“I believe what Yuuri is trying to convey is ‘Excuse me, Viktor. Did you say you’re a vampire?’” Phichit translates with grim cheer.
Yuuri’s squawk of distress confirms Phichit’s interpretation.
Viktor wrinkles his forehead, mystified. “Well, yes,” he says slowly.
Phichit hops up from the armchair to perch on the sofa’s arm, pulling Yuuri in protectively to his side. Yuuri tucks himself in and turns to gape at Viktor again.
It’s Viktor’s turn to boggle. “Wait. You mean you didn’t know, Yuuri?”
“No,” Yuuri snaps, eyes glittering and chin stuck out in the air.
Viktor’s jaw drops. Even the youngest newborn should be able to recognize their own kind. Has the state of turned vampires gotten to be so dreadful? Well, no. That can’t be it either. Phichit sensed him from at least three blocks away when they were stopped at the red light. “When were you turned?” he inquires. “If you don’t mind me asking,” he adds hastily for avoidance of risking any additional misunderstandings on this point.
Phichit points to himself. “1950s,” he says and then ruffles Yuuri’s hair, “And this one was around the 1900s.”
“Amazing,” Viktor murmurs. “How are you still alive?”
Now that October is properly upon us, my spooky loving heart is constantly begging for every vampire, ghost, magic, and every seasonal etcetera that I can get my eye globes on. I’d almost lost hope at finding a suitable fic for my Fanfiction Fridays post this month, but thankfully the Yuri!!! On Ice fandom was there for me, and among its multitudes of AUs I knew I could find the good vampire content I crave. glassteacup’s Misconceptions and Truths About Vampires wasn’t exactly what I was expecting–in only good ways–but what glassteacup is missing in perhaps more aesthetically vampiric characterization, they more than make up for with modern vampires just trying to get by and intriguing snippets of much deeper lore.Continue reading →
I’m not very well versed in the world of yuri anime and manga; due in no small part to the fact that yaoi is simply more popular and often overshadows yuri works. Though, if I’m being honest, I never really made a major effort to widen that specific horizon. I think one part of me wants to believe that yuri somehow manages to avoid the annoying, and sometimes disgusting and damaging tropes that yaoi tends to fall into while the other part of me knows that can’t possibly be the case. Then I saw the trailer for an anime adaptation of Saburouta’s 2012 yuri manga Citrus on Twitter—I couldn’t ignore its bright colors. While fans of the series share an excitement for the animation of the manga they enjoyed so much, I couldn’t exactly share in the sentiment.
It’s now officially Fall! …Or that’s what the calendar tells me, but the unwelcome persistence of 80 degree weather (that’s 27~ degrees Celsius to you Celsius-using folk) is weaving a different tale. In an effort to prove that temperature doesn’t rule my life–even when I’m dying and making offerings for those crisp fall days to come the fuck on already–I’ve started to dive into that good seasonal content. Of course, that means witches and magic!
Back in March of last year I talked about how excited I was for the upcoming anime adaptation of the manga The Ancient Magus’ Bride, and just recently the three part OVA, Those Awaiting A Star, finished airing in Japan. Despite being unaware that an OVA was even happening, I eagerly dove into the three 25 minute episodes. It was advertised as a prequel story, so I was a bit hesitant that the OVA would be focusing mostly on the situation that brought heroine Chise to her living arrangements with her fiance, the titular ancient magus; doing so would almost certainly mean focusing on the neglect and abuse Chise suffered, and three episodes of that sounds kind of like the worst thing ever. It’s impossible to avoid that completely, as the episodes focus on Chise’s childhood, but if you share my concerns, I’m here to tell you that the OVAs didn’t turn into the Chise torture hour. More importantly, Those Awaiting A Star subtly shows off the environment Chise comes to thrive in as well as her relationship to Elias (the magus) in a way that quells the worries I, as someone who hasn’t read the manga, had about that too!
