Magical Mondays: Take a Look; It’s in a Book

(via the svtfoe wiki)

I very recently started watching Star vs The Forces of Evil (no spoilers, please!) and was amused by an episode where Star needs to undo a spell she’s cast on Marco. She pulls out the wand’s manual, an ancient, crumbling tome filled with the wisdom of ages of wand users to consult, only to realize that all of their notes are so cryptic and poorly organized that it will take her ages to make any sense of them. This got me thinking about magical journals in general. A common staple of fantasy fiction is a magical guide to the world in question, typically in the form of some kind of handwritten diary or log. Sometimes a book is just a book; I can’t imagine, for example, that Newt’s finished version of Fantastic Beasts and Where to Find Them will be anything but a basic bestiary. That’s not necessarily a bad thing. However, these books are often most compelling when they serve a greater purpose than simply as a how-to or a reference of some kind. By including these books in a layered way, we can add additional complexity to the stories we tell.

The Road So Far: “As Time Goes By” Review

WARNING: SPOILERS BELOW! READ AT YOUR OWN RISK, IDJIT!

Howdy, y’all! Saika here, filling in for Lady Geek Girl’s usual weekly Supernatural review.

This week’s episode was chock full of interesting stuff, both for plot-development reasons and for our boys’ characters. What happens when Henry Winchester, John’s father, jumps out of your closet? Well, apparently a hell of a lot of backstory falls out after him.

Sexualized Saturdays: “Straight guys don’t do that!”

I’m sure our readers know that I am a big fan of Big Time Rush, but you may not know that I am also a fan of Supernatural. In fact, I was the one to tell Ladies Geek Girl and Saika about the show in the first place and encourage them to watch it, so…

I’m not very active in the SPN fandom anymore, though, because my work schedule makes it difficult to keep up with the show, which is why I don’t really post about it. (I am watching the anime version right now though, so expect a post or two about that once I finish the series) Back when the show started, however, I followed the fandom pretty closely through LiveJournal and forums (these were pre-tumblr days folks!) so I was very aware of the shipping and all that in the fandom. One of the things I noticed that irked me, which I’ve also noticed in the BTR fandom, was that any time Sam and Dean (or Jared and Jensen, for that matter) showed affection or concern for one another everyone jumped all over it as being proof that they were gay for each other.

 

Why does this bother me? Well, for one, I related strongly to the family dynamic in Supernatural. I saw myself in Sam so much and the relationships he had with Dean and John hit really close to home with my own relationships with my brother and father. It was wonderful to see them try, fail, try again, make headway, etc. in their relationships with one another and the strength of familial love between them reminded me of my own and gave me hope that no matter what troubles may exist in my own family we could get through them because we loved each other.

Then I went online and that love was turned from something purely familial into something lustful and I was made to feel uncomfortable and confused. Why did it seem no one could believe that these men loved each other as father and son, brother and brother? Why did any sign of affection have to be turned into something romantic or sexual? One of the phrases I saw thrown around a lot in the SPN fandom and even more so in the BTR fandom is “Straight guys don’t do that.”

And any time I see that phrase, or some variation thereof, I want to ask “Says who?”

Oh, My Pop Culture Jesus: Let’s Make a Deal!

Selling your soul in exchange for something is a plot trope older than the story of Johann Faust. In pop culture it’s primarily conceived of in Christian terms—sell your soul to the devil, and you’ll never get to heaven but you’ll have something you want on earth, whether that’s fame, talent, love, money, or some other fifth option.

People’s motivations in selling their souls are tremendously varied. Although we usually conceive of the sellers in these transactions as selfish and impatient (why wait for a potential eternal reward when you can get what you want now), but in reality a lot of the stories about these demonic bargains have their roots in tales as varied as revenge, romance, filial love, and desperation.

So let’s look at some of these situations, starting with Supernatural. Although I know we consistently beat this poor show to death nearly weekly in OMPCJ, it’s really the show’s own fault for being such a wealth of religious themes. Anyway, in Supernatural souls are hot currency. These exchanges are usually made at a crossroads, but any demon can make a deal, and the Winchesters are really, really bad at avoiding them. Over the course of the show John’s sold his soul to bring back Dean, Dean’s sold his soul to bring back Sam, Sam tried and failed to get a refund for that, Bobby ‘pawned’ his soul to find Death and get his legs back, Mary unknowingly sold off Sam to bring back John… A big antagonist/sometime ally in the show is Crowley, a demon who is King of the Crossroads, and a masterful dealer when it comes to getting what he wants in the fine print. Supernatural soul-selling is a value-neutral transaction—people from all walks of life can and do sell their souls for any and all reasons, but when the main characters knowingly do so, it tends to be last-act-of-a-desperate-man stuff, seized upon when there are no other viable options left. And collecting on these deals is unpleasant: once whatever terms you and your demon financier agreed upon have been fulfilled, if your soul’s in the balance, you’re dragged to hell for eternity by hellhounds. Fun.

Next let’s diverge from our usual pop-culture fare and look at a musical. A soul-based transaction is at the heart of the conflict in the show Once on this Island. A peasant girl named Ti Moune discovers a wounded nobleman who has crashed his car in a storm. She falls in love with him, and bargains her life against his to keep Papa Ge, the god of death, from claiming his soul. Ti Moune also dies at the end, but the force of her love so impresses Papa Ge and the other gods that they treat her kindly in death and let her legacy of love live on. This is an interesting take on the demon-deal trope, as it’s not set in a primarily Judeo-Christian mythos.

Finally, let’s look at the manga that inspired me to choose this topic: Black Butler. This story focuses on Earl Ciel Phantomhive, a sharp and proud young boy who was sold into slavery after his parents were mysteriously murdered. He makes a deal with the demon Sebastian Michaelis to gain the power to seek revenge on his parents’ murderer: Sebastian will serve him as a butler and help him achieve his vengeance, and then Sebastian gets to consume Ciel’s soul.  This story is interesting for a couple of reasons. First of all, the way the story is told, we as an audience support Ciel’s decision to make the deal and root for him to fulfill his mission (which of course will end in his death and damnation). Secondly, the terms of the deal are interesting as well; in this story, the demon is totally willing to be subservient to Ciel for as long as it takes, and he is faultlessly loyal to his master, staying by his side for the duration of their agreement. There is no fine print or loopholes in their deal from out of which Sebastian tries to sneak.

What other soul-selling storylines exist in pop culture? A fiddle of gold against your soul you’ll tell me in the comments 😉

That’s all for this week’s Oh, My Pop Culture Jesus! Tune in next time and get some religion!