Mob Psycho 100: Where a Kid Can Be a Kid

I can’t deny that Sailor Moon was my heart growing up. In the wider scope of cartoons/anime aiming for a younger demographic American audiences weren’t so readily exposed to these shoujo magical girls and doki doki gakuen series as they were shonen series like DBZ and its ilk. So, while I often liked to fight in the name of the moon, I ended up much more well acquainted with the hand motions to perform a proper spirit gun technique or trying very hard to ignore that Goku had been on the same battle for four days in a row.

These days, however, audiences have grown restless in their consumption of the same old tropes. We want more. When an anime comes out that attempts to deconstruct the genre, audiences flock to it hoping to gain some great knowledge from it, or some sense of satisfaction. When I started watching Mob Psycho 100, I wasn’t expecting anything mindblowing (despite claims from my friend otherwise), and it wasn’t. Don’t take that as a negative thing, because it’s certainly not. Shonen series are all about the capacity for audience’s minds to be blown, so much so that every arc tends to follow the pattern of the hero needing to get a ridiculous new power to defeat the new powerful enemy. Mob’s deconstruction of the genre comes from its refusal to bend to the shonen tropes that define its world, and the result is something purely human; nothing more, nothing less.

Mob Psycho 100 Mob

I’d like to introduce you all to my new son. (via kawaii-mtbi @ Tumblr)

Spoilers below the cut!

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