Perhaps to the surprise of very few, it wasn’t too long ago that I sat down and finished Love Live!’s second incarnation, Love Live! Sunshine!!. For all intents and purposes, Sunshine is exactly the same plot as the first Love Live!: a group of three second-year high school girls working hard to become school idols, eventually recruiting three first-years and winning over the skeptical group of three third-years to round out their final group. While a good portion of the Love Live! fanbase and tenets the show is built on are problematic due to their sexualization of young girls, the show itself is typically not any worse than any other anime you may have seen. Unfortunately, though the first season gave me a wealth of girls supporting girls and legitimately touching moments, Sunshine never quite got its feet off the ground. Much of this can be attributed to protagonist Chika’s lack of personality or drive, but the aspect that truly ruined the whole season beyond redemption was the gaslighting of Mari by the two friends she trusted the most, and the show does nothing to show how what they did was wrong.
Spoilers if you haven’t watched past episode 8 of Sunshine.
(Screencap via Love Live! Sunshine!!, “Young Dreamer”)
The recent controversy over the bullshit Death Note whitewashing has caused me to crave the original version of Death Note, specifically the animated series. I will admit that while I am a fan of this anime, I have never actually finished it, thanks to L’s untimely death. To this day, I still don’t know much about how the show ends. Now, however, on top of my own desire to watch it again, my husband wants to watch it for the first time. So after many years I am set to finally finish this series, but it has been so long since I have watched this anime that upon beginning my re-watch, I immediately noticed things I missed the first time around. I still adore this anime and think it is extremely well done, but I couldn’t help but dislike the treatment of the character Naomi Misora.
“Slice of life with a sprinkling of the supernatural” has long been my favorite genre, though it’s harder to find than you might think. Most often fantasy authors choose to take things in an epic direction, flinging their protagonists out of their ordinary day-to-day existence into some sort of magic adventure, giving them high stakes to deal with. Granted, that’s generally what makes for an engaging fantasy story, but sometimes you’re looking for something that’s more relaxed and grounded in recognizable daily struggles. Sometimes you just want to see an all-powerful otherworldly monster do her grocery shopping without having to worry about a big scary epic background plot, you know?
If this is the case, you might want to take a gander at Miss Kobayashi’s Dragon Maid. It’s cute, funny, follows the beats of a slice-of-life show to a T while managing to feel fresh, and while fantastical elements are interwoven inescapably into the plot, the main focus is not so much on magic but on interpersonal relationships and exploring the everyday domestic delights of a found family. Its sense of humor is sometimes incredibly skeezy (read: sexual harassment of minors played for laughs) and it may or may not be as gay as we all wanted (though it comes pretty damned close) but overall it’s quite a sweet and pleasant viewing experience. And there are dragons!
Spoilers (and content warning for said sexual harassment of minors) under the cut. Continue reading →
I finally had a chance to sit down and watch Season 4 of RWBY—something I was really looking forward to after how much I enjoyed the previous season. With everything seemingly in ruins, Season 3 left me wondering how Team RWBY and their friends would be left to pick up the pieces and Season 4 did not disappoint. Though not as action-packed as the season before it, Season 4 finally took some time to give both the main characters and the side characters some much needed development. However, some of these developments left me feeling a little confused and questioning why the writers took that path (and not in a good way). And while RWBY’s world continues to improve in terms of diversity, at times it felt like a mirror of the name of one of the season’s episodes: one step forward, two steps back.
Good. God. I don’t know where to start with this. As soon as I heard about this I rushed to trade posts with Lady Geek Girl so that I could write about it. However, upon sitting down to do so, I realized that to write about it, I’d have to—ugh—actually watch the trailer.
If you know anything about me or this website, you can stand assured that I did not enjoy a second of it. This movie looks like it will be a disaster on every possible level, and on top of that, releasing it in the week after Iron Fist crashed and burned in no small part due to whitewashing complaints feels almost comically idiotic.
In my review of Izetta: The Last Witch, I ended the post wishing that there would be some anime series that focused on a lesbian relationship that was as overt as the gay relationship in Yuri!!! On Ice. When I started Flip Flappers, I was not expecting it to be that anime. In fact, I wasn’t expecting much from Flip Flappers at all. However, despite my apprehensions, the thirteen-episode semi-surrealist series surpassed all my expectations, and if you haven’t watched it for yourself, I highly recommend that you do. Avoiding spoilers, if you’re looking for a cute, vibrant anime series with a bit of mystery and a lot of relationship exploration, Flip Flappers is definitely for you. Still, I have a few issues with the series that keep it from being perfect, and unfortunately some of these issues are directly related to the main lesbian relationship.
As I was going through some CDs I’d made back in my high school days, I was forced to face something: I’d really liked Inuyasha. Like, a lot. So much that I had two CDs filled with the title and ending tracks (yes, I still know the words to Fukai Mori by heart) and several versions of Inuyasha’s Lullaby. So I was feeling a little nostalgic for the series, and seeking out Inuyasha fic this week really wasn’t any surprise to me. What was a surprise, however, was how few F/F fics there were for the series. I’m pretty sure that the Kagome/Thorin Oakenshield ship had more fics than any F/F ship, canon characters or not. Upon giving up my original search—sorry, Femslash February!—I did manage to find a really wonderful ficlet that further explored my favorite female character, Sango, after the events of the series.
Throughout the first fifty-some volumes of Inuyasha, the demon huntress Sango was always portrayed as a strong woman who had lost much, but didn’t allow her losses to consume her. However, the ending of the manga always rubbed me the wrong way. Though Sango was driven by wanting to put an end to the creature who had destroyed her village and family, and she did help achieve this, I never got the impression that just because she had achieved her goal, she would put down her metaphorical torch indefinitely. Yet the series’ end had her settling down with her love interest, Miroku, and popping out babies like it was no one’s business. There’s nothing inherently wrong with this, but it seemed like too much of a shift in character and agency and too much of a rushed out “and they lived happily ever after” epilogue. I didn’t trudge through so many volumes for this! While today’s fic doesn’t change the outcome, what it does offer is a closer look at Sango’s mindset and character development as she enters this new part of her life—something the series should have done in the first place.