Rin: For all of you who have seen “Mockingbird” in this season of Game of Thrones, allow me to say one thing: welcome. Welcome to the Sansa Stark appreciation team (affiliated with the Sansa Stark protection squad). It took you a little while to get here, but the important thing is that you’re here now. Yes, it’s amazing that after donning the black dress of badassery, Sansa Stark suddenly gained about a fifty percent increase in her fanbase. Now that Sansa has, I guess, proven herself, everyone is much more receptive to her and excited to see her in upcoming episodes. And I’m not going to make this post about how we liked her before you, but although her outfit certainly changed, Sansa herself did not. This is no metamorphosis brought on by Littlefinger. And this one scene in this one episode did not define Sansa as a true player of the oft talked about “game”. Sansa has been capable from the beginning and, to be completely honest, she hasn’t been getting the respect she deserves.
The Ender’s Game series is a long and complicated thing, apparently. In looking at the Wikipedia page to find out what the official title of the series was (it’s just ‘The Ender’s Game series’), I discovered that it includes around twenty books that are loosely tied together, within the same universe and about mostly the same characters. I’ve actually only read four of them, the original Ender’s Game and three of its sequels: Speaker for the Dead, Xenocide, and Children of the Mind. Thing is, I don’t particularly want to read the rest of them, so my review will only cover those four.
First of all, Ender’s Game itself is great. It’s a tight, gripping piece of writing with a twist ending that would make M. Night Shymalan weep. Set in the future on an Earth that has only recently defeated an invading alien race, the story follows Andrew ‘Ender’ Wiggin, a young prodigy. He is selected to attend Battle School, an academy where children as young as five or six are trained to be Earth’s next line of defense against any future alien threat.
The next three books, however, deal less with the deeply personal story of Ender’s journey and more with the big philosphical questions that are running themes of the series, especially ‘What are the ethics of dealing with other sentient species?’. The problem I had with these three books was that the characters, the plot, and everything else were all made subordinate to answering these questions. Rather than an action-filled story like Ender’s Game that happened to have a meaningful moral message, the moral message was so heavy-handed that it seemed to me to overwhelm the storyline.
And just on a literary note, the race-against-time conflict of these three books is stretched out over all three books, for a total of thirty years of spaceflight within the book; this did not make me feel like there was any sort of real hurry or suspense. “Oh no, we have to find a solution before the spaceship arrives! We only have thirty freaking years!” …Yeah, that doesn’t really work. I actually had to force myself to finish the last book, because I no longer cared about the characters and just wanted to be done. With these three sequels as evidence, I find that I have no real desire to read any of the other prequels or sequels or companion novels—I just don’t trust that any of them with have the kick of the original novel.
I certainly recommend reading Ender’s Game—it’s a pretty awesome book and it has a movie in development, too. I wouldn’t recommend wasting time on the extended universe, though. Go forth and read!
Edit: I am very aware of Orson Scott Card’s depressingly bigoted views toward the LGBTQ community. Readers should be aware that the money you give to OSC may potentially go to anti-gay groups. I do still recommend reading this book, but if you do so, I suggest you get it from a library or borrow it from a friend.