Magical Mondays: Magical Birds and Where to Find Them

harry-potter-hedwig

(via PlayBuzz)

Harry Potter has indisputably become an important part of our modern mythos about witches, wizards, and magical know-how. We’ve discussed the series a lot on this blog, but as I was randomly thinking the other day, what exactly prompted Rowling’s choice in animal companions for her young magic users? Creatures like toads and cats have long since been staples of witchiness in the current pop media consciousness (although as far as cats go, Hermione’s fluffy ball of grump Crookshanks isn’t exactly the stereotype), and rats kind of fit in by virtue of so many people having an aversion to them. But owls? From where I stood, owls seemed like a random choice. Rowling has stated that she chose the creatures because they’re “traditionally associated with magic” and just because she likes them—both valid points—but in my pop culture experience, owls aren’t the go-to bird for shorthand magical implication. No, that honor goes to ravens. Still, this got me thinking further: what are the symbolic differences between owls and ravens when it comes to magic? Surprisingly, their purpose in folklore and their general symbolism are quite similar.

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Oh, My Pop Culture Religion: Logical Paradoxes, the Soul, & Christianity

Recently, I have started watching Vsauce3, a great YouTube channel that discusses a lot of interesting philosophical and scientific theories. It’s really cool, and if you have never watched it, definitely check it out. I became particularly intrigued by one video that discussed four logical paradoxes about what really makes you, you.

The Theseus Paradox considers Theseus’s ship as an example. Say you have this ship, and after a while you replace the sails, then the mast, and all the rope, and eventually you even replace all the wood so that none of the elements of the original ship are there anymore, even if it looks exactly the same. So then the question is: Is it the same ship anymore? Furthermore, it also states that if you took all the parts you removed from the first ship and used them to build a second one, is that actually the original ship? Or are they both entirely new ships?

Another paradox discussed in this video is the Sorites Paradox, which asks: If you have a heap of sand, and you keep taking away one grain of sand until there is only one grain of sand left, at which point during this process does it stop being a heap of sand?

Then, if you combine the Theseus and Sorites Paradox and apply it to a person, we ask the question: when do we stop being ourselves? If your leg is cut off, yes, you are still you, but think about how most of your cells have replaced themselves since birth. You look different, act different, maybe even have different opinions and a different personality since you were a baby or even a little kid. Is the you who was a baby the same person as the you you are now?

Finally there is the Teletransportation Paradox, which discusses being in a transporter where you are broken down into little pieces and then rebuilt somewhere else. It would essentially kill you and then put together different atoms in order to remake you. The last you would remember is stepping into a transporter and then coming out the other side. You would have all the same memories and same personality, but we wouldn’t know what happened in between moving from one location to another. And really, how can you even be sure you do have the same memories and personality? So then the question becomes, is the person who walked into the transporter the same as the person who came out?

I started to wonder about these paradoxes in relation to the soul and religion. Most religions believe that there is more to a person than just their body; their soul is also a key part of who they are. In some religions the body takes second place, and the body is viewed as an illusion or a prison for the soul, while other religions see the soul and body as very much linked and equal in value. For example, in Christian sects, gnostic Christianity views the body as less important than the soul, but most mainstream Christians view the body and soul as equally important. Because I am Christian, I will talk about the mainstream Christian view of the soul and body, but I would love to know what other religious belief systems have to say about this issue, so please let me know in the comments! Are any of the Star Trek characters still the same person after having been broken down and rebuilt in the transporter? Is Voldemort still Voldemort even after he split up his soul and then basically built himself a new body? Let’s dive in!

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Magical Mondays: The Elder Wand Twist

After I saw Fantastic Beasts and Where to Find Them, I admit that I was a bit confused. I didn’t understand how the future movies were supposed to include Newt when the main focus seemed to be shifting to the conflict between Grindelwald and Dumbledore. Was there just going to constantly be a side plot with Newt losing and trying to find his creatures again? Would the niffler steal something of Grindelwald’s and find the real Percival Graves hidden inside (please let this happen)? No matter what I could think of, nothing seemed to really fit, until I realized—oh shit—Newt might be the current master of the Elder Wand!

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Oh, My Pop Culture Westboro: Fantastic Beasts and Magic as Metaphor Instead of Genuine Representation… Again

I enjoyed 2016’s Fantastic Beasts and Where to Find Them movie, though like Lady Geek Girl, I felt it had a lot of logical issues and problems with racial representation. The film didn’t have much in the way of religious or LGBTQ+ representation either… but it did have metaphors for them. Which—do we even have to say it anymore?—is not enough.

We’ve called out the Harry Potter series before for using magic and various conditions in the wizarding world as a metaphor for different kinds of oppression in the real world, such as lycanthropy as a metaphor for AIDs and discrimination against non-purebloods as a metaphor for racism. The problem with these metaphors is that readers might not make the connection to the real-world problem, so in order for them to really have impact, there should be examples of the real-world issue too. For instance, the series could have featured more prominent characters of color who experienced racism in the Muggle world in addition to discussions of blood “purity”. Instead we got a cast of all white protagonists, with characters of color getting very little development.

