Sexualized Saturdays: Alec Lightwood—Quietly Subverting Tropes

(image via eonline)

Shadowhunters may not be the best show out there, both in terms of writing and acting, but it does get a few things right in terms of diversity and representation. I talked about my love for Magnus Bane as a bisexual character before, and I just recently finished catching up with the second season, which had a lot of great moments between Magnus and Alec, his boyfriend. So, I thought it would be interesting to take a closer look at Alec Lightwood and how he is presented in the show as a gay man.

Some spoilers for the Shadowhunters TV show below.

Web Crush Wednesdays: Check, Please!, the Internet’s Most Adorable Soft Bro Webcomic

This week’s Web Crush is one of those “I can’t believe it took me this long to write about this!” type of deals, since I’ve been reading and rereading and sighing over this webcomic for months now—but let me back up a little and actually introduce it. Today I want to tell you about a sweet little thing called Check, Please! by Ngozi Ukazu. It has cute art, soft bros, young men falling in love and having a healthy relationship, and for those of you who are into that sort of thing—ice hockey.

But let me elaborate (with some spoilers!) below.

Sexualized Saturdays: Even the Devil’s Masculinity Isn’t Safe from Women

Today’s topic came about from conversations I’ve been having with Lady Geek Girl. We both love Lucifer, the TV show which follows the devil’s shenanigans in L.A. and which just returned for its second season. I enjoy the show because I’m a sucker for procedural shows and I have a lack of immunity towards charming jerks. But today I want to talk about one matter that both intrigues me and worries me—how the portrayal of Lucifer’s masculinity relates to the fact that being near one specific woman makes Lucifer, who otherwise cannot be harmed by humans, physically vulnerable. What intrigues me is how Lucifer deals with the emotions this causes, but the potential messages of toxic masculinity and misogyny are quite disconcerting.

Some mild spoilers for the show below.

Sexualized Saturdays: Criticizing Masculinity through Magic in Rocks Fall, Everyone Dies

Young adult fantasy is such a female dominated space that when I picked up Rocks Fall, Everyone Dies by Lindsay Ribar, I was surprised to discover that it had a male protagonist. Aspen Quick, our main character, comes from a family that can steal things from people. I don’t mean physical possessions; rather, they can reach into a person and take more nebulous things like good eyesight, a mole, or romantic feelings just by touching something with a connection to that person.

It’s an interesting power, but I wondered at first at the decision to make the protagonist male. However, I discovered that his maleness was essential to the development of the storyline, because the magical system in Rocks Fall, Everyone Dies is perfectly set up to discuss consent and critique male entitlement.

Spoilers for the story below!

Sexualized Saturdays: Male Fighters, Loss of Agency, and Masculinity

A few weeks ago I wrote about raised female warriors and their fight for autonomy. Since then I’ve been thinking on whether male characters are ever given a similar kind of tragic backstory where they‘re kidnapped, as children or even as adults, and their agency is taken away and they are forced to learn to fight and kill on the orders of their captors. I managed to find a few that could fit this trope—Matt Murdock (Netflix‘s Daredevil), Oliver Queen (Arrow), Bucky Barnes/the Winter Soldier (MCU), and D‘Avin Jaqobi (Killjoys). All these characters have their freedom and autonomy taken away (to differing extents) and, as such, they present a lot of opportunities for nontraditional portrayals of masculinity.

Spoilers for Arrow, Killjoys, and Captain America: The Winter Soldier below.

Sexualized Satudays: Splatoon and Super Smash Bros. Engender Performative Play

More puns! The praise train for Splatoon and Nintendo keeps going!

For many of us, video games are a form of escapism. This can come in a few flavors, either by having equal standing in the game’s society, being able to perform outlandish feats, or just experiencing a world unlike your own. Another form of escapism is getting the chance to roleplay as something other than yourself. One of the most common ways to roleplay in gaming is to take on a character of another gender. In light of this, I want to discuss Splatoon and Super Smash Bros. some more.

Reconstruction for White Boys—Role Models in Comics

The toxic masculinity at the heart of nerd culture has been exposed—most noisily through Gamergate, but via plenty of other incidents as well. While sexism has been the most obvious motivator for these reactionaries, spillover into racism, homophobia, and transphobia are par for the course. At a fundamental level, this burst of nastiness is a reaction to the first real challenge to the privileged position of white men in nerd culture.

Things have degenerated into something of a civil war in nerd culture, and while it rages on, it is becoming abundantly clear that the good guys are going to win this one. I’m not so optimistic as to say that hatred and oppression will disappear, in nerd culture or anywhere else, but there is at least a growing consensus that those things are wrong, and deserving of criticism.

The doors are open, and white men no can longer dominate. But this change comes only after generations of being told that those stories are universal and vitally important. For years, white men never needed to share the stage, and the tales of others were pushed away. As we finally start to knock down the worldview that so deeply privileges one identity, it becomes imperative to reconstruct whiteness and masculinity as something new. Before, the construction of these identities was deeply rooted in claiming entitlement to a supreme position. Now, we need a construction which both rejects that entitlement and recognizes what enormous privilege remains.

Terrorist organizations, like the Ku Klux Klan, forced Reconstruction to end in the American South before its time, leading to an enormous and destructive backslide for civil rights. White men in nerd culture are now threatening or executing political violence for the same purposes. We need reconstruction to make sure they do not succeed. Comics, so long at the forefront of everything toxic about nerd masculinity and exclusivity, have taken up the call, and are finally white, male characters into new roles which fit in a diverse world. With any luck, these are not just changing stories, they’re going to be changing readers.

Sexualized Saturdays: Steven Universe and Soft Masculinity

Masculinity is hard to define. More and more, we see displays of the damage toxic masculinity can cause if left unchecked. Many of our favorite games and shows promote these sort of ideas, even subtly. Although many of the games don’t outright state that “you must be stoic and physically powerful to be a real man,” this reading is still easily felt. The First Person Shooter genre is the largest offender in this case, with many action games following suit. But, I think masculinity can, and should, manifest in other ways: emotional strength, love, and bravery. These attributes could be considered “soft masculinity” as a counter to more aggressive, “hard masculinity”. Since the geeky areas on the Internet are still in love with Steven Universe, I’d like to use that show as an example of displaying masculinity in other ways.

Oh, My Pop Culture Religion: Monks in Geek Culture

image via funnyjunk

Last year I wrote an article about nuns in geek culture. Nuns and religious sisters of all stripes have such great potential as iconic feminist characters, but writers spend more time casting them as evil sexy sirens in black and white costumes. But what about the nun’s male counterpart, the monk? Monks are men who take vows of virtue and live apart from society (usually in a community with other monks). They’re mainstays of both Western and Eastern religions. Monks challenge popular stereotypes of what real masculinity looks like. And yet monks face a problem similar to nuns: we can’t seem to break them out of a handful of inaccurate stereotypes.

Spoilers for Doctor Who and Avatar: The Last Airbender after the jump.

Where Are All the Female Werewolves?

Werewolves have never really been the most popular monster; they’re usually second fiddle to vampires or zombies. I suppose there’s some sense to that. Vampires are sexy romantics and zombie hoards are harbingers of the apocalypse. Werewolves usually act alone, and, outside of Twilight and Teen Wolf, aren’t typically portrayed as having much sex appeal. In 1941, The Wolf Man became the first successful werewolf film. Our monster has a furry face, spreads his affliction through biting others, kills people, and is ultimately killed by his own silver walking stick. He’s monstrous, not sexy.  We can understand why vampires and zombies scare us, too. Vampires might represent a powerful person draining us of our own power for personal gain. Zombies drawn on our fear of pandemics and the ignorant masses destroying those of us just trying to survive. But what about werewolves? The most common answer I find is that werewolves speak to the changes a teenager experiences during puberty. Pisces already explored how this dynamic works in Teen Wolf. But if that’s the case, then where are all the female werewolves?