Recently a group of cinemas in Sweden decided to institute a ratings system based on the Bechdel test. As moviegoers enter one of these cinemas, they would see a rating by each advertised movie, telling them whether or not the movie had passed the test. Controversy ensued, with the Telegraph calling the test “damaging to the way we think about film” and the Guardian almost immediately rebutting by saying it was “a provocation that works”. Both sides of the argument have some merit to them, but it’s clear that the Bechdel test now has enough cultural clout to propel a more in-depth discussion on feminism and gender in the film industry. The test has long been held up as a measure of how feminist a movie is, but does it really fulfill this purpose? Or is it time for this test to make way for newer tests like Kelly Sue DeConnick’s Sexy Lamp test or the Mako Mori test?