Throwback Thursdays: A Horrifying Vision of the Present from Final Fantasy VII

It’s been almost twenty years since SquareSoft abandoned its Nintendo loyalists for the sexy, polygonal temptations of the PlayStation: in 1997, Final Fantasy VII was released for the PS1 in all its blocky glory.

Dear Cloud, how do you type with boxing gloves on your hands?

Platform and graphics aside, the game’s futuristic, cyberpunk setting also marked a new era for the series. While previous Light Warriors marveled at the steam engine between treks on their flightless Chocobo mounts, Cloud, Tifa, Barrett & Co. got helicopters and a spaceship.

And kept the chocobos anyway. Gotta give the fandom what it wants.

But as I was replaying this game recently in anticipation of a PS4 remake in the near future, there wasn’t much reason to ponder over ’90s-era console wars, or fanboy rage at the shift in setting. Instead, I was repeatedly struck by how eerily prescient the whole thing felt. The game still has an outsized reputation in the history of JRPGs and console gaming, but more than anything, it should stand as a grave warning of the realities of 21^st century life, as we live through it.

Spoilers below.

Ace plays Final Fantasy VII: The Sexism

A game certainly would have a hard time becoming as popular as Final Fantasy VII if it didn’t have some decent characters. On the