Trailer Tuesdays: Keep Watching

On this, the day of the Great Pumpkin’s return, I would be remiss if I didn’t take the opportunity to showcase a trailer in the horror vein. As with most horror movies, I, myself, probably won’t end up seeing this—against my better judgement, my viewing of a horror film is usually directly correlated to how grave its potential for badness is—yet there are some things within this film’s trailer that intrigue me. Maybe even enough to watch it.

TW for suffocation and blood.

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Channel Zero: Candle Cove: Blow Me Down! It’s Not A Total Shipwreck

With the second season of Syfy’s creepypasta inspired show, Channel Zero, well into its run, I figured it was finally time to sit down and watch its first season. You know. For science. Last year I showed off the trailer and addressed some of my worries surrounding this leg of the series, but I’ll give a quick recap. First of all, for those perhaps a little less internet-niche-y, “creepypasta” refers to short, scary (or attempting to be scary) stories that get passed around the internet until they become ingrained in that niche’s mind—or in the case of less serious creepypastas, they enter more mainstream meme status, such as the lines “who was phone” or “man door hand hook car door”.

Channel Zero’s first season, Candle Cove, was based off a well-beloved creeepypasta of the same name which, through forum posts, shows a short interaction between people remembering a children’s show from their past that may not have actually existed. As far as creepypasta-based media goes, Channel Zero is nowhere near the worst thing I’ve ever seen. However, it was disappointing to discover that most of my fears from my earlier post were well-founded, and that even though the creators had a clear love for the creepypasta itself, Channel Zero seemed to forget what made the story scary in the first place.

Spoilers below.

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The Ouija Experiment: Haunted By Bad Writing and Racism

horror sceaming gif

via Giphy

Yes, readers, this is what I have been reduced to. September will soon become October, and it’s still hot as balls outside. I am unwilling to give up on the idea of the possibility of a more temperate autumn, though! So this week I went all the way–from cute magical anime to B-grade horror flicks.

After watching the 2014 Ouija movie, I basically lost all hope of there being a good horror movie concerning Ouija boards ever. (Not that I was expecting that movie to be great, it was just so, so much worse than I could have ever anticipated.) And on starting the 2013 indie film The Ouija Experiment, I didn’t expect anything amazing either. In fact, I almost didn’t watch it until I realized that, shockingly, most of the main cast wasn’t white. While the diversity was enough to initially draw me in, and the movie’s determination to not immediately fall into the typical tropes of Ouija bullshit kept pulling me along, in the end The Ouija Experiment’s casting did very little to save it. In fact, the diverse casting seemed to only exist so the writer, Tony Snearly, had an excuse to whip out a bunch of racist jokes. 

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The It Movie Floats to the Top but the Representation Sinks

Until recently, I wouldn’t have considered myself a horror movie person by any stretch of the imagination, but I have been improving my horror education. I decided to watch the original 1990 It movie which came out this weekend in preparation for the the new one, which I greatly enjoyed—well, for the most part. Let’s face it: Stephen King isn’t exactly known for his stellar endings and the original It was no exception. The movie might even be the most infamous of Stephen King’s bad endings. Nevertheless, I still enjoyed the movie and Tim Curry’s performance of the menacing clown Pennywise. With that in mind, I was excited and anxious about the new film. It is pretty much considered a horror movie classic at this point and remakes don’t always live up to the original, but the trailers looked good and so I entered the theater with high hopes. While the movie was excellent, scary, and extremely well made, I was a little disappointed, but not surprised, by the lack of representation. Just a fair warning, I have not read the book so I am entering into this critique not knowing the original source material, only the movies.

(pic via elizabethaimee)

Spoilers for the new It movie ahead, and some for the original as well. Also warnings for mentions of sexual assault and child abuse.

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Lady Geek Girl Reviews: Rabbits

Pacific Northwest Stories, which has expanded to become Public Radio Alliance, the same group that creates shows like The Black Tapes and Tanis, has recently come out with a new podcast called Rabbits. The podcast is only four episodes in and it is definitely addictive and interesting, but it also already has several issues that really bug me.

Spoilers for Rabbits below.

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Throwback Thursdays: Naomi Misora & Death Note

(image via tokuanimenews)

The recent controversy over the bullshit Death Note whitewashing has caused me to crave the original version of Death Note, specifically the animated series. I will admit that while I am a fan of this anime, I have never actually finished it, thanks to L’s untimely death. To this day, I still don’t know much about how the show ends. Now, however, on top of my own desire to watch it again, my husband wants to watch it for the first time. So after many years I am set to finally finish this series, but it has been so long since I have watched this anime that upon beginning my re-watch, I immediately noticed things I missed the first time around. I still adore this anime and think it is extremely well done, but I couldn’t help but dislike the treatment of the character Naomi Misora.

Spoilers for Death Note below.

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Trailer Tuesdays: Wish Upon

This isn’t typically what I do for Trailer Tuesdays, or at least I usually don’t go out looking for a terrible trailer to trash. However, the moment I saw the trailer for Wish Upon playing silently on my Facebook wall, I knew the film would be bad. Out of some morbid curiosity, I decided to find out just how bad this film was willing to be in the name of hopping on the generic gritty fairy tale trend, and hoo boy, does this film look bad in the terrible, boring ways we’ve all become accustomed to.

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