Though I tend to stay away from actually playing them, I have a soft spot in my heart for horror games. Whereas controlling the games myself makes me too anxious to enjoy the experience, watching at the digital side of various Let’s Players allows me the freedom to appreciate these games at my own pace. During one such viewing, I felt like I was doing more than sitting on the edge of my seat waiting for an inevitable screamer—I became enthralled by the game’s atmosphere. The game was ANATOMY, and by the end of the unsettling romp I knew that I had to look up the game’s creator, Kitty Horrorshow. What I found did not leave me disappointed.
Ladies in video games have come a long way from Pauline getting manhandled by Donkey Kong in his self-titled arcade game. Yet, still, the trope of the damseled woman is one of the staples of video games, and her love at the end of a heroic rescue is the ultimate reward for the hero du jour. One of the series that suffers a lot from this is the Zelda franchise. It’s true that Link and Zelda don’t always have an implied romantic relationship, or that Zelda just sits there waiting for Link to come and beat Ganon in any of his incarnations. However, the minds behind Zelda seem adamant against creating a game that gives Zelda a more active role—or even makes her the protagonist—and thus she inevitably becomes a victim in each and every game.
As the wielder of the Triforce of Wisdom, Zelda is intelligent and cunning, so it really is a shame that players only get to see the tip of what this really entails, even though they do get to see how Link’s Courage and Ganon’s Power work. Today’s webcomic Web Crush finally gives Zelda the spotlight she deserves, and in, perhaps, one of the most unlikely of ways.
Living in the internet age is pretty weird. We’ve gone through a paradigm shift from being afraid to meet people from online in real life to having the possibility of meeting many friends and significant others in and outside of cyberspace. It’s been quite the change. With this openness, increasing ubiquity of access, and wider spread of ideas, the internet has sort of developed its own culture. This has happened to the degree that even specific social networks and sites have their own flavor or subculture; people have a mindset about Reddit, Tumblr, etc., and those sites tend to have self-identified traits. Perhaps more than traits, each of these subcultures perpetuate their own style of memes, and each amplifies their frequency of use to a different degree. Even though they existed long before the internet, memes have seemed to really pick up a lot more steam in the past few years. One area really affected by the memetic culture of the internet is advertising. In particular, social media profiles for products have adapted more humorous approaches to gathering support and fan attention. Nerdy properties were quick to jump on the meme bandwagon, and less geeky products were equally as quick to add memes and other genre references to their plans. I want to talk about both a bit more, since not only do they both show the proliferation of nerd sensibilities to the greater public consciousness, but this usage also shows how companies are making an effort to cater to what people want a bit more.
I can’t say that Twitter is exactly my favorite social media platform, but what it lacks in aesthetics it makes up for in making it easier for me to keep up to date with the artists and content creators I follow than I ever could on Tumblr. Thanks to this, I was able to quickly discover and devour Lady of the Shard, a new one-shot by artist Gigi D.G.. At this point, I’m definitely fashionably late making this post; however, if you’re a fan of cute comics about lesbians, aliens, and hope, sit a spell and listen to me for just a bit longer about Lady of the Shard.
Out of the three available seasons, some of you will be pleased to know that after watching the third season (finally), I can safely say that Season 2 of RWBY was the worst one. I had a few complaints about the overabundance of exposition without being given a reason to care about it, and character development that seemed to go backwards instead of forwards. Season 3 may still not have been a perfect season, but its narrowed scope allowed me to actually care about the dangers befalling Beacon Academy and the students in attendance.
Back when I just started using Twitter again, I’d only followed a few people. However, using these very few folk, Twitter’s algorithm for people I should be following kept bringing up one person in particular. While I originally started following her because I wanted to see why Twitter kept recommending her to me (instead of, you know, actually looking up her work or something logical like that), I now fully understand why. Even if that reason was originally “wow, you sure like Geek & Sundry”, it’s changed into me being a pretty solid fan of her work. So today, readers, I introduce you to this week’s Web Crush: the ever-relatable Jessica Merizan (or Marzipan, as she’s more commonly known).
While Season 1 of RWBY held all the untapped interest for me that a show could possibly have, Season 2 faced the problem of me already knowing a lot of the things that happened in it—for worse or… mostly worse. While many of the pacing problems from the first season seem to have been worked out, the second season faces the typical problem of many intermediary parts of other stories. There was too much to set up in not enough time, and not enough reasons to really care about everything that was happening. Yet despite itself, Season 2 still managed to introduce some important aspects to the Remnant’s universe and some really cool villains, in addition to some (very) small moves towards more diversity.