I really wanted to rec something lighthearted for you guys, but after a long week with a shitty boss, I had no mental energy whatsoever to relate to anything outside my own personal experiences. So instead, I ended up going through my pages and pages of bookmarks trying to find something that featured a completely platonic relationship and that was also safe for my current mental state.
In the process, I came across an older story about Jason Todd, Dick Grayson, and their brotherly hatred for one another. Well, Jason Todd comes with his own psychological problems, and most stories with him deserve multiple trigger warnings, but since my depression and anxiety sucked ass this week, reading a fic about a character going through a massive panic attack ended up being exactly what I needed. Not A Brother Not A Friend isn’t a safe read in that regard, but it was definitely platonic and relatable, and for this week, that was good enough.
I recently had the pleasure of watching the movie What We Do in the Shadows, a mockumentary about four vampires who live together in a flat in New Zealand. The mockumentary spoofs a lot of classic vampire stories that have become cliché over the past several years. The best part about this movie is it takes normal mundane things and applies it to vampires. The four vampires have house meetings, argue over who is supposed to do the dishes, and struggle with getting dressed when they can’t see their own reflection.
The movie begins by explaining that a documentary film crew was given permission to follow around four vampires. We are then introduced to Viago, Vladislav, Deacon, and Petyr. Viago, Vladislav, and Deacon have all maintained their human appearances, but Petyr, who is 8,000 years old, looks more like the vampire from Nosferatu and acts more animalistic than the others. We see the vampires deal with being centuries old and trying to adapt to modern day life. Each night the three go out (Petyr doesn’t leave the house anymore) to find people to feed on. They also often clash with a group of werewolves who dislike swearing. The three attempt to get into clubs, but struggle with the fact that they need to be invited in by the bouncer or else they won’t be able to enter.
This is definitely one of the best vampire spoofs that I have ever had the pleasure to enjoy. However, the movie is very much focused on men and male characters with very little attention given to the female characters. When the female characters are present, they critique the tropes that are more typical of vampire stories, but these critiques are so brief that they’re sadly not very effective.
Another day, another subpar YA novel. After the disaster that was Three Dark Crowns, I told myself, “Luce, don’t get sucked in by another excellent premise, it will only disappoint you,” and I should have listened to myself. I picked up a new book called The Hawkweed Prophecy based on its premise: two girls, one magical and one not, were switched at birth and have to find their way in the world. The author, Irena Brignull, seemed particularly accomplished as well: as a screenwriter, she worked on The Boxtrolls and the movie adaptation of The Little Prince, and she’s worked on many other projects as a script editor for the BBC. Yet somehow, there turned out to be very little to recommend about her first novel.
Minor spoilers and trigger warning for some discussion of abortion after the jump.
MadameAce: After the release of The Force Awakens, many of us were left wondering just who the hell Rey is. She’s powerful in the Force and certainly an important enough person in their universe to warrant being the star of three movies. So what’s the deal? Is she Obi-Wan’s granddaughter? Luke’s child? Or something else altogether? A less common theory says that she’s Anakin Skywalker reincarnated. The theory posits that due to Anakin’s crimes, he was sent back to the world as Rey to live on a desert planet. There are a number of things wrong with that—being a girl is not actually a punishment, for one thing—but while I disagree with the original poster regarding why Anakin may or may not have been reincarnated, could reincarnation even be possible within the Star Wars universe?
Well, yes. Regardless of whether or not this theory is true, it can easily fit into the narrative, and Lady Geek Girl and I are about to explain why.
Lady Geek Girl:Star Wars borrows heavily from Eastern religions, particularly Buddhism, which does incorporate reincarnation, though many people in the Western world misunderstand what reincarnation is actually about. According to Buddhist teachings, people are stuck in an endless cycle of suffering, death, and rebirth called saṃsāra. This cycle is not a good thing, because it means being stuck in a cycle of suffering. However, one can break out of this cycle by achieving enlightenment. One can only do this by following the Middle Way, aka Buddhism. Through meditation, one can achieve insight about the truth of life and extinguish desire, which allows one to escape suffering and end the cycle of rebirth. The ultimate goal of Buddhism is to achieve enlightenment and break that cycle. But just because Star Wars borrows from Buddhism, that doesn’t mean it follows it strictly. While there is no direct evidence that reincarnation exists in the Star Wars universe, it could certainly be a possibility.
I don’t have to tell you, dear readers, that Jordan Peele’s Get Out is good; all other film review outlets have done that for me. But allow me to say that if you haven’t seen this film yet, do so as soon as you can. If you’re worried that this film is a Boo! Haunted House sort of horror, then let me soothe your fears. Get Out is absolutely a horror film, but it’s horrific more in its realism than in any sense of gore or otherworldly fiends (though there is gore to be had). More than horror, though, the film is clever in its message. Like Zootopia, Get Out relays the message that racism continues to be damaging in its persistence in modern-day culture, but unlike the Disney flick, Get Out doesn’t lose its message due to a lack of direction. Instead, Get Out focuses on exposing the subconscious racism that lingers in a portion of its audience. Get Out sets itself apart by subtly—and then not-so-subtly—showing that white people who consider themselves progressive can be just as racist as the blatantly racist, and that this liberal-coded racism can perhaps be some of the most damaging racism of all.
Overwatch recently introduced some new characters into its ever-growing world, including a new playable hero. And while the giant centaur-like Omnic tank Orisa is an interesting addition to the fighting lineup, her creator is more interesting to me. Efi Oladele is an eleven-year-old inventor from the highly advanced African city of Numbani. Despite her young age, she’s already received worldwide attention after receiving a prestigious grant for her robotics work. After a mysterious attack at the Numbani International Airport, Efi was inspired to use her grant money to create a new protector for her city from an old OR15 defense bot. Thus, Orisa was born. Orisa is well-intentioned but still has a childlike innocence despite her many fighting capabilities, and Efi, while a genius, is also still an adorable preteen. The bot and her creator are to put it in simple terms, too precious, too pure, so I was excited to stumble upon a fic that captured that, especially since it hasn’t been that long since they were introduced.
When you are as obsessed with Harry Potter as I am, you start to notice some of the overarching worldbuilding issues that affect the characters you love so much. One big issue is definitely the Statue of Secrecy, which has been the cause of a lot of conflict in the Harry Potter universe. The Statute of Secrecy makes it so that all wizards have to hide themselves and their magic from Muggles. However, there are a lot of problems with this, and Grindelwald certainly seemed to have a point about the Statue of Secrecy at the end of Fantastic Beasts and Where to Find Them. In the video below, Grindelwald (still disguised as Graves) states that the Statute of Secrecy is a law that “has us scuttling like rats in the gutter, a law that demands we conceal our true nature, a law that directs those under its dominion to cower in fear lest we risk discovery. I ask you, Madame President, I ask all of you, who does this law protect, us or them?”
Grindelwald’s words seem to ring with a terrifying truth in that moment after the death of Credence, a charge that none of the other wizards present truly seems to be able to answer. Granted, Grindelwald’s plans to take over the world and enslave Muggles are neither good nor reasonable, but I can certainly see why he seemed to draw a larger following than someone like Voldemort. The Statute of Secrecy makes it so that wizards really can’t do much to help Muggles or even help themselves. It definitely causes issues with the worldbuilding in the series as well, and it would be beneficial to have a character who could better show the complexity of this issue.