Sexualized Saturdays: Childbearing and Womanhood

Baby-having. It’s traditionally one of the societal markers of womanhood—women are supposed to have uteruses, and men aren’t, and if you’re a woman and fail to successfully grow a baby, for whatever reason, that makes you a failure at your gender.

I’m a cis woman, and society has told me from the get-go that one day I’ll be giving birth to the next generation. I spent the first eighteen or so years of my life plotting out elaborate (and often fandom-based) names for my future kids, and now today, when I tell people I don’t really know that I want children after all, I have to qualify it with a reassurance that I might change my mind—before they assure me that I will.

What this boils down to is gender essentialism. This method of thinking boils women down to what thousands of years of society says is woman’s defining trait, and sets that above everything else. Women who can’t have children are referred to as “barren”, a negatively connotated word which calls up desolate fields in which nothing living grows. (There’s no equally negatively connotated word for men—“sterile” just suggests cleanliness.)

Steven Moffat is so, so guilty of this.

Steven Moffat is so, so guilty of this.

It also moralizes the existence of women without uteruses or without the ability to bear children, making sterility into an issue of good and bad rather than just an apolitical medical condition. Trans women exist; they can’t bear children. Cis women who have had hysterectomies for personal or health reasons, or who are infertile for other reasons, can’t bear children. They are not any less worthwhile, or any less women, for this. Unfortunately, pop culture seems to disagree.

Spoilers for Avengers: Age of Ultron, Orphan Black, and Series 7 of Doctor Who below the jump.

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Maoyu: A Review, Confession, and Discussion

I’ll start with a condensed review. Maoyu is very, very good. It deals with highly complex and intelligent themes with a maturity I haven’t seen in an anime. I’ve seen some smart and mature anime’s, but Maoyu seems to exist on a higher intellectual plane. Watch it for the war, romance, class struggle, or economics. Just please do watch it. It is quite far from perfect, but it is entirely worth powering through those imperfections. I enjoyed it so much that it made me extremely angry. Who the hell likes being that happy?! Check it out on Crunchyroll. That ends my review. I’m excited to delve deeper into this anime, but first allow me to communicate to you my falling out with anime.

I haven’t enjoyed anime much at all since high school, having been disenfranchised from the form for a variety of reasons. Why does Inuyasha have an overarching plot if there seems to be no intent of developing it? I don’t enjoy being strung along. This phenomenon carried me a fair emotional distance from anime. Jumping forward a few years, I heard they’re doing a Valkyria Chronicles anime. “Super good,” I thought, “I love the Valkyria Chronicles game and can totally see the narrative being compelling as an anime!” Then I saw what they did to Alicia Melchiott…. No, I’m not watching that. Fuck anime.

At this point, it’s been easier to say that I generally hate anime and qualify those that I like rather than the reverse. Common hates bring people closer than common loves, so I’ll justify this position by saying I’m just a social butterfly. I’ll segue back into Maoyu by asking you a question, reader. Given my history, why on Earth would this anime be the one to suck me back in? Continue reading