Since Suicide Squad came out, I have seen a lot of pictures of Joker and Harley or just blog posts talking about them and occasionally I will see #RelationshipGoals on the posts. People are saying that they want a Joker to their Harley, and I’m not going to lie, that worries me a little bit. I don’t care what people ship necessarily or what they write fanfic about, but it very much worries me when fans look at a canonically clearly abusive relationship and claim that they want a relationship like that. These relationships almost always involve men with female victims, which makes it very disturbing to me as a woman that so many people view such relationships as romantic. It makes me worry for people’s safety and reminds me how much we need feminism.
Trigger warning for abusive behavior and relationships below the jump.
Christine Daaé may not be the title character of the musical The Phantom of the Opera, but she is the one with the most stage time and arguably goes through the most visible character arc. Despite these two facts, however, she’s not looked on too favorably by critics. She’s often thought of as flat, boring, and a character whose plot is in service of others’. Is there any truth to these claims? If so, is it possible to still consider Christine a worthwhile character from a feminist standpoint?
Love triangles are by no means something that’s unique to the stage—they’ve been part of popular storytelling tradition for centuries. And if you’re anything like me, you’re starting to get sick of being asked which “Team” you’re on every time you consume some new media about a group of three people of differing genders. There are some very famous musical love triangles, though, and I’d like to look at a few of them and discuss why they’re problematic and why they almost always end up being unfair to the women involved.
This production of Aida really got literal with the whole triangle thing.