The toxic masculinity at the heart of nerd culture has been exposed—most noisily through Gamergate, but via plenty of other incidents as well. While sexism has been the most obvious motivator for these reactionaries, spillover into racism, homophobia, and transphobia are par for the course. At a fundamental level, this burst of nastiness is a reaction to the first real challenge to the privileged position of white men in nerd culture.
Things have degenerated into something of a civil war in nerd culture, and while it rages on, it is becoming abundantly clear that the good guys are going to win this one. I’m not so optimistic as to say that hatred and oppression will disappear, in nerd culture or anywhere else, but there is at least a growing consensus that those things are wrong, and deserving of criticism.
The doors are open, and white men no can longer dominate. But this change comes only after generations of being told that those stories are universal and vitally important. For years, white men never needed to share the stage, and the tales of others were pushed away. As we finally start to knock down the worldview that so deeply privileges one identity, it becomes imperative to reconstruct whiteness and masculinity as something new. Before, the construction of these identities was deeply rooted in claiming entitlement to a supreme position. Now, we need a construction which both rejects that entitlement and recognizes what enormous privilege remains.
Terrorist organizations, like the Ku Klux Klan, forced Reconstruction to end in the American South before its time, leading to an enormous and destructive backslide for civil rights. White men in nerd culture are now threatening or executing political violence for the same purposes. We need reconstruction to make sure they do not succeed. Comics, so long at the forefront of everything toxic about nerd masculinity and exclusivity, have taken up the call, and are finally white, male characters into new roles which fit in a diverse world. With any luck, these are not just changing stories, they’re going to be changing readers.
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