I’m not necessarily the best at taking my own advice. So when I said more than a year ago that everyone should be watching Steven Universe, I had intended to follow suit. With the exception of an episode here and there, I unfortunately didn’t get around to watching. In a way, I’m glad for it—I’d much rather marathon a show than wait for weekly updates. With the announcement of Cartoon Network renewing the show for another two seasons, though, dreams of watching it all at once (in the near future) were all but dashed, and I finally sat down to watch the entire series alongside my brother.
We’ve discussed a couple of Steven Universe‘s elements before, all in glowing terms. Today will be no different. As much as I want to gush over Pearl’s unmistakable queerness when it comes to her relationship with Rose Quartz, another underlying theme has caught me off guard with the subtlety and the delicacy with which it was written. Steven Universe is, of course, not the first show to tackle the subject of grief. Yet the way it’s approached in this show is so nuanced that I’m left feeling it in the pit of my stomach long after the episodes have ended.
Spoilers for “Rose’s Scabbard” under the cut.