Like pretty much everyone else on the planet, I have been obsessed with Mad Max: Fury Road for the last few months. I’ve seen it three times so far, and since the original Mad Max film was pretty underwhelming by comparison, I’ve been digging about the internet for fuel to feed the fire of my obsession. Naturally, I was pumped to learn that Vertigo is publishing a series of tie-in comics, so I rode forth to purchase them last week with a furious fixation. Unfortunately, much like the four puny cylinders in my orange Honda Element, the Mad Max: Fury Road comics felt wildly inadequate compared to my newly elevated expectations.
At long last, after a five-month wait (they’re certainly taking their time with this series), The Sandman: Overture #5 has arrived! Despite this being the penultimate issue in this six-part prequel
, this issue again brings up more questions than it answers (Author Neil Gaiman really needs to stop doing that. He’s running out of time!). We—Syng and Mikely—are reviewing it jointly again. Join us for spoilers, summary, and analysis after the break, as we delve into darkness with Dream!
Strap in dweebs, it’s time for more of everyone’s favorite Norse trickster god—or rather, ex-trickster god, as a magic spell has now rendered em wholesome, family-friendly, and chock-full of vitamins for a balanced breakfast. As I mentioned last month, Agent of Asgard has gotten itself tied into yet another confusing, unnecessarily complicated Marvel universe event called Axis. In this event, some kind of villain boss fight that takes place in a totally different comic has caused a bunch of good guys to spontaneously turn evil, and a bunch of bad guys to turn good. While most Marvel characters can be easily polarized as “good” or “evil”, this is tricky ground for Loki to be on these days. Ey is no longer firmly in either Camp Hero or Camp Villain, so which parts of eir ambivalent motives have been affected by this spell are difficult to sort out.
If at any point this Wednesday you happened to hear a screech of victory carried on the early autumn air, that was probably me. Sorry if I startled you. As any regular readers will surely know by now, I have been both deeply invested in and deeply dubious of Al Ewing’s claims about Loki’s gender fluidity and the appropriate representation thereof. Over the course of ten issues, I went from cautiously optimistic to staunchly pessimistic to pleasantly surprised, but though the hints and mentions of Loki’s unconventional relationship with gender have been leaning in the right direction, they have heretofore remained simply hints and mentions. Rejoice, happy readers, for the cloud of vagueness has passed, the indistinct hand-waving has coalesced into fact, there shall be no more shrugs and “ehh” noises. As of Thor & Loki: The Tenth Realm #5, Loki is expressly and unambiguously stated to be both male and female in nature. Raise a glass.