J. K. Rowling makes no secret of her support for social justice causes (just look at her Twitter feed!). In fact, she’s totally fine with headcanoning Hermione as Black and applauded the casting of Noma Dumezweni, a Black woman, as Hermione in the Cursed Child play, and racebending Hermione helps to relieve some issues about her Muggleborn blood status acting as a stand-in for discrimination rather than discussing any real-life discrimination. But real-life discrimination is still not discussed in canon. You would think that maybe Rowling would have listened graciously to some of these criticisms about hiding real-world issues behind metaphors that not everyone is going to get, and would have worked harder to avoid them in her next work. What is that next work? Fantastic Beasts. Did she listen? Nope. Instead the movie gave us a new metaphor to grapple with: obscurials as coded LGBTQ+ children repressed by overzealous religious families, in this case represented by the Second Salemers. And it isn’t pretty.

Spoilers for many aspects of Fantastic Beasts below the jump!

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The Case for a Gay Romance in the Fantastic Beasts Sequels

Despite the Johnny Depp of it all, I’m still excited to see Grindelwald as a character in the Fantastic Beasts sequels and to see if they expand on the relationship between him and a young Dumbledore. Part of Grindelwald’s depth comes from their relationship; the two were extremely close and basically planned to take over the world together until a fight between Grindelwald, Dumbledore, and Dumbledore’s brother ended tragically in Dumbledore’s sister’s death. This caused a rift between the two, and Grindelwald struck out on his own, while Dumbledore attempted to delay his confrontation with Grindelwald after Grindelwald started to seize power in Europe.

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I previously believed that Albus and Gellert were confirmed to have been in a relationship, and so when I heard that Albus’s sexuality would be explored in future Fantastic Beasts films, I assumed that would include their relationship. But while researching this post, I discovered that J.K. Rowling never believed that Grindelwald reciprocated Dumbledore’s feelings, and in my opinion, this really takes away from the complexity of the character. Furthermore, if their relationship became a major focus in the movies, it would be huge. Queer main characters whose relationship is at the forefront of the story and not playing second fiddle to the main straight couple would be major representation.

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Magical Mondays: Food as Comfort and Craft

Pictured: most likely me when someone tries to explain this. via PopKey

Pictured: most likely me when someone tries to explain this. (via PopKey)

One of the biggest mysteries of this season in my eyes is “how in the world have the Harry Potter films become a Christmas/holiday tradition?” Sorcerer’s Stone came out in November back in 2001, but the timeframe doesn’t instantly make a film a Christmas classic. Sure enough, though, every December I can turn the channel to ABC Family (or whatever it’s called now) and find each and every Harry Potter film nestled snugly in between other classics such as How the Grinch Stole Christmas and The Polar Express. While this mystery may never be solved in my eyes, it got me thinking about a certain facet of the Harry Potter series that, in all its exploration of magic, seems to be woefully underutilized—a fellow holiday tradition, food.

Fans of course remember the grand banquets during the sorting ceremonies and have fond memories of the pumpkin pasties and the chocolate frogs available on the Hogwarts Express, but all things considered, wizard food remains strangely mundane compared to Muggle food. Stranger still is how it seems that, in general, the more realistic the story, the more magical its food seems to be. Yet in a way this makes sense; these seemingly at odds representations of the magic of food serve to reinforce what the characters are looking for in their respective stories.

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Oh, My Pop Culture Religion: The Legacy of Christian Paternalism in the Harry Potter Universe

As long as there has been racism, people have been trying to justify it to themselves and others. Unfortunately, all too commonly, religion has been a prime factor in these justifications. While the Atlantic slave trade was just beginning, before slavery was made hereditary, slavery was justified by the simple fact that slaves weren’t Christian. Worse—they didn’t even know about Christianity! It was obviously necessary to capture them all and take them under the loving wing of white overseers in order to educate them about the Lord and Savior, right? Jesus did say to go and make disciples of all men! And otherwise they wouldn’t be able to get into heaven! And Christian salvation was just the first perk in a long line of awesome things slaves got for being slaves!

Yeah, that was my sarcasm voice.

Slavery is rampant in the Bible. The Hebrews were God’s chosen people, and they had slaves. Not only did they have slaves, but God must have approved of them doing it, because He gave them specific rules in Deuteronomy and Leviticus on how to do slavery the Yahweh way. In the New Testament, in St. Paul’s Letter to Philemon, Paul doesn’t so much reject the idea of slavery as he recommends that slaves and their masters maintain an imbalanced system of mutual respect, e.g. slaves should be obedient to their masters, and masters should repay that obedience with compassionate lordship. (Sounds a lot like what he had to say about marriage, so, uh, yikes on that one, dude.)

In the beginning, God created a bunch of stuff, including Adam. In both of the Creation stories included in Genesis, part of the myth involves God granting dominion over the earth and all the creatures He created to Adam, to hold in stewardship. As nonwhite peoples, in particular Black Africans and brown Native Americans, were seen as lesser, subhuman, and savage by white colonialists, it was easy to argue that this sense of God-given stewardship, this paternalism by divine right, should extend to include these other races. (The troubling principles of social Darwinism later lent pseudo-scientific credence to these arguments.) Instances of cultural genocide like the Trail of Tears, the doctrine of manifest destiny, and the Indian Residential School System were all in some way justified by the God-given belief that the white man had authority over how these “lesser races” should be living their lives.

Now, this is all horrifying and unpleasant to say the least, but what does it have to do with geeky stuff? Well, this Christian paternalist mentality is front and center in the Harry Potter universe, with the serial numbers filed off just enough to make it kind of secular.

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