They’re so cute and good, you guys. (Screenshot taken by me)
You’d think that by now I’d realize that Facebook is dangerous. No, I wasn’t drawn into a debate with relatives who don’t seem to understand that being an awful, ignorant person on all facets should not be a viable political platform. I was drawn, instead, to watching an anime. Usually those ripped video clips stuck between two white bars that say something to the effect of “When you break up with a girl in anime😂😂” don’t grab me, but this video did. Here, let me show you. (Content warning for child abuse and bullying.)
These are the first nine minutes of the 2013 anime Kotoura-san, and immediately after watching this I knew I had to look up the summary to see if it was worth investing any more time in. I had no interest in watching a series devoted to the further torturing of its protagonist; however, the summary wasted no time in saying that this series was a romantic comedy (what?) that focused on the titular Kotoura-san making friends and healing from her childhood trauma. What followed was, yes, that in generous helpings. But Kotoura-san was also filled with, in equal parts, a bunch of uncomfortable sexual harassment and an unsatisfying narrative resolution to parental negligence which only served to undermine the actual good things going on.
Spoilers below the cut. All the previous warnings still apply, with an additional one for incest.Continue reading →
I can’t deny that Sailor Moonwas my heart growing up. In the wider scope of cartoons/anime aiming for a younger demographic American audiences weren’t so readily exposed to these shoujo magical girls and doki doki gakuen series as they were shonen series like DBZ and its ilk. So, while I often liked to fight in the name of the moon, I ended up much more well acquainted with the hand motions to perform a proper spirit gun technique or trying very hard to ignore that Goku had been on the same battle for four days in a row.
These days, however, audiences have grown restless in their consumption of the same old tropes. We want more. When an anime comes out that attempts to deconstruct the genre, audiences flock to it hoping to gain some great knowledge from it, or some sense of satisfaction. When I started watching Mob Psycho 100, I wasn’t expecting anything mindblowing (despite claims from my friend otherwise), and it wasn’t. Don’t take that as a negative thing, because it’s certainly not. Shonen series are all about the capacity for audience’s minds to be blown, so much so that every arc tends to follow the pattern of the hero needing to get a ridiculous new power to defeat the new powerful enemy. Mob’s deconstruction of the genre comes from its refusal to bend to the shonen tropes that define its world, and the result is something purely human; nothing more, nothing less.
I’ll admit it, I started watching Princess Principal because it just looked fun. Young women kicking ass as spies in a steampunk fantasy version of turn-of-the-century London, set to a jazzy soundtrack and wrapped up in science-magic? Yes, please. I’ve been pleasantly surprised to discover that this show that I picked up solely for its geeky Cool Factor is… actually really damned good, delivering consistently sharp writing, interesting and layered characters, and some wonderfully efficient and intriguing magical worldbuilding that makes fantastic use of that old writing adage “show, don’t tell” that paints a vivid picture of its fantasy world from its very first scene.
Because it did such a good job laying the groundwork and piquing this viewer’s interest, let’s look just at the show’s first episode, and the small but important details the premiere gives us (and how) that let us build a picture of the world… without leaning too heavily on narration, pausing or cutting into the action to explain what’s going on, or having an audience point-of-view character that others teach things to.
I think I’ll tryyyyy defyyying graviityyyy. (via aldi404)
It’s a universal fact that everyone is at least a little bit embarrassed by what they did when they were thirteen. Was it a misguided and poetic emo phase? An overzealous leap into fandom, including indulgent fanfic or fanart? An all-consuming desire to be seen as mature in your tastes that ended up just making you look pretentious? Whatever it is, despite how much this passion consumed you at the time, you’d be happy if no one ever brought it up ever again—that’s how much it makes you cringe.
There’s a Japanese word for this: chunibyo, loosely translating to “eighth-grader syndrome”, the stage of life where a sense of self-importance and newfound independence combines with passion, imagination, and a desire to be seen as special, whether that manifests as a pretentious geek phase or believing you have magic powers. It’s this phenomenon that is the core of Love, Chunibyo, and Other Delusions—a show that begins as a wacky comedy about high school embarrassment and ends up punching you (or at least, this reviewer) in the gut with a poignant story about grief and growing up.
