it is about.
It’s no secret that I wasn’t particularly wowed by the third season of Voltron: Legendary Defender. But that doesn’t mean I didn’t still binge the fourth season — all… six… episodes of it — as soon as they dropped last Friday. I went into this season hoping for a lot more meaty character development after the setup and plot heavy last season, but did I get it?
The short answer is: no. Season 4 continued to barrel along at a breakneck pace without ever giving us any meaty character background-support that would help justify or strengthen the sweeping actions the characters took.
The final trailer for The Last Jedi dropped just a few days ago, leaving all of us with some mixed feelings. For me, this is Carrie Fisher’s last movie, and part of me doesn’t want to believe that she’s really gone. The possibility of seeing her die on screen also gives me pause. Nevertheless, I’d go see this movie just for her, even if I wasn’t a giant Star Wars nerd. Carrie Fisher, the world did not deserve you. Rest in peace.
As much as I want to play Mystic Messenger’s newest route, the better part of my mind is annoyingly making a pretty convincing argument for not completely trashing my sleep schedule for the time being. So, I’m left getting my visual novel fix from other sources. Luckily, I stumbled upon one before the urge became unbearable.
Despite sounding like something I would name a fake game as a joke, Team Salvato’s Doki Doki Literature Club takes the typical slice of life school romance plots and uses its medium to make something truly memorable. While every dating sim and visual novel can be interpreted as a small, in-depth exploration of human (or human-like) nature, Doki Doki Literature Club uses its story to explore the extents of kindness and humanity, and if it can or should cross the boundaries of the narrative fourth wall, leaving players evaluating and re-evaluating their first impressions of the main characters. Before you continue on, reader, I highly suggest you experience everything DDLC has to offer before I spoil it for you. Team Salvato is offering the game for a “name your price” cost on the game’s itch.io page, as well as for free download from Steam. The first run will more than likely take around four hours to complete, but in my opinion it’s entirely worth it. One more thing: please, please heed the content warnings on the game’s page—they aren’t fucking around.
Screenshot taken by me
Massive spoilers below! Trigger warning for depression and self-harm.
Happy Friday the 13th, all! I hope everyone is avoiding bad luck so far today. If you have, you’re luckier than me, because the most unfortunate thing happened when I sat down to read the graphic novel trilogy The Good Neighbors: I discovered a Holly Black series that I simply did not like.
I may not like horror for its gore and jump scares, but I do like it for its willingness to delve into dark plotlines and creative worldbuilding. Unfortunately for me, most horror stories are too scary for my taste, and as it’s the month of Halloween, I was lamenting that I wouldn’t find a creepy story that could fulfill my needs without giving me nightmares. Last week, though, I finally decided to suck it up and watch the first season of American Horror Story, entitled Murder House. All ready for the trauma I was about to subject myself to, I started off the first episode with my finger hovering over the mute button on my controller, my feet conveniently propped up in front of my face to block the screen from view should I need it, and my sister-in-law on the phone to talk me through the worst of it.
My preparations were for naught, however, as I found out, much to my own delight, that while American Horror Story is dark and creepy, it is not scary. Murder House left me with some mixed feelings—the story often falls victim to convoluted storytelling, sexist and ableist tropes, and a camera that jumps from scene to scene with very few transition shots. Nevertheless, I found the story enjoyable enough to blow through it in no time, but the more I thought about it, the less happy I was with the overall experience. Murder House suffered from some really bad storytelling decisions—it tries to talk about complex and serious issues, but fails to adequately explore those issues with the care they deserve. Murder House captivated me for the story it wanted to be, but the story that it actually is is a lot less compelling.
Trigger warning for sexual assault and ableism below.