Star Wars Rebels’s third season wrapped up just a few days ago. I can’t say the season had everything that I ever wanted, but it certainly had enough of those things, and even a few more storytelling decisions that I didn’t realize I needed in my life. The entire season, our favorite Rebel cell and the rest of the people under Commander Sato worked hard on plans to attack the Imperial factory on Lothal and deal a massive blow to the Empire. Unfortunately for them, the main villain this time around was Grand Admiral Thrawn, who spent the season searching for the Rebel base on Atollon, and it’s Thrawn’s plans that come to fruition instead.
For many of us, Cowboy Bebop, as it notes in its opening credits, really did become “a new genre unto itself.” It was a formative anime experience and set a standard for animated television that in many ways continues to be that against which new shows are judged. It was hugely successful and for many people, in the West at least, served as an introduction into what anime was really capable of as a storytelling medium. It was also released during the late 90’s pop culture zeitgeist when the Internet was still relatively new and concepts like media inclusivity and cultural appropriation were just beginning to gain traction in the mainstream narrative.
They’re gettin the band back together. (image via IMDB)
So how does Cowboy Bebop hold up when exposed to modern criticism? Mostly pretty well. There’s some problematic stuff, obviously, but the universe in which Bebop is set offered a lot of creative freedom and some of that was used to explore social constructs and culture. It presents a vision of the future that is incredibly diverse and where humanity is living on other worlds, but where people are still just people. While there are tropes and shortcomings, some of that vision was ahead of its time and still holds water today.
Are you guys fans of speculative fiction podcasts but find it hard to actually find said podcasts? Me too! That’s why I’m so happy to be able to tell you guys about the Procyon Podcast Network, a largely female-led team of podcasters who are also concerned about the lack of good fictional podcasts. As they say on their Kickstarter:
Formed in November 2016, the Procyon Podcast Network began as the brainchild of several audio drama fans hanging out in a private Slack who wished there were more cool genre fiction podcasts out there with interesting and diverse characters. Eventually we figured, hey, here we all are. Let’s be the cool genre fiction podcasts we want to see in the world.
There probably aren’t very many people who remember Fox’s ill-fated reboot/sequel of Minority Report, which was quietly canceled in 2016 after a supremely lackluster first season. The TV series had so much potential—it introduced a huge number of characters of color to a canon that was predominantly white and it discussed complicated issues like immigration, genetic engineering, and police profiling, though it never got deep enough into any of these issues to really be satisfactory. I can honestly say that I enjoyed watching it, despite its many writing missteps.
However, the main failure of the show was its handling of the PreCrime program and the precogs who were used against their will to run it. While the original Minority Report film ended the PreCrime program because John Anderton proved that people could choose not to commit a crime and thus change their own futures, the Minority Report TV show made this touchy issue into a procedural cop drama by assuming that all the futures the precogs saw would definitely come to pass. This uninspired utilization of the original film’s themes meant that the TV reboot was neither as creative nor as thought-provoking as its predecessor, and it unfortunately meant that the potentially meaty conflict between leads Lara Vega, a Metro P.D. cop who believed fervently that PreCrime was the best way forward for society, and Dash, a precog who wanted to help people but didn’t want to be put back in the milk bath, was quickly erased so that the procedural cop drama could move forward. We never got to see a connection between the themes and characters of the film and the themes and characters of the show. But fortunately, in fanfiction, other writers can tackle these problems for us.
March 22nd is the future birthday of Captain James T. Kirk, and while this post is a day late, I felt the need to honor the Star Trek: The Original Series captain. I have always asserted that James. T. Kirk is actually a feminist despite the caricature that people have made of him in both the new movies and the fandom.In the new Star Trek movies, Kirk is often portrayed as a scandalous womanizer. He sleeps with Uhura’s roommate, then leers at Uhura while he changes on her bed. He also never backs off when Uhura tells him that she isn’t interested in him. Then he watches Carol Marcus change clothes when she specifically tells him not to. This is not the Kirk of TOS! I’m convinced that those who think he is a womanizing sexist have either never watched the series or are possibly projecting their own beliefs onto the character, because Kirk is most assuredly very pro-women and there is a ton of evidence to prove it.
This is the problem: a younger, more naïve Saika was so, so excited for the first Guardians of the Galaxy movie. The trailers were so good; it was a different and new premise from the typical Marvel formula… and then she was massively disappointed by the movie itself.
An older, wiser Saika then sat down to watch this trailer. And found, to her great surprise, that she was once again interested in the shenanigans of these space-faring assholes. Is it too much to ask for that this movie will be the GotG we deserve and not the fratsplosion we got last time?
One of my favorite movies of all time is Minority Report, a 2002 movie by Steven Spielberg which was based on the Philip K. Dick story of the same name. I watched it for the first time at a young impressionable age and spent maybe a little too much time thinking about its morals and themes, but when I wanted to revisit it recently before the ill-fated Minority Report reboot aired, I found that I had lost my copy of the DVD. Fortunately for me, it finally turned up, and I settled in to realize that the messages of this movie, though somewhat flawed, are still relevant today.