Fanfiction Fridays: Home by Griddlebone

As I was going through some CDs I’d made back in my high school days, I was forced to face something: I’d really liked Inuyasha. Like, a lot. So much that I had two CDs filled with the title and ending tracks (yes, I still know the words to Fukai Mori by heart) and several versions of Inuyasha’s Lullaby. So I was feeling a little nostalgic for the series, and seeking out Inuyasha fic this week really wasn’t any surprise to me. What was a surprise, however, was how few F/F fics there were for the series. I’m pretty sure that the Kagome/Thorin Oakenshield ship had more fics than any F/F ship, canon characters or not. Upon giving up my original search—sorry, Femslash February!—I did manage to find a really wonderful ficlet that further explored my favorite female character, Sango, after the events of the series.


(via the Inuyasha Wiki)

Throughout the first fifty-some volumes of Inuyasha, the demon huntress Sango was always portrayed as a strong woman who had lost much, but didn’t allow her losses to consume her. However, the ending of the manga always rubbed me the wrong way. Though Sango was driven by wanting to put an end to the creature who had destroyed her village and family, and she did help achieve this, I never got the impression that just because she had achieved her goal, she would put down her metaphorical torch indefinitely. Yet the series’ end had her settling down with her love interest, Miroku, and popping out babies like it was no one’s business. There’s nothing inherently wrong with this, but it seemed like too much of a shift in character and agency and too much of a rushed out “and they lived happily ever after” epilogue. I didn’t trudge through so many volumes for this! While today’s fic doesn’t change the outcome, what it does offer is a closer look at Sango’s mindset and character development as she enters this new part of her life—something the series should have done in the first place.

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Home Is Not Where the Heart Is: Dreamworks’s Adaptation Fails Its Source Material


Listen, they’re cute, but…

Earlier this year, Dreamworks remade the book The True Meaning of Smekday into a movie called Home, which racked up a lot of money. However, in adapting the book, they ended up changing almost everything that was awesome about the book—so much so that I reviewed the book and the movie as two completely different stories. Now that the DVD of the movie is finally out, I thought it was about time that I compared the book and the movie, to further illustrate where the movie adaptation went wrong. The movie destroyed the book’s protagonist, theme, and diversity, leaving us with just a bunch of dancing squishy aliens. Spoilers for both book and movie after the jump.

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Home is Nothing to Write Home About

home movieWhen it was announced that The True Meaning of Smekday was going to be made into a movie called Home, I was beyond excited. The True Meaning of Smekday is a fun book about an alien invasion that’s actually about colonialism and imperialism, and it stars Gratuity “Tip” Tucci, a biracial girl who, along with her cat and an alien Boov friend, saves the Earth. How cool would it be to see this on the big screen?!

Well, as it turns out, it wasn’t that cool. As an adaptation, Home fails on almost every conceivable level. It’s no longer about colonialism or imperialism except in the most shallow of ways, and what’s worse, Tip can no longer truly be called our protagonist. However, because the plot of the movie is so different from the plot of the book, I think it’s worthwhile to judge the movie on its own merits, and write a post comparing the two when I’ve seen the movie again or when the DVD comes out. Unfortunately, as a Hollywood film, Home turned out to be a predictable, only casually funny, dull movie.

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Trailer Tuesdays: Home

I saw this trailer as one of the many trailers shown before How to Train Your Dragon 2, and was immediately hooked. An adorable Black protagonist, multicolored squishy aliens, and a cat named Pig??? Sign me up. And yes, I’m well aware of my propensity for kids’ films, but this one looks like it’ll be more than worth it.

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