Until recently, I wouldn’t have considered myself a horror movie person by any stretch of the imagination, but I have been improving my horror education. I decided to watch the original 1990 It movie which came out this weekend in preparation for the the new one, which I greatly enjoyed—well, for the most part. Let’s face it: Stephen King isn’t exactly known for his stellar endings and the original It was no exception. The movie might even be the most infamous of Stephen King’s bad endings. Nevertheless, I still enjoyed the movie and Tim Curry’s performance of the menacing clown Pennywise. With that in mind, I was excited and anxious about the new film. It is pretty much considered a horror movie classic at this point and remakes don’t always live up to the original, but the trailers looked good and so I entered the theater with high hopes. While the movie was excellent, scary, and extremely well made, I was a little disappointed, but not surprised, by the lack of representation. Just a fair warning, I have not read the book so I am entering into this critique not knowing the original source material, only the movies.
For the past few years, Netflix has been on a roll with the original content. Though at first Netflix was only known as a DVD rental site and then a TV streaming site, its forays into original content are now probably what it’s most known for. Shows like Voltron:Legendary Defender, Sense8, and the various Marvel Defendersserieshave all garnered (mostly) high praise, and with them to jump off of, it’s no surprise that Netflix quickly went from original TV shows to original movies as well. At the end of this year, Netflix is releasing Bright, a fantasy cop drama with A-list actors that looks to be Netflix’s bid at its next famous property. The trailer looks good, but I’m afraid it may raise more questions than it answers.
Now that Moana has been released and Lindsey Ellis, formally known as the Nostalgia Chick, did a video essay comparing it to Pocahontas and talking about cultural appropriation, I’ve been thinking a lot more about Disney’s 1995 Pocahontas movie. I absolutely don’t want to defend Pocahontas because, well… it’s bad. It’s really bad and racist, but this movie did have a lot of positive effects on me and my understanding of the genocide white people waged on Native Americans. And even nowadays, over twenty years later, it once again indirectly managed to help me come to terms with a personal trauma. Lindsey Ellis’s video does a really good job deconstructing everything that’s wrong with this movie and I wholeheartedly recommend everyone watch it, because Pocahontas is on the whole a really awful movie. Despite my love for it and the positive influence it had on my life, those things do not erase the negatives.
It’s almost the Fourth of July, and for those of us here in the United States, we’ll soon be celebrating our nation’s founding. For me, that often meant watching 1776 with my parents, and I have to say that I adored this musical. The film version of the musical 1776 came out in 1972, and the musical itself came out in 1969. It follows John Adams as he tries to get a difficult, cantankerous, and often divided Congress to agree on American independence.
However, if you are a Hamilton fan, this musical might be a disappointment for you. This movie is very white and almost entirely male, with the exception of two female cast members, only one of whom plays a significant role. Regretfully, while there are some great moments in this musical, as far as representation goes, it definitely falls short.
When I heard the news, I grabbed a copy of the book to get a sense of what we’ll be in for. Lovecraft Country is an excellent novel which makes a few daring choices in transmuting 1950s America into the sort of non-Euclidean horrorscape that made Lovecraft himself a household name. Better still, it does not shy away from confronting the shocking racial hatred that always underpinned Lovecraft’s work: the man who invented the Cthulhu Mythos also penned “On the Creation of N******”.
We’ll be in good hands with Jordan Peele bringing this to the screen: Peele has proven himself more than capable at fulfilling the promise of his genre.
Trigger warning for frank discussion of racism below.
One of my favorite movies when I was a kid was the 2003 Dreamworks movie Sinbad: Legend of the Seven Seas. It didn’t get great reviews and its plot was nothing to write home about, but I loved all the characters, the adventure, and the romance, and I wore out our little VHS tape and annoyed all my family members by watching it over and over. I even bought the video game (side note: wasn’t great, do not recommend). Then I went on to other movies and mostly forgot about Sinbad until I caught a glimpse of it while channel-flipping last month. Fascinated, I watched it all again from the beginning, and then did what I didn’t think about in 2003: I went to research it online. What I found was that Sinbad could have potentially been far more creative and representative than the version that we got.
Spoilers for Sinbad: Legend of the Seven Seas below.
This weekend, I rushed to the theater to see Wonder Woman. I was filled with both hope and fear. I knew that if Wonder Woman did poorly that we might never see a female led superhero movie again, and I knew that so far DC Comics’s movies haveleft a lot to bedesired, but I was hearing good things about the film so I walked in hoping for the best. And praise Hera, I have never been more pleased or satisfied with a superhero film.