We’re lucky enough to be getting three MCU movies this year, even if I was a bit underwhelmed by the first one. The casting news about Thor: Ragnarok had me pretty hyped for this movie, but now that I’ve seen the trailer, I’m only about 40% hype. The remaining 60% is confusion.
I love the Thor movies, and largely, it was Marvel’s take on Norse mythology that really got me involved in their comics. I started reading the Thor comics before the movies came out, and I have found myself beyond excited at each installment featuring the god of thunder. My favorite part of the story has always been the uncertainty surrounding Loki’s relationship with the rest of the family—the biggest problem here was that comics almost always focuses on Loki’s relationship with both Odin and Thor, and while that’s fine and all, it leaves out another person in the family.
Trickster gods may seem like a strange thing to some people. After all, why would you believe in a deity who would mess with you for laughs? Pagan trickster gods may occasionally seem malevolent, but they actually serve an important role. In pop culture, trickster gods are often used to critique the powers that be and question the status quo.
Geek culture likes to consider itself pretty progressive. In general that’s a fair assessment: people who feel different or ostracized tend to sympathize with each other, and in this regard geeks and marginalized groups have something in common. In spite of this, however, problems and prejudices that exist in society on the whole do tend to endure in some form even amongst geeks, and biphobia is one such problem.
Biphobia is a constant struggle for bisexual people of any gender in ways that are superficially different, but which stem from one underlying idea: society’s obsession with wieners. Let me explain. In popular opinion, women who are bisexual are assumed to be straight and using their sexuality as a performance to gain male attention. Men who are bisexual are assumed to be gay but afraid to properly come out of the closet. Either way, the presumed be-all end-all is thirst for the mighty D, and geek culture is often guilty of this assumption as well.
Well, true believers, we’ve reached the seventeenth and final issue of Loki: Agent of Asgard, and in spite of the many annoyances up to this point, Ewing has done a pretty swell job of wrapping things up in a positive and meaningful way. The issue focuses on emotional resolutions more than tangible ones, which helps to clarify what Loki’s underlying character is really like after his several deaths and rebirths. As universe-ending cataclysms go, this one turned out minimally cliché and we finally seem to have gotten back to the series actually being about Loki—now that it’s over, of course.
I’m sure someone somewhere has already tallied how many full-scale apocalypses the Marvel universe has been through. The number is sure to be dwarfed only by the number of apocalypses it has avoided. Well, we were less lucky than average this time, because the gods are dead (along with everyone else) and reality has been destroyed. Way to jazz up a Wednesday afternoon. As I mentioned before, this latest disaster is part of a larger Marvel event called Secret Wars that has something to do with all the Nine Realms all smashing into each other, but the immediate problem in Loki: Agent of Asgard is that Evil Old Man Loki has aligned himself with Hela and freed Jormungandr to attack Asgard. Meanwhile, back on Earth, Loki Nouveau (ie “The God(dess) of Stories”) remembers only one clear thing from eir prior life, and it’s that Verity Willis was eir only real friend.
Welp, the whole Marvel universe is coming to an end. Again. You know, as usual, thanks to yet another over-arching Marvel tie-in event called Secret Wars that Loki: Agent of Asgard has been awkwardly shoehorned into. To be honest, I have only the most general idea of what is going on in the rest of this tie-in, because like most people I can’t be bothered to read dozens of other series in conjunction with this one, but suffice to say that the world is ending. This marks the fourth such multi-series tie-in in just fourteen issues of Agent of Asgard, which leaves very little room for the actual title character of the series to develop while ey is busy playing backup to everyone else’s central plotlines.
Then again, there is the issue of whether or not the title character even is the same title character that we started the series with. The awkward young Loki we have come to know (and love?) has now been remade yet again into the bedraggled, slightly sickly-looking “God of Stories” who seems to have inherited only the vaguest impressions of young Loki’s memories.
At long last, here comes Verity to save the day! But I’m getting ahead of myself; last you all heard in #12, Loki was still tied up and on fire as Future Loki explained the immutability of fate. That condition persists, but now with the understanding that said fire is metaphorical fire, and in the conflagration, Loki is confronting the specters of eir former selves as future Loki goes right on cackling, like he do. In the dreary headspace Loki finds emself in, Original Loki and Kid Loki both wait, swathed in an eerie green glow, to give em life advice.
In the highly unlikely event that anyone has forgotten the incredibly compromised position our hero found emself in at the end of Agent of Asgard #11, allow me to recap in brief:
- No friends
- Mostly naked
- Tied to a chair
Up to speed? Good. With things looking unusually grim even by Loki’s standards, Evil Future Loki takes the opportunity to regale his captive audience with the story of why he—in all his evil, bitter old man-ness—is Current Loki’s only possible fate. Of course Evil Future Loki is a vicious madman, but under the circumstances, it’s becoming hard to disbelieve him.
For the sake of clarity, I find it prudent to point out that while Current Loki is genderqueer and is referred to using the neutral pronouns ey/em on this blog, Future Loki seems to reject, and even mock, this facet of his past self’s identity, so Future Loki is referred to as he/him.
The soul-crushing downward spiral into madness and despair continues this month in Agent of Asgard #11, both for the reader and for our dashing anti-hero(ine). As if being constantly consumed with guilt and distrusted by most wasn’t stressful enough, Loki’s Big Dark Secret is now public knowledge in Asgard, and if there was ever hope for reconciliation, it’s likely long since gone. Over the course of #11, Loki finds emself completely friendless, then virtually homeless, then mostly naked, gagged, and tied to a chair. It’s a wild ride.