It’s quite difficult to find stories set in non-Western settings in mainstream media, and LGBTQ+ stories are even more rare. So, today I want to share with you all a little gem of a webseries called The ‘Other’ Love Story. Set in India in the 90s and featuring two young women falling in love, it’s sweet, tender, and, yes, sad, but beautiful.
It’s a strange and wonderful thing to be diving back into the world of Harry Potter, a franchise that so many people around my age literally grew up with. There was certainly a lot of pressure on the new film Fantastic Beasts and Where to Find Them to transport us back to a world we all knew and loved, and I’m happy to say that while it certainly differed a lot from the series of films starring Harry and the gang, it was generally delightful. It made a lot of good storytelling choices, introduced a lot of great characters, and really invoked a sense of wonder, which is what every Harry Potter story ought to do. There were a few small hiccups in execution: specifically, some elements of the magical world seemed incongruous with the rest of the stories. Even with that considered, however, nothing significantly detracted from the overall experience, and I came out of the theater excited to learn more about Newt, Tina, and the American wizarding community.
As we Americans slog on toward Thanksgiving, it sometimes feels like there isn’t a whole lot to be thankful for this year, what with politics, celebrity deaths, and natural disasters coming one after the other in one big avalanche of awful. Even though Tumblr is often not great as well, I tend to use my malfunctioning blue hellscape of a dashboard as a handy mental escape, particularly this month. So today, I’d like to rec a site I’ve followed on Tumblr for a long time called Superheroes in Full Color.
Though we often bemoan the lack of characters of color and works created by people of color in our mainstream media, the fact remains that the content we seek is likely out there somewhere, just sorely under-hyped. Our major franchises are things like Harry Potter, Lord of the Rings, and Star Wars, all universes created by white people and all of which feature few, if any, characters of color. So if you’re the type of person who wants to read a more diverse, inclusive story, where should you start looking for this type of content? Today’s web crush is going to be a handy resource for you.
But by opposing the Iraq War—or rather, by claiming to have done so from the start—Trump staked out an unusual position for a right-wing candidate. This should have been a liability: how can a Republican run so far from the party’s last president, much less hold that position against a Democratic critique? Yet it was enough to give Trump a victory.
The only way I’ve been able to cut through it is by looking at John Rambo, and the complex critique of the Vietnam War in First Blood and its sequels, even as they lionized the consummate American soldier. Rambo offered a vision of America so contrary to Marvel’s Steve Rogers, that it’s easy to forget that the two protagonists tread very similar paths.
Hey, look at that: they’re making another King Kong movie. At first I thought that Kong: Skull Island was a sequel to the 2005 King Kong, but the two movies apparently have nothing to do with each other. Instead, Skull Island takes place in the same world as the 2014 Godzilla movie, but back during the 70s, as part of a rebooted Godzilla vs King Kong franchise.
The Fifth Element is one of those movies that it often seems like everyone likes.From the comic book visual aesthetic to the ostentatious yet believable nature of the universe, there is a lot to love about this flick. It is also a film that plays with tropes and genre staples in almost every scene. It could be said to be the opposite of a film like Young Frankenstein, which is a parody film that loves its genre; Fifth Element is a genre film that loves its parody. But while he employs many tropes, director Luc Besson seems to be deconstructing and analyzing those very cliches in a way that often makes the result truly brilliant.
One of the things that gets dissected in this fashion is gender. The way that gender and heroism are intertwined in sci-fi is a constant presence in almost any scene in which there is significant development of the protagonists, Leeloo and Korben Dallas. While these moments sometimes play into expectations and brush with actual tropiness, they also make some crucial points in a way that resonates with an unusually diverse audience.
My primary focus will be three things: Bruce Willis as the “generic action hero”, The Supreme Being as a female archetype, and of course, Ruby Rhod.
Magic is awesome, except when it just makes everything worse. It happens rarely, but sometimes magic as a whole is a net evil thing in a story. In order to bring, well, order, back to the world in question, magic has to go. Although it’s sad for both the characters losing their magic and the audience by proxy, by casting fantastical power as something that’s fun or useful but ultimately damaging, these stories can teach us something worthwhile about the importance of self-sacrifice.