A horror movie from the early 80’s may not seem like a likely choice for a discussion of sexuality, but when that movie is A Nightmare on Elm Street 2: Freddy’s Revenge, it’s quite a different story.
Sex is a common element in horror movies; in fact it’s usually the main indicator of who’s going to die (sexually active people) and who’s going to live (virgins, or at least monogamous partners) but very rarely have horror movies explicitly depicted anything other than heterosexual relationships until recently. There have been exceptions, such as the cult classic Sleepaway Camp, but the second Nightmare film is probably one of the most mainstream horror films to have included not only homosexual subtext but also blatant, in-your-face homosexual text. Today I will discuss three of the main characters from the film: Coach Schneider, the Phys. Ed. teacher; Jesse, the lead; and Grady, the friend.
(WARNING: Under the cut is a lengthy and mildly NSFW article)
In the long history of the Nightmare series (at least seven films spanning 10 years, or nine films spanning 26 years if you count those apocryphal additions) there were of course some women who only led the fight against the villainous Fred Krueger for one film. These women are Lisa Webber of A Nightmare on Elm Street 2: Freddy’s Revenge and Maggie Burroughs of Freddy’s Dead: The Final Nightmare.
Unfortunately, these are two of my least favorite movies in the series. Starting with Freddy’s Revenge, it had the problem that is so common when a surprise hit is given an unplanned sequel in that it didn’t understand what was great about the original and failed to re-capture its magic. Its main problems were replacing the female lead with a male and going with a concept that almost entirely did away with the nightmare aspect by having Freddy reincarnate himself in the real world.
Now, if this movie was so bad and didn’t even feature a female lead, why am I talking about it? Well, I do want to give it credit for trying to push the series into new territory rather than being a retread of the original (just because the risk didn’t exactly pay off doesn’t mean it wasn’t admirable) but also because it played with the typical gender roles of horror movies.