The friendzone and the entitlement it represents are a constant topic of discussion in the feminist community. This mentality presumes that men are entitled to women’s attention, and it also paints the rejected men as the victims instead of sympathizing with the put-upon women. They were Nice Guys, after all, why didn’t women reward their kindness with sex?
Is… Is the Phantom actually wearing a fedora?
I recently had the tremendous pleasure to see Norm Lewis as the titular Phantom of the Opera on Broadway, and well, the performance was spectacular. But it also got me thinking about the way that the tragedy of the Nice Guy is often an implicit part of theatrical romances. And while at first I thought that these narratives vindicated the Nice Guy struggle, I actually realized that theatre is a great place to go to see Nice Guys laid low. Continue reading →
Starring Krysta Rodriguez and Zachary Levi, First Date is a new Broadway musical comedy. The show, which tells the story of young singles Aaron and Casey meeting for a blind date and all the awkwardness that entails, is currently in previews at the Longacre Theatre. I got to see the show last Thursday and quite enjoyed myself, but there were definitely some issues with it.
Love triangles are by no means something that’s unique to the stage—they’ve been part of popular storytelling tradition for centuries. And if you’re anything like me, you’re starting to get sick of being asked which “Team” you’re on every time you consume some new media about a group of three people of differing genders. There are some very famous musical love triangles, though, and I’d like to look at a few of them and discuss why they’re problematic and why they almost always end up being unfair to the women involved.
This production of Aida really got literal with the whole triangle thing.