It’s almost the Fourth of July, and for those of us here in the United States, we’ll soon be celebrating our nation’s founding. For me, that often meant watching 1776 with my parents, and I have to say that I adored this musical. The film version of the musical 1776 came out in 1972, and the musical itself came out in 1969. It follows John Adams as he tries to get a difficult, cantankerous, and often divided Congress to agree on American independence.
However, if you are a Hamilton fan, this musical might be a disappointment for you. This movie is very white and almost entirely male, with the exception of two female cast members, only one of whom plays a significant role. Regretfully, while there are some great moments in this musical, as far as representation goes, it definitely falls short.
The four issue run of Ladycastle, a limited series from Boom Comics, recently came to an end. The premise of the series was intriguing: after almost all the men of a castle in a fantasy land are killed while out on crusade, the women are left to seize power and agency for themselves for the first time. I thought the idea sounded interesting, and, as always, am enthusiastic about supporting comics stories about women by women, so I eagerly dove in.
The series tackles a number of gendered issues over the course of the story, from the traditional devaluation of femininity to accusations of misandry to challenging socialized behaviors. Ultimately, though, the story bit off more issues than four issues could chew. While it tried to say and do a lot of things, the matriarchy it attempted to sell me never really swept me off my feet.
This weekend, I rushed to the theater to see Wonder Woman. I was filled with both hope and fear. I knew that if Wonder Woman did poorly that we might never see a female led superhero movie again, and I knew that so far DC Comics’s movies haveleft a lot to bedesired, but I was hearing good things about the film so I walked in hoping for the best. And praise Hera, I have never been more pleased or satisfied with a superhero film.
Recently I have been obsessed with Gravity Falls, and that led me to watching a very strange but intriguing movie based on a now-famous science fiction novel called Flatland. When Gravity Falls creator Alex Hirsch went on Reddit answering questions as Bill Cipher, one commenter asked what Bill’s home dimension was like. Hirsch as Bill (and in entirely in capslock) responded, “EDWIN ABBOTT ABBOTT HAD A GOOD IDEA.” I looked up Edwin Abbott Abbott and discovered he is the author of Flatland, a satirical science fiction book about a flat world inhabited by geometric shapes. Initially, I worried that Abbott would use math and science jargon and that much of the story would be lost on me because of it. I love math and science, and I am fascinated by it, but I don’t have much of a head for it.
However, one day I discovered the 2007 film Flatland: The Film, and decided to watch a little of it, thinking it would be interesting but that it wouldn’t hold my attention long. I was wrong. I was so fascinated with the story that I immediately immersed myself in learning more about the world of Flatland as well as the somewhat feminist views of the story.
With the exception of Black Sails, I don’t think there’s anything Michael Bay has worked on that I like. This includes the Transformers movies, which I keep watching, because for some stupid reason I always think “maybe this one will be good”. I have no doubt that the same will be true for The Last Knight.
After revisiting the adorable Doctor Strange of the Moon Girl and Devil Dinosaur comic last week, I found myself craving more Strange stuff. And while I don’t know if I’ll ever be able to bring myself to watch the MCU movie, I do own a few trades’ worth of Doctor Strange comics. I remembered enjoying them well enough when I first read them, so I figured the time was nigh to revisit one and see if older, woker Saika still thought they were any good. And that’s how I ended up rereading the 2007 comic Doctor Strange: The Oath, by Brian K. Vaughan and Marcos Martin. Turns out, while it’s a good standalone story to read if you’re interested in the good Doctor, it’s also full of some tired tropes and isms.
Rick and Morty is currently one of my favorite TV shows, and for that reason I have been avoiding analyzing its gender politics, especially in “Raising Gazorpazorp”, the episode that tries to address gender. In this episode, Rick and Summer go to a planet where the genders are separated. The males are dumb, violent, sex-crazed beasts, while the women are cultured and sophisticated, but openly sexist against men. Rick and Morty uses the Gazorpians to discuss humanity’s own gender issues, but fails, for the most part, to come to any kind of satisfying conclusion.
Trigger warning for rape and rape culture and spoiler warning for “Raising Gazorpazorp”, “Rick Potion #9”, “Meeseeks and Destroy,” and “Look Who’s Purging Now”.