The Walking Dead: “Too Far Gone” Midseason Review

The-Walking-Dead-Season-4-Cast-Banner2I had greatly hoped that my love for The Walking Dead would rekindle this season. As such, I willingly jumped right back into this relationship, despite all my previous disappointments. Sometimes I think I should start seeing other shows. We’ve certainly had our ups and downs, but for the time being, I’ve been giving The Walking Dead a second chance. Yet I’m not sure if it deserves it. I mean, season four has thus far been wonderful—for the most part. I’m just worried it won’t last.

Spoilers after the jump.

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Theatre Thursdays: A Man’s Gotta Do What a Man’s Gotta Do; or Masculinity and Dr. Horrible

Dr%20Horrible%20Captain%20PennyIn my last Theatre Thursday, I discussed Dr. Horrible’s Sing-Along Blog, the problematic themes of stalking, and the general disenfranchisement of our female lead Penny’s character. At the end of that post, I briefly mentioned that perhaps the reason Penny’s character leaves something to be desired is because of how the musical discusses masculinity.

As much as Joss Whedon is considered by many to be a feminist, I often wonder if he plans some of the themes I see in his work, or if it happens by mistake. Whatever the case, this musical makes some strong statements about masculinity and what it means not only to be a man, but to be a man in relation to a woman.

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