Welcome to Night Vale constantly amazes me with how unique it is, especially when it comes to religion. It manages to take real religious ideas and weave something entirely new and different from the thing that originally inspired them. The Smiling God, the beagle puppy, and the angels are inspired by Abrahamic religions, but while it’s clear that Huntokar and the other gods are definitely at least inspired by real deities, the creators of Night Vale have managed to create their own unique pantheon.
Several episodes ago, we learned that the god Huntokar, who has been mentioned in passing throughout the show, is the god of Night Vale and has been protecting the people of Night Vale since the very beginning. However, we came to discover that her protection also nearly doomed Night Vale by causing the multiple versions of the town in different universes to collapse in on themselves. In this episode, Huntokar mentions that she is one of four old gods that include the Glow Cloud (ALL HAIL), the Woman from Italy, and the Distant Prince.
Writers tend to take two different routes when it comes to adding deities to their stories. They either use gods of real religions, or they invent their own. Creating your own deities has the major advantage that you aren’t taking the risk of portraying another religion’s deities in a potentially harmful way. However, we cannot escape the fact that we are affected by what we know about religions and their deities and inevitably the audience may realize that these “fake gods” are inspired by real ones. It’s fine to be inspired by real deities, but it’s important to still develop them in such a way as to make them their own unique god, otherwise the portrayal could still end up seeming problematic. And that is exactly what the creators of Welcome to Night Vale were able to do. Their deities are clearly inspired by different real gods, but are written in such a way that they become their own unique god and are not simply a copy of another deity.
Spoilers for Welcome to Night Vale for up to Episode 113.
The second season of Lucifer recently ended and I have to say that it was amazing. However, there was one episode in particular that I both loved and was frustrated with called “God Johnson”. In this episode, Lucifer and Chloe head to a mental institution where a man has been murdered. The main suspect in the case is God—or, well, a man who thinks he is God, and who even legally changed his name to God Johnson. Lucifer confronts Johnson to tell him that the real God is an asshole, but he stops shorts when Johnson calls him by his angelic name, Samael. Thisprompts Lucifer to believe Johnson really is God. Later Lucifer admits himself into the same institution and sees Johnson heal a human, again causing him to truly believe this is really God. I was so excited about this! After the show introduced God’s wife, I was hoping we would eventually get to meet God himself and explore the relationship between God and Lucifer in a more real way. Sadly, though, this episode doesn’t take the direction that I would have hoped. God’s character is not engaged with in the same way that Lucifer’s is. God remains just this impassive, omnipotent, but never present figure. Despite how our media loves to play with religion in its shows, movies, etc., the Abrahamic God appears to be off limits in terms of real character exploration.
Spoilers for theLucifer episode “God Johnson” below.
The Sims is one of the most popular god-simulation games on the planet. I’ve been playing it since the original Sims game, when babies were made by passionately kissing a bunch of times in a row and children never grew up. Nowadays, Sims 4 is making progressive strides in the world of inclusive gaming. The creators want everyone to feel like they can see themselves represented in their Sims and tell more diverse stories than ever. Most recently, a patch removed the rigid gender binary in the Create-a-Sim workshop. Now you can customize your Sim’s gender, their ability to be pregnant or make others pregnant, and if they prefer masculine or feminine clothing. It’s not total gender customizability, but it’s a new and significant move in the name of inclusivity and representation. We can customize our Sim’s age, education, occupation, and where they live. Sims now come in all colors of the rainbow (literally). Sexual orientation is determined by the player’s will. There are Vampire-Sims, Zombie-Sims, Fairy-Sims, Witch-Sims, Plant-Sims, Werewolf-Sims, Mermaid-Sims, and Alien-sims. So why haven’t the creators touched religion yet? Well, there may be a few reasons, and none of them are great.
Many people, when they think of the devil, think of a being without any kind of ethics or morality. I guess it stands to reason that if you believe God is good then the devil should fly in the face of that and just be utterly unethical and immoral in every way possible. But is that really the case? Could it be that the devil actually just has a completely different understanding of ethics? Well, it depends on which version of the devil you are talking about. And the devil’s ethics in the new Fox TV show Lucifer are particularly interesting.
I can’t remember how I discovered the Millennial Gospel on Tumblr, but now that I have, I don’t know what my life would be like without it. As someone who studied theology and is a feminist active in social justice, it is sometimes difficult for me to find people who feel the way I do when it comes to God. It’s difficult for me to find people who believe Christ would be marching on the streets in Ferguson, telling someone off for slut-shaming, or chastising churches for their hostile attitudes toward the queer community. So imagine my surprise when I found the blogs of two lovely ladies who were embarking on a project to show what the radical nature of God’s love would, or should, look like today. This is exactly what the Millennial Gospel is.
There are certain things that I just really cannot stand when it comes to retelling stories from the Bible. One of these things is the casting of white actors to play Biblical figures who lived in Africa or in the Middle East. Another is the attempt to “amp up” Biblical stories and make them more “action-packed”. That said, I have no problem with people taking creative liberties with Biblical stories as long as they remain true to the spirit of the original. Exodus: Gods and Kings seems to have committed all of the above atrocities on what would otherwise be a good Biblical story. But I don’t want to talk about the racist trainwreck that is Exodus: Gods and Kings (at least not much); rather, I want to talk about one movie that did it all right and explain why future movies about the Bible should follow its example. So without further ado, let’s talk about why The Prince of Egypt is one of the best damn retellings of a Biblical story pretty much ever.
Many of you who used to read my Supernatural reviews know that I am no longer watching the show because I could no longer handle its rampant racism, sexism, and constant queerbaiting. But as always, Supernatural finds ways to drag me back in, and it started when I saw this gifset and realized that Supernatural made Cain the good guy and Abel the bad guy in the Biblical story of Cain and Abel. Now, even in a very secular society, I think most people know this isn’t how the story of Cain and Abel goes. I know it works better with Supernatural’s mythology and I suppose that the writers assumed that they were being clever by revealing the Biblical character everyone thinks is evil as good, but actually following the original Biblical narrative would have been more profound.