It’s almost the Fourth of July, and for those of us here in the United States, we’ll soon be celebrating our nation’s founding. For me, that often meant watching 1776 with my parents, and I have to say that I adored this musical. The film version of the musical 1776 came out in 1972, and the musical itself came out in 1969. It follows John Adams as he tries to get a difficult, cantankerous, and often divided Congress to agree on American independence.
However, if you are a Hamilton fan, this musical might be a disappointment for you. This movie is very white and almost entirely male, with the exception of two female cast members, only one of whom plays a significant role. Regretfully, while there are some great moments in this musical, as far as representation goes, it definitely falls short.
When I heard the news, I grabbed a copy of the book to get a sense of what we’ll be in for. Lovecraft Country is an excellent novel which makes a few daring choices in transmuting 1950s America into the sort of non-Euclidean horrorscape that made Lovecraft himself a household name. Better still, it does not shy away from confronting the shocking racial hatred that always underpinned Lovecraft’s work: the man who invented the Cthulhu Mythos also penned “On the Creation of N******.”
We’ll be in good hands with Jordan Peele bringing this to the screen: Peele has proven himself more than capable at fulfilling the promise of his genre.
Trigger warning for frank discussion of racism below.
One of my favorite movies when I was a kid was the 2003 Dreamworks movie Sinbad: Legend of the Seven Seas. It didn’t get great reviews and its plot was nothing to write home about, but I loved all the characters, the adventure, and the romance, and I wore out our little VHS tape and annoyed all my family members by watching it over and over. I even bought the video game (side note: wasn’t great, do not recommend). Then I went on to other movies and mostly forgot about Sinbad until I caught a glimpse of it while channel-flipping last month. Fascinated, I watched it all again from the beginning, and then did what I didn’t think about in 2003: I went to research it online. What I found was that Sinbad could have potentially been far more creative and representative than the version that we got.
Spoilers for Sinbad: Legend of the Seven Seas below.
This weekend, I rushed to the theater to see Wonder Woman. I was filled with both hope and fear. I knew that if Wonder Woman did poorly that we might never see a female led superhero movie again, and I knew that so far DC Comics’s movies haveleft a lot to bedesired, but I was hearing good things about the film so I walked in hoping for the best. And praise Hera, I have never been more pleased or satisfied with a superhero film.
After revisiting the adorable Doctor Strange of the Moon Girl and Devil Dinosaur comic last week, I found myself craving more Strange stuff. And while I don’t know if I’ll ever be able to bring myself to watch the MCU movie, I do own a few trades’ worth of Doctor Strange comics. I remembered enjoying them well enough when I first read them, so I figured the time was nigh to revisit one and see if older, woker Saika still thought they were any good. And that’s how I ended up rereading the 2007 comic Doctor Strange: The Oath, by Brian K. Vaughan and Marcos Martin. Turns out, while it’s a good standalone story to read if you’re interested in the good Doctor, it’s also full of some tired tropes and isms.
May is Asian Pacific American Heritage Month, so I have the perfect web crush for us today. They Call Us Bruce is a fairly new podcast, but it’s a timely one: hosts Jeff Yang and Phil Yu started it in March of this year to talk about Asian-American issues in pop culture, just in time to catch up with the explosions of wrong that were Death Note, Iron Fist, and Ghost in the Shell. And ever since its inception, the podcast has only gotten better and more insightful in its commentary.
Well, Guardians of the Galaxy Vol. 2 sure was a thing I watched.
I should start with a positive, right? It had a great soundtrack. (Although I was shocked to discover that I recognized some of the songs and my music aficionado mom did not.)
Also, I’d definitely argue that it was better than its predecessor. If you’ll recall my review, I left Vol. 1 deeply disappointed, and I felt like this movie offered a lot of the character beats and emotional high notes that I wished the first film had hit. It also improved the representation on the team by giving us the first MCU team-up with some semblance of gender parity.
That said, I’m not sure what this story adds to the overall Marvel Cinematic Universe worldbuilding, and being a band-aid for the previous film’s issues isn’t necessarily a good look for a sequel.