The comic book series that I come back to over the years tend to be the ones with the most memorable and well fleshed out characters. I generally also re-examine these treasured tomes from a more critical perspective as time goes on, often from an explicitly feminist one. Of these all-time favorites, one that particularly warrants that reexamination is Y: The Last Man.
I won’t lie, I’ve been wanting to write about Y since I survived the Jedi/Sith training required to write for LGG&F; I’ve also been absolutely dreading it. For those of you not familiar with the series, Last Man is a story by Brian K. Vaughan that ran from 2002–2008 in which all the characters aside from the titular protagonist are women, as is nearly every other human being alive. It’s a story, written by a man, about the last man alive in a world full of women. To say that there are some inherently problematic issues in the series from that information alone is an understatement. Many of my favorite comic book authors are men and many of my favorite comic book characters are women; that critical angle is one I encounter frequently, but Y takes it to a whole new level as nearly every character you encounter or see is female (or AFAB).
In looking back at The Last Man here, let’s explore how it inverts exploitation narratives in order to undermine them and how it uses gender as a lens through which to examine human nature.
Spoilers for the whole series, including the end, follow.