The 2016 Rio Games are the first Summer Olympics since the Marvel Cinematic Universe took over the world: The Avengers was still in theaters during the London Olympics, and since then, we’ve had seven more movies and nine seasons of TV. The MCU has been joined by multiple DC universes, plus various Spider-men, X-Men, Deadpools, and yet another Fantastic Four. As never before, the superhero has been firmly lodged in our collective consciousness.
The Olympics offer a real-world counterpart to superheroes. Without radioactive spiders or super-soldier serums, Olympic athletes demonstrate impossible powers every four years. Each time a record is broken, the athlete exceeds the previous limit on human capabilities.
Neither happens in a vacuum—both superheroes and athletes complete narratives far greater than a list of records and abilities. They stand astride the existing fissures in society, especially regarding gender, which is particularly tied to the expectations placed on bodies. In many ways, they show us how far we have come and our hopes for the future, but of course, they reveal how far we still have to go.
Our community here at Lady Geek Girl and Friends is a tight-knit one, and as a majority queer group, we were shaken to our core by the horrible tragedy that occurred a week ago in Orlando. Our deepest sympathies go out to the victims and their families, and we urge those who can to take an active role in responding to it, whether through blood donation, financial aid, or political activism. In the wake of the shooting, the LGBTQ+ community has responded with vigils, with calls to action, and with affirmations of self-worth. Notably among the latter is the #queerselflove hashtag, started by Welcome to Night Vale actor Dylan Marron on Twitter.
I am a soft-spoken brown queer man who wears his mother's pearl earrings. And I love my queerness. Let's start a #queerselflove hashtag
The hashtag quickly took off as the wounded queer community took the time to reflect on what made us special and important. In response to a hate crime, we told the world that if it was not going to love us, we were still going to love ourselves. I contributed my own personal #queerselflove to the tag on Wednesday night, but today I’d like to talk about a few of my favorite happy LGBTQ+ people and pairings in pop culture. We’ve spent so many posts recently condemning the treatment of queer people in fiction and this post isn’t meant to erase or negate those. Indeed, the importance of meaningful queer representation is more important than ever in a time when the gays we’re burying are no longer fictional. Queer people need to be able to look to something and see ourselves being happy.
So, I have to tell you how happy I am to be able to keep this series going by jumping from Ned and Catelyn to Iron Man himself, Tony Stark. That happy little coincidence would justify this post on its own, but worry not friends, I have actual points as well!
We’ve coveredCaptain America: Civil War a bit so far, but we’ve been light on the endorsements. And I certainly can’t speak for the entire LGG group here, but while I admit that there is no way I could ever say no to Steve Rogers if he asked for my help, when you give me a moment or two to think it through, I’m with Tony.
Captain America: Civil War is the 13th movie in the Marvel Cinematic Universe, which has also tacked on an additional nine seasons of television, between four series, with more on the way. If nothing else, it’s an incredible feat to keep producing quality stories, and Civil War may even top everything that came before it.
The movie has considerable moral and philosophical heft, which it accomplishes by asking difficult questions about right and wrong. What makes it unique, especially in the current media landscape, is that it achieves this without turning its protagonists into antiheroes. We’re not asked to accept a series of atrocities in service of the greater good, or weigh the need to tamp down our emotional attachments to do what needs to be done. Simultaneously, we’re not asked to see goodness as simple and self-evident.
Instead, we get a smart, nuanced contest of ideas between Steve Rogers and Tony Stark, with a conclusion that’s ultimately ambiguous. Despite the high stakes and increasing violence between their factions, the audience is never asked to see either superhero as corrupt or shortsighted or evil. Neither is brainwashed or deceived or misunderstood. The audience sees both as they see themselves, and as they see each other: as good men who have reached incompatible conclusions about how to do the right thing, who are heartbroken by their conflict.
Spoilers for Captain America: Civil War after the jump!
We here at Lady Geek Girl and Friends love to celebrate love on Valentine’s Day – and that means all kinds of love. While our post earlier today showcased our favorite canon and fanon romantic ships for the year, in this post we’re going to look at some of our favorite relationships between family members, as voted on by the whole LGG&F crew.
Something funny happened about a week ago: I was half-watching a playoff football game on ESPN when I suddenly heard the voice of Hayley Atwell. Looking up, I discovered that they had finally decided to leverage the mighty power of the Disney corporation (owner of ESPN, Marvel, and ABC) in order to promote the best part of the MCU. Yes, friends, ESPN was airing an Agent Carter commercial during its highest-rated broadcast of the year.
With a dynamite premiere, hopefully the show is going to be able to keep some of those new eyes focused on Agent Carter, and earn us all a Season 3.
It means that I am not the Samaritan. That I’m not the priest, or the Levite. That I am the ill intent who set upon the traveler on a road that he should not have been on.
Wilson Fisk transformed the villain’s role in the Marvel Cinematic Universe. He is not an evil robot, or the head of a vast conspiracy, or an ancient god of chaos. His life story is not the tale of a festering wound inflicted by the hero. He’s not even a Nazi. Wilson Fisk is a purely human force. He has no magic, no powers, no wondrous technology—nor does he seek to acquire any. He lacks the kind of megalomania that drives others to take over the world.
He relies on human powers: money, muscle, and connections – powers which can be leveraged through his knowing white privilege. He ascends as populist dictators do, staying within the boundaries of the elite as he consolidates power.
His basic desire is chillingly simple: dominance. He aspires to wrest the chaos of Hell’s Kitchen into an orderly fiefdom, where the demolition of all opposition will mean that at last, the trains will run on time. And he’s not the only burly bald man to harbor such ambitions.