Luce: Well, guys, it’s been a long journey to the finale. Five years of twists and turns later, we’ve finally reached the end of the journey (or, at least, this journey) for Clone Club. But how did our favorite clones fare at this, the end of all things, and did they all make it through unscathed? Reviewing the end of Orphan Black is too much to take on alone, so I’m super glad to be joined by all of our faithful Orphan Black review team for this very last review.
Now that’s what I call good backstory! This week’s episode of Orphan Black was the first episode that really showed Rachel’s youth and inner thoughts. Though we’ve gotten hints at how this clone was raised in the past, none of those hints painted as clear a picture of Rachel’s life as “Gag or Throttle” did. We know that Rachel was torn from her parents, Susan and Ethan Duncan, at a young age, and then grew up under the thumb of Dyad and Neolution. She seemed to miss her family and to want a child of her own, but we only ever saw her and her emotions from the outside—until now.
Spoilers for the episode after the jump! In a very Orphan Black move, this episode has gore, extreme eye violence, and nonconsensual body modification, so please consider yourself warned for that as well.
We left last week’s episode with Cosima locked in Westmoreland’s basement and Kira determined to take a more active role in her family’s crusade against Rachel. So of course the clone we start out with this week is… Krystal? With only a few episodes left, it makes sense that she would come back to wrap up her plotline, but I wasn’t expecting to enjoy it quite so much.
If two weeks ago was an Alison-centric episode, and last week was mostly-Sarah-plus-everyone-else, Cophine fans can rejoice this week. “Ease for Idle Millionaires” showcases Cosima working out just what’s going on behind the scenes at Camp Revival, and the answers are horrifying. The last few seasons of Orphan Black have been too complex for its own good; it’s hard for the un-obsessive viewer to keep track of all the plot threads. Luckily, this episode stays fairly straightforward in its reveal of P.T. Westmoreland’s nefarious plans, allowing more time to consider what they mean for Clone Club.
First of all, let’s get this out of the way: this season’s titles come from the fiery-badass poem “Protest” by Etta Wheeler Wilcox, which y’all should read. Really, it’s short.
Done? Cool, let’s get on with the show. This week’s premiere picked up pretty much right where the Season 4 finale left off: Sarah injured, Cosima reunited with Delphine, and everything happening so much with Alison, Donnie, and Helena.