I have watched every episode of Once Upon A Time since its premiere in 2011. My view of the show started well, but has been declining since the second season. From bland plot twists to poor character development, my faith in the show is practically non-existent now. Despite that, I watch it in good faith, hoping the show will be as unique and memorable as it was when it started. Then I saw this image circling the internet.
At the end of Season 3, we do see someone who looks like Elsa walking toward Storybrooke, but the show has made it perfectly clear that she is indeed Elsa from Disney’s Frozen. Not only that, but they are using even more characters from Disney films and stories (like Fantasia for instance). I was outraged after the first episode of Season 3, but decided to give the show the benefit of the doubt. Surely they wouldn’t bank on the fact that Frozen is so popular that it’d help ratings (regardless of how much work was done with the plot). Now, nine episodes in, I can honestly say the writers didn’t expect to cheat their way into better ratings. They did a nice job tying these two worlds together, along with answering any questions you might have had about Anna’s and Elsa’s past and future. Not only that, but they continue to develop the characters from their original cast.
Acts of true love are everywhere in our fiction. In many of these narratives, performing an act of true love—such as a kiss—has the magical ability to save someone from certain death brought about by a curse. In many older Disney films and fairy tale stories, true love is almost always portrayed as romantic. Recently, though, we’ve gotten a few new interpretations on the mythos. In the new Sleeping Beauty movie, Maleficent, a platonic kiss Maleficent gives Aurora saves her life. And in Once Upon A Time, Emma saves her son Henry with a motherly kiss on his forehead. Then there’s Frozen, which, between the sisters Anna and Elsa, gives us yet another interpretation of true love, one that I like far more.
For your Halloween pleasure, I am providing my Top 5 most terrifying female villains in geek TV shows. These are the women who you would not want to meet in a dark alley or in a brightly lit park, because no matter what, they’ll probably fucking kill you and laugh while they do it. Why only five? Well, sadly there aren’t as many female villains as there are male ones, especially in TV shows, and more often than not, they are shown to be just vain and petty rather than pure terrifying evil. For this list I chose ladies who seem to legitimately enjoy being evil and show little to no remorse for their actions. This does not necessarily mean that they have less depth or are less interesting; they are just the female characters you love to hate. I am also only sticking to one villainess per TV show. So with that in mind, let’s begin!
Trigger warnings for mentions of rape, torture, and abuse after the jump.
Western standards of beauty are ubiquitous, and just one of the many things they’ve infiltrated is our retellings of fairy tales. All too often, you can tell who’s good and who’s evil just by looking at the characters’ faces. If they’re classically beautiful? They’re probably good. But if they have anything that’s considered ugly by societal standards, be it a big nose, a fat figure, or a wrinkled visage, chances are they’re working for the dark side. Continue reading →
Popular media is making teensy tiny strides in queer representation, but it’s still light years behind where it should be. One of the many issues in today’s portrayal of LGBTQ+ people in media is that their stories are often tragic. Queer characters may exist in a universe, but in all likelihood their relationships, if they’re lucky enough to initiate them, will fail, and they themselves may very well die or disappear.
The ubiquity of this trope occurred to me recently when I was listening to Part 2 of Welcome to Night Vale’s 2nd Anniversary episode. As part of the conclusion of the episode, which wrapped up the recent Strexcorp invasion storyline, everyone and everything that wasn’t from Night Vale was ejected from the town. Unfortunately, this included Carlos, Cecil’s boyfriend, who’s now trapped in an alternate dimension. Their relationship has mostly been smooth sailing up to this point, and I can’t fault the WtNV writers for introducing some new conflict into the storyline now that Strex is gone and a mayor has been elected. But still, I was kind of sad because Cecil and Carlos’s problem-free relationship, while somewhat unrealistic for any humans, queer or not, was a safe space of angst-free queer love. I certainly haven’t found anything like that in other media; in other media being queer is apparently the equivalent of using a black cat to break a mirror underneath a ladder on Friday the 13th.
Oh man, oh man, oh man. I have been putting this review off for as long as possible because I just have so few positive opinions about this season and I don’t want to have to recap the weird and awkward mess that was the plot. But I guess that’s what they pay me the boonbucks to do, so here we go.
Sarcasm (n): the implication that I am paid in more than Lady Geek Girl’s unending devotion.
Once Upon A Time In Wonderland has its origins in a cool and eminently sustainable idea: take the Once Upon A Time mythos and tell other stories that have happened in its universe that just don’t fit into the main OUAT story. To reference a similar project, it could have been to Once Upon A Time what Paradox Space plans to be for Homestuck. As Once Upon A Time seems to include, at this point, the entirety of classic speculative fiction within its parameters (as the inclusion of characters like Peter Pan, Dr. Frankenstein, and Robin Hood suggests), if the Wonderland spinoff had been successful, this could have been a launching point for a whole network of derivative series.
Unfortunately, we instead got the most boring, bland, and tropey mess I’ve seen since that one Agents of S.H.I.E.L.D. episode. (You know the one.)