Flying Witch did for witches what Miss Kobayashi’s Dragon Maid did for dragons: just had them be kinda there, going about their daily business instead of getting wrapped up in some sort of epic fantasy plot. Makoto, the protagonist of Flying Witch, is a young witch completing her training, but is she rollicking along on some sort of Harry Potter-ish adventure attending a haunted magic school and defeating evil incarnate? No, she’s just doing the gardening. Occasionally she unearths a howling mandrake and disturbs her friends and neighbors, but otherwise she lives a relatively conflict-free existence, sitting where she does in the place where the “supernatural” and “slice-of-life” genres meet. Which is, it turns out, pretty near the dreamy land of magical realism.
Spoilers for Flying Witch Episode 11 beyond!
Flying Witch is not a show you watch for conflict and action—it’s quite literally just the day-to-day goings on of a girl’s life in a rural town, including high school cooking classes, vegetable planting, and long conversations about the history of the pancake… oh, with the occasional bit of magic woven in. There’s no overarching plot, no tension, no mysteries or intrigue as we glimpse the magical world. The witches in this universe don’t have a statute of wizarding secrecy so much as just keep to themselves because they like it better that way, which pretty much tells you all you need to know about the series’ casual tone and casual acceptance of magic. Apart from some initial shock when Mako floats on her broom for the first time (and some comedic reactions to the yelling plant), the existence of magic is basically accepted by the cast and by the story without anyone batting an eyelid.
If you could write a letter to your younger self, what would you say? “It will get better”? “Don’t stress too much about fitting in”? “Yes, what you’re feeling is love, and that’s okay”? “The future is awful and sad and I want you to work tirelessly to make sure you don’t end up a regret-stricken wreck like me”? Orange takes this last approach, and the result is a series that I have a barrel full of mixed feelings about.
Spoilers and content warning for suicide ahead.
On the first day of the new school year, protagonist Naho finds a strange letter addressed to her, which was apparently sent from herself, ten years in the future. Naho is confused and dubious that such a thing can be real, but then the events the letter describes start coming true: the letter tells her that a new student, a boy named Kakeru, will be joining their class that day, and he’ll sit next to Naho. Naho’s friends will attempt to be welcoming and invite the new kid to hang out once school is over, but, the letter warns, they should absolutely not do that. Not that day, at least.
Naho soon realizes that the letters are full of specific advice from her future self, chiefly about things that Future Naho regrets and wants to change. These mostly concern Kakeru, since, as Naho is shocked to find out, ten years in the future Kakeru is no longer alive. In Future Naho’s world, Kakeru died—in an accident later discovered to be suicide—when he was seventeen, and she’s sending these letters back in time to try and stop that from happening.
Perhaps to the surprise of very few, it wasn’t too long ago that I sat down and finished Love Live!’s second incarnation, Love Live! Sunshine!!. For all intents and purposes, Sunshine is exactly the same plot as the first Love Live!: a group of three second-year high school girls working hard to become school idols, eventually recruiting three first-years and winning over the skeptical group of three third-years to round out their final group. While a good portion of the Love Live! fanbase and tenets the show is built on are problematic due to their sexualization of young girls, the show itself is typically not any worse than any other anime you may have seen. Unfortunately, though the first season gave me a wealth of girls supporting girls and legitimately touching moments, Sunshine never quite got its feet off the ground. Much of this can be attributed to protagonist Chika’s lack of personality or drive, but the aspect that truly ruined the whole season beyond redemption was the gaslighting of Mari by the two friends she trusted the most, and the show does nothing to show how what they did was wrong.
Spoilers if you haven’t watched past Episode 8 of Sunshine.
(Screencap via Love Live! Sunshine!!, “Young Dreamer”)