Voltron: Legendary Defender Season 4: Well, It Was …Star Warsy?

It’s no secret that I wasn’t particularly wowed by the third season of Voltron: Legendary Defender. But that doesn’t mean I didn’t still binge the fourth season — all… six… episodes of it — as soon as they dropped last Friday. I went into this season hoping for a lot more meaty character development after the setup and plot heavy last season, but did I get it?

The short answer is: no. Season 4 continued to barrel along at a breakneck pace without ever giving us any meaty character background-support that would help justify or strengthen the sweeping actions the characters took.

(via netflix)

Or, well, it mostly failed to. Spoilers after the jump.

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Sexualized Saturdays: Steven and The Doctor; Gender Identity and Role Models in Steven Universe

Since its premiere, Steven Universe has meant a lot of things to a lot of people. The representation of numerous gender identities, sexualities, ethnicities, and creeds has been a phenomenal example of how diversity can lead to better storytelling and has provided many fans of all types with new fictional role models. The recent remarks by former Doctor Who lead Peter Davison, however, have had me thinking about one group that some say is overlooked in discussions of how this diversity is having an impact: straight white men.

Now, before anyone says anything, the reason this group is “overlooked” is that they have occupied a widely disproportionate number of the roles that need to be diversified in the first place; they aren’t overlooked, they’re usually the group being looked at. This demographic is the exact opposite of an underrepresented minority, and the overwhelming number of complaints I see about their exclusion are, as sixth Doctor Colin Baker says in his reply, “absolute rubbish.”

“Straight white male” has been the default target demographic for a wide majority of western mass media in the last century, and that identity is one that is effortlessly validated by a seemingly unending parade of straight white male heroes (even just ones named Chris). There is, IMHO, absolutely no argument whatsoever to be made that straight white men are underrepresented in media, let alone solely within the subgenres of animated kids shows featuring aliens or British time travel franchises. But the result of this debate was that I got to thinking about the nature of what messages these shows send, and how the identity of the messenger can impact the way it is received.

SU WHO - In the real way

He can show you how to be strong. (screenshot from Steven Universe)

Which, of course, led me to Steven Universe. SU is a show with a straight male protagonist, but also one in which the bulk of the show’s main characters are women and many are (essentially) queer women of color. The show demonstrates both that a straight white male can deliver a highly inclusive message and that characters with a different identity can deliver messages that are particularly important for those same young boys in need of a role model—the same ones that Davison is worried about. By validating that a straight white man can in fact be a messenger for diverse audiences, SU simultaneously demonstrates why straight white men can and must begin to learn more of those messages from messengers of other identities.

(Note: while the racial component to the “default” hero identity is equally important, this article will obviously focus primarily on the gender and sexuality components.)

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Throwback Thursdays: 1776 The Musical

It’s almost the Fourth of July, and for those of us here in the United States, we’ll soon be celebrating our nation’s founding. For me, that often meant watching 1776 with my parents, and I have to say that I adored this musical. The film version of the musical 1776 came out in 1972, and the musical itself came out in 1969. It follows John Adams as he tries to get a difficult, cantankerous, and often divided Congress to agree on American independence.

However, if you are a Hamilton fan, this musical might be a disappointment for you. This movie is very white and almost entirely male, with the exception of two female cast members, only one of whom plays a significant role. Regretfully, while there are some great moments in this musical, as far as representation goes, it definitely falls short.

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Throwback Thursdays: Fahrenheit 451

There are many dystopian novels that are considered classics of literature. 1984 obviously springs to mind, as does The Handmaid’s Tale. Another book that’s constantly numbered among these titans of type is Fahrenheit 451. If 1984 is about government oversight, and The Handmaid’s Tale is about (white) women’s bodily autonomy, Fahrenheit 451 takes its stand against the evils of censorship. And while I always knew that was what it was about in a vague intellectual sense—the titular temperature is that at which author Ray Bradbury believed books burn—I’d never actually read the book to learn what the story inside was.

Earlier this week, I finally did that. And now I’m kind of pissed off to discover that Bradbury’s idea of censorship is about as sensitive and compelling as a 4chan forum.

(via slashfilm)

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Oh, My Pop Culture Westboro: Fantastic Beasts and Magic as Metaphor Instead of Genuine Representation… Again

I enjoyed 2016’s Fantastic Beasts and Where to Find Them movie, though like Lady Geek Girl, I felt it had a lot of logical issues and problems with racial representation. The film didn’t have much in the way of religious or LGBTQ+ representation either… but it did have metaphors for them. Which—do we even have to say it anymore?—is not enough.

We’ve called out the Harry Potter series before for using magic and various conditions in the wizarding world as a metaphor for different kinds of oppression in the real world, such as lycanthropy as a metaphor for AIDs and discrimination against non-purebloods as a metaphor for racism. The problem with these metaphors is that readers might not make the connection to the real-world problem, so in order for them to really have impact, there should be examples of the real-world issue too. For instance, the series could have featured more prominent characters of color who experienced racism in the Muggle world in addition to discussions of blood “purity”. Instead we got a cast of all white protagonists, with characters of color getting very little development.

J. K. Rowling makes no secret of her support for social justice causes (just look at her Twitter feed!). In fact, she’s totally fine with headcanoning Hermione as Black and applauded the casting of Noma Dumezweni, a Black woman, as Hermione in the Cursed Child play, and racebending Hermione helps to relieve some issues about her Muggleborn blood status acting as a stand-in for discrimination rather than discussing any real-life discrimination. But real-life discrimination is still not discussed in canon. You would think that maybe Rowling would have listened graciously to some of these criticisms about hiding real-world issues behind metaphors that not everyone is going to get, and would have worked harder to avoid them in her next work. What is that next work? Fantastic Beasts. Did she listen? Nope. Instead the movie gave us a new metaphor to grapple with: obscurials as coded LGBTQ+ children repressed by overzealous religious families, in this case represented by the Second Salemers. And it isn’t pretty.

Spoilers for many aspects of Fantastic Beasts below the jump!

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Sexualized Saturdays: If It Looks Like a Duck, and Quacks Like a Duck, Is It Stereotyping to Call It a Duck?

(via inverse)

(via inverse)

Cheers, love! The cavalry’s queer!

If you haven’t already heard, Blizzard Entertainment revealed to the world last month in their holiday comic Reflections that Lena “Tracer” Oxton, the mascot character for its acclaimed multiplayer game Overwatch, was a lesbian. Given how omnipresent she is in the game’s marketing, it was awesome to see this first step for queer representation within the game’s universe.

Within the statement that followed the comic’s release, in which they clarified that Tracer’s particular flavor of LGBTQ-ness was the L, Blizzard also confirmed that Tracer would not be the only character in Overwatch who identified somewhere within the alphabet soup of non-hetero sexualities. This, of course, led to immediate speculation about who else in Overwatch was queer.

My guess? All of them. We flock together. It is known. (via visitantlit)

My guess? All of them. We flock together. It is known. (via visitantlit)

In these discussions, Aleksandra “Zarya” Zaryanova is a frequently heard name. Indeed, Zarya’s bulky build, pink hair, and overall aesthetic seem to fit the common idea of what a butch lesbian looks like. That, however, is exactly where the discussion becomes tricky.

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