My obsession with Dungeons & Dragons doesn’t seem to be going away. Playing it is so much fun, and there’s so many great D&D stories told in various podcasts and webshows, that I just can’t stop watching and listening and looking for more. I especially try to look for shows featuring female DMs and female players since most popular D&D productions, such as The Adventure Zone and even Critical Role, are male-dominated. And so today, I want to tell you about about a cool and funny all-women D&D actual play podcast: Dungeons, Dice, & Everything Nice.
It’s not often that a childhood favorite movie or book holds up to the test of time and remains as enjoyable when you’re twenty-eight as when you were eight. For today’s throwback, I want to talk about a movie which I loved as a child for several reasons and which I also love as an adult, although some of the reasons are different now. The movie is Matilda, based on the book of the same name by Roald Dahl. As a little girl, I loved Matilda and her superpowers, and now I love Miss Honey and the themes of found family based on mutual love and support.
I have been reading Lumberjanes for a while now. For those unfamiliar with the comic, it follows a group of girls at a camp who keep getting involved in supernatural shenanigans. I love it so much. However, it’s been difficult for me to identify exactly why I love it so, aside from the obvious—the diversity of female characters and celebration of their friendships. But why do I love these characters? What’s so special about the representation of girls in Lumberjanes? I was talking about this with some of our other writers the other night and they helped me realize just how unique this comic is in its portrayal of girls, in how it avoids common misogynistic tropes, and in how it celebrates all the different ways to be a girl.
I finished the second Assassin’s Creed game sometime last week, and now that I’m working my way through Assassin’s Creed: Brotherhood, I think I can safely say that the series is becoming one of my favorites. I loved the first game, despite its faults, and the same is true here. Thankfully, Assassin’s Creed II attempted to fix a lot of the problems from the first game, such as the lack of female characters. It wasn’t perfect, but it was still pretty enjoyable.
Two of my favorite things that continue to be way too rare in media are women who are Chosen Ones and Jerks with Hearts of Gold. So I kind of can’t believe that it has taken me so long to write about a new little show called Wynonna Earp, which concluded its first season a couple months ago. It features a great sisterly relationship, queer women, and several great female characters, one of whom is the Chosen One and a Jerk with a Heart of Gold. There are a couple of problems with it as well, but let me delve into all of it below the cut.
Here is a picture of a couple who lived happily ever after in canon to raise our spirits before delving into the depressing fates of many other queer female characters. (art by Bryan Konietzko)
I spent a lot of time trying to decide on a topic for today’s post. But I could really think only of one topic, although I tried to resist it for a while because it’s too sad and frustrating. In the end, I decided to go with it. And so today I want to join the conversation discussing the queer women that have died on our TV screens this year, the Dead Lesbian trope, and the implications of this continuing trend.
Spoilers for Lost Girl, Person of Interest and The 100 below (and of course, don’t look at any of the links if you don’t want to be spoiled about any character deaths anywhere).
I love Netflix’s Jessica Jones—even though the themes of rape, abuse, control, and PTSD make it very difficult to watch. Despite the fact that stories about female characters who have been violated is an overused and misogynistic trope, I think the way the creators of Jessica Jones approach these issues without romanticizing them is pretty great. I especially appreciate the fact these female experiences are the focus of the story and that this story doesn’t serve merely as a backstory for a “strong female character”, even though Jessica is certainly strong in more than one way. The show explores Jessica’s character and post-trauma experiences in an intimate and chilling way and that makes Jessica quite unique as a female character.
Some spoilers for Netflix’s Jessica Jones below. Also, trigger warning for rape, PTSD, alcoholism, self-harm, and abuse.