Ghibli Month: Howl’s Moving Castle (Part 2)

howls_moving_castle_artwork_prop_10Read Part 1 here.

Tsunderin: Another unfortunate thing this film also does is put Sophie on a pedestal, and not just because she’s the protagonist. There’s no denying that Sophie is a rather good female character. The problem arises when every other female character is not so good. The Witch of the Waste is a good antagonist until it’s discovered that she doesn’t really have a motivation behind her actions, or at least not one strong enough to keep her from falling in cahoots with Sophie’s gang in the second half of the film and becoming a plot device rather than a character. And though Madame Suliman has the motivation of duty driving her actions, again there’s no real strength there because the audience never sees her again after that one scene. We never have the chance to put together whether or not she orchestrated any of these attacks against Sophie to punish Howl for his insubordination. All she leaves is an imposing image and a threat that boils down to just, “you better help me, Howl. >:(”

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Ghibli Month: Howl’s Moving Castle (Part 1)

Tsunderin: Within the Ghibli library, I would argue that there’s a specific trifecta of films that stand out as the Ghibli films to the general, movie-going American audience. There’s the breakthrough hit, Princess Mononoke, the award winner, Spirited Away, and the one everyone loves, Howl’s Moving Castle. Seeing as we’ve already discussed two of them, I think it’s pretty obvious which one is the topic of today’s discussion. (That and it’s also the title of the article. Duh.)

While this film perpetuates much of what audiences have come to love about Miyazaki’s directorial style, it also takes many risks with its script, one of the most looked over or ignored being that this movie is based on another person’s work. Author Diana Wynne Jones penned the original Howl’s Moving Castle in 1986, but to fans of Jones’s work, Miyazaki’s Howl is only sibling by name and nothing else. We’ll get into that later, however.

Howls Moving CastleFor now, let’s start at the charming little hat shop in a stereotypical, adorable European town—in Jones’s novel, the setting is the imaginary kingdom of Ingary, which I can only assume looks just about the same—where our protagonist, Sophie, works. Sophie, finding herself unexciting and bland, especially in comparison with her more vibrant sisters, has resigned herself to living a quiet life of solitude and hatting, until she is suddenly scooped up into a political and magical plot by the womanizing sorcerer, Howl. Well, it doesn’t start out that bad, but he does rescue her from some of the henchmen belonging to the nefarious Witch of the Waste before dropping her off back at home. Unfortunately, the Witch is madly in love (lust?) with Howl and also extremely jealous. Taking Sophie’s five minute interaction with the sorcerer as competition, the Witch curses Sophie to live in the body of a ninety-year-old woman for the rest of her life.

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