Trailer Tuesdays: Marvel’s The Defenders

With the release of Marvel’s Iron Fist earlier this year, we now have first (and the occasional second) seasons for all of the individual Defenders: Matt Murdock, Jessica Jones, Luke Cage, and Danny Rand. However, each of these individual series had their pros and cons, and Iron Fist was so bad that I kind of never wanted to see anything with Danny Rand in it ever again. But now the full-length trailer for Marvel’s The Defenders is out, and it’s actually a little…. entertaining?

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Trailer Tuesdays: Netflix’s Death Note

Good. God. I don’t know where to start with this. As soon as I heard about this I rushed to trade posts with Lady Geek Girl so that I could write about it. However, upon sitting down to do so, I realized that to write about it, I’d have to—ugh—actually watch the trailer.

If you know anything about me or this website, you can stand assured that I did not enjoy a second of it. This movie looks like it will be a disaster on every possible level, and on top of that, releasing it in the week after Iron Fist crashed and burned in no small part due to whitewashing complaints feels almost comically idiotic.

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Netflix’s A Series of Unfortunate Events is a Faithful, but Inconsistent, Adaptation

I’m of rather mixed feelings about Netflix’s newest original series, A Series of Unfortunate Events. If I take it at face value, it’s a very faithful adaptation of the book series, and it’s honestly an enjoyable way to spend eight hours. Neil Patrick Harris does a fantastic job as Count Olaf, and slips into and out of each of Olaf’s disguises with a whimsical flair that makes the unfortunate events of the series seem drearily entertaining rather than just dreary. Though it seems at times darker than the book series, much of the acting is clearly meant for a children’s demographic, as the characters go through the plot reveals with all the suspense of a Scooby-Doo-esque “I would have gotten away with it too if it weren’t for you meddling kids!” And the runtime, though a little bloated, allows a lot of time for the adult actors to make their shenanigans funny. I really enjoyed watching this series. However, in adapting the book series to Netflix, a few things were expanded on that ended up making the story’s internal logic a little, well, unfortunate.

Spoilers for the series (and some mild spoilers for the books) after the jump.

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Trailer Tuesdays: Netflix’s A Series of Unfortunate Events

Welcome back to the blog, everyone! I hope everyone had a great time over the holiday break, whether with family, friends, or just chilling by yourself. Before we went on vacation, the trailers for Netflix’s A Series of Unfortunate Events came out, but it wasn’t until the break that I actually got some time to sit down and watch them. Now that I have, I’m pretty excited about the series—to an extent.

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Sexualized Saturdays: Jessica Jones, Luke Cage, and Gender Dichotomy

jessica-jones-luke-cagePlenty has already been said about heroes and anti-heroes. Superman was created over seventy-five years ago, and yet America today prefers its heroes to have a bit more grit, like Tony Stark. What’s undeniable is that a dichotomy exists between light heroes and dark heroes. It’s a way of looking at protagonists that has ancient roots, but manifests differently in male and female characters.

The light and dark dichotomy is very old and very ingrained in our storytelling traditions. On the surface, “light” stereotypes give the character traits that are traditionally associated with positive ideas and symbolism. More often than not these characters will wear white or light colors, have light skin, blonde hair, and blue eyes. “Dark” characters tend to have dark hair, skin, eyes, and clothing. This color dichotomy is associated with good and evil, for religious and historical reasons. If you don’t have electricity you can be more productive when the sun’s out, while it’s easier for robbers and rule-breakers to hide in the cover of night. White is associated with purity and goodness, especially in Christianity, while black is associated with evil and the consequences of evil (like sin and death).

While light heroes cling to a traditional morality, dark heroes have a more subversive attitude. There’s something bad or wrong or broken with a dark character, which is usually the source of their darkness. Men tend to be gallant, chivalrous heroes or troubled rogues, while women tend to be virginal maidens or seductive vamps. It’s taken generations to move beyond this rigid dichotomy, giving the light and dark new and interesting implications. But if we really care about smashing gender stereotypes, we need to move beyond the light and dark gender axis. Both Luke Cage and Jessica Jones from Marvel’s respective Netflix series take the light and dark dichotomies and smash them to bits.

Spoilers for all of Luke Cage and Jessica Jones below.

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Lady Tropes in Stranger Things

Last week Ace reviewed Stranger Things, the runaway Netflix hit. It’s a fabulous sci-fi show quickly gathering what should in time turn into a cult following. The sci-fi-horror-mystery story follows the mysterious disappearance of young Will Byers (and others), the efforts of his family and friends to rescue him, and the mysterious government authorities that want to keep everything covered up. It’s a show that truly pays homage to the spirit of 1980s television and movie tropes, without making the show feel cheap. Most of the time, when a story utilizes a lot of tropes, it’s not a good thing. Usually tropes mean that characters are flat and stereotyped, plots are predictable and boring, and more often than not anyone outside the “straight WASP male” gets shafted. What I find truly remarkable about Stranger Things is its ability to (for the most part) navigate the divide between using familiar tropes and not indulging in sloppy, harmful stereotypes. Take, for example, the way the show treats its female characters.

Spoilers for Stranger Things below.  Continue reading

Throwback Thursdays: Alias

It is often the case that this column overlaps with an object of nostalgia: something we loved when we were younger and are now re-viewing with a critical eye. Today’s Throwback is an exception to this standard. We’ve talked about the Jessica Jones series here and there, and our general opinion of it is that it was a fantastic and feminist, if incredibly dark and triggering, show. I recently had a chance to read “Purple”, the five-issue series of Alias that was published in 2004 and upon which the first season of the miniseries was based. And although I rarely say this, I actually think I like the TV adaptation better.

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Spoilers for Alias and Jessica Jones and a trigger warning for rape after the jump.

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