After revisiting the adorable Doctor Strange of the Moon Girl and Devil Dinosaur comic last week, I found myself craving more Strange stuff. And while I don’t know if I’ll ever be able to bring myself to watch the MCU movie, I do own a few trades’ worth of Doctor Strange comics. I remembered enjoying them well enough when I first read them, so I figured the time was nigh to revisit one and see if older, woker Saika still thought they were any good. And that’s how I ended up rereading the 2007 comic Doctor Strange: The Oath, by Brian K. Vaughan and Marcos Martin. Turns out, while it’s a good standalone story to read if you’re interested in the good Doctor, it’s also full of some tired tropes and isms.
For this installment of Throwback Thursdays, I decided to revisit Indiana Jones and the Raiders of the Lost Ark (1981)—the first installment in the Indiana Jones trilogy—since I didn’t realize how long rewatching the whole trilogy would take. The movie trilogy and the character of Indiana Jones were some of my formative influences as a child. I dreamed of unlocking the world’s mysteries and these movies showed an academic leading a glamorous life of adventure, hunting mysterious artifacts and overcoming difficulties using his knowledge and reasoning powers. However, watching Raiders of the Lost Ark as an adult rather requires that I turn my brain off if I want to actually enjoy it because of the number of glaring issues regarding racial and cultural representation, as well as gendered character tropes.
Spoilers for the movie below, obviously.
Well, Guardians of the Galaxy Vol. 2 sure was a thing I watched.
I should start with a positive, right? It had a great soundtrack. (Although I was shocked to discover that I recognized some of the songs and my music aficionado mom did not.)
Also, I’d definitely argue that it was better than its predecessor. If you’ll recall my review, I left Vol. 1 deeply disappointed, and I felt like this movie offered a lot of the character beats and emotional high notes that I wished the first film had hit. It also improved the representation on the team by giving us the first MCU team-up with some semblance of gender parity.
That said, I’m not sure what this story adds to the overall Marvel Cinematic Universe worldbuilding, and being a band-aid for the previous film’s issues isn’t necessarily a good look for a sequel.
Spoilers after the jump!
With the release of Marvel’s Iron Fist earlier this year, we now have first (and the occasional second) seasons for all of the individual Defenders: Matt Murdock, Jessica Jones, Luke Cage, and Danny Rand. However, each of these individual series had their pros and cons, and Iron Fist was so bad that I kind of never wanted to see anything with Danny Rand in it ever again. But now the full-length trailer for Marvel’s The Defenders is out, and it’s actually a little…. entertaining?
Like many fanbases, the Bioware fanbase/playerbase is a trash fire at any given time. Said fanbase didn’t even let Mass Effect: Andromeda get off the ground before lambasting it for various graphical inadequacies and stilted line delivery. However, while there do exist some graphical glitches, weird bugs, and a disappointing character creator, ME: A is not that bad. Since I’m not even halfway through the game yet (no spoilers!) this isn’t going to be a full review, but rather a look at a troubling reaction by Mass Effect’s audience. After already being labeled as “SJW propaganda” by people who loathe anything that looks like a diverse cast, it’s absolutely no surprise that there’s such negativity surrounding a woman in charge; even less surprising when that woman is Black. While there’s absolutely fault on the fanbase for the unfair treatment surrounding her, in what I’ve seen and experienced I can only come up with one conclusion: Bioware set up Sloane Kelly to fail.
Spoilers beneath the cut.
Pacific Northwest Stories, which has expanded to become Public Radio Alliance, the same group that creates shows like The Black Tapes and Tanis, has recently come out with a new podcast called Rabbits. The podcast is only four episodes in and it is definitely addictive and interesting, but it also already has several issues that really bug me.
Spoilers for Rabbits below.
One of the hottest comics when I got into the medium was Locke & Key, written by horror author Joe Hill and illustrated by Gabriel Rodriguez. At the time (about four years ago now), it was far enough along in its run that it would have been silly verging on impossible to attempt to find single issues, so when I came into a gift card, I bought the first trade. From the slew of awards it had won or at least been nominated for, and the strong recommendations from both friends and comics personalities whose opinions I trusted, I started to read it expecting to have my socks knocked clean off… and never finished it. This week, it caught my eye from between my Sandmans and my DC Bombshells on the shelf, and I figured, welp, might as well try again.
Time and distance, apparently, do not make the heart grow fonder. Maybe I have bad taste in comics, but I have no idea how this won an Eisner or anything else. Locke & Key Vol. 1: Welcome to Lovecraft did absolutely nothing for me.
Spoilers for the first volume after the jump!