I’ve always had strong feelings about the use of prophecy in storytelling. Prophecies can either flesh out a story and support its plot, or frustrate the reader by being too obvious or too trite.
So what do I look for in a good prophecy? Well, when prophecy is used effectively, it doesn’t take away from the storytelling. It suggests a possible series of events to the characters, but it doesn’t give a ton away; essentially, it’s kind of vague. Prophecies can employ some double meanings, but they shouldn’t be entirely pedantic. What I mean by this is, they should have some meat to them—they shouldn’t be constantly fulfilled by a technicality. For example, if the prophecy says the character will experience death, there should be some mortal consequences, rather than like, having them orgasm and calling it a “little death” or something stupid like that. (I made up that example, but lordy if you see someone doing that in a story please tell me first.) It should also engage the reader in trying to understand what it foreshadows before the characters experience to what it’s predicting.
You’ve seen the movies, you’ve read the books; cross-dressing is a common theme in fiction. It’s in mythology, history, folklore, literature, operas, plays, movies, television, and even music. Most importantly though, it has caught the attention of the alternative and dare I say? nerdy aspects in the pop-culture experience that we call life.
There are a few different kinds of plot points based on cross dressing. A very popular one, especially by those such as Shakespeare is one I like to call: Girls in Caps and Trousers. Women dressing as men have been both a cultural and historical phenomena. Some are trying to find their lost loves, some to fight in a war, and some just want the same privileges and opportunities their brothers get. Since there are many of examples of this particular trope (Japanese anime has hundreds of them) I will stick to only a couple.