It’s been nearly sixteen years since The Phantom Menace first came out—sixteen years! God, I’m old—and there is no shortage of negative critiques for this movie online. But now that Episode VII has been announced, I decided it was time to go back and revisit the prequels. While the Star Wars prequels are some of my favorite movies, they are very poorly written, and that’s especially true for Episode I. The Phantom Menace could be removed from the story entirely with the series losing very little, since the movie comes across more as a prequel to the other two prequels instead of as the first part of a trilogy. Nothing much of importance happens in Episode I—Palpatine becomes chancellor and Anakin and Padmé meet during an unexplored conflict about a trade blockade—and the story also has a distinct lack of focus. It’s not until Episode II that the Clone Wars begin and our main conflict gets going.
Not only is Episode I’s plot all over the place, but we wind up with four potential main characters. While this is not necessarily a problem, it becomes a problem when a movie doesn’t know what it’s doing. As a result, none of these characters are particularly developed, and it’s hard to tell which character is supposed to be the main character.
Out of all four of them, though, Padmé is probably the most interesting character, and her story arc has a lot more potential that everyone else’s. She’s a young, naïve queen, fighting for the liberation of her people, while at the same time trying to reconcile this need for violence with her own personal pacifistic beliefs. Or at least, that would be the case, had her character been better written, and had she been intended to be the main character. Regardless of what the writers wanted when they wrote this episode, Padmé is more connected to the plot than any other character, and she’s also the one with clear motivations we can relate to. What this means is that The Phantom Menace is potentially the first Star Wars movie with a female lead.
Well, it’s that horrible, horrible time of year again, when Lady Geek Girl forces all of us here to list our Top 10 fanon and canon pairings, successfully turning our blog and mission of equality into a giant shipping war for a day. This post, however, is not that list. You’ll get that later on today, but in the meantime, let’s talk about asexual characters. Asexuality is not well represented in popular culture, and when it is, it’s not represented very well. Unfortunately, this leaves me with very few characters I can related to sexually. Coming to my rescue, though, are headcanons. Headcanons are hardly the same thing as representation in the source material, but at least they’re something.
So without further ado, here are my Top 10 characters who I think could be asexual.
The Force and whether or not it’s balanced has always been a central part of the Star Wars mythos. A long time ago, in a galaxy far, far away, the Force—sometimes referred to as the Way in ancient times—was a field of energy created by all living things. In the prequels, we discover that this energy field actually came about by microscopic organisms called midi-chlorians living in people’s bloodstreams. Someone who had a lot of midi-chlorians was called Force-sensitive, and they could interact with the Force to perform amazing feats—telekinesis, telepathy, precognition, and more.
Naturally, different religious factions came about, with different beliefs about the Force and how best to use it. One of the main tenets was that the Force needed to be balanced, and according to prophecy, that balance could only be brought about by a Chosen One. This Chosen One prophecy ended up being a central part to the prequel universe, and it was something about Star Wars that I was always interested in exploring more. Unfortunately, the prequels never explain to us what the prophecy is, the Chosen One’s role in it, or what balancing the Force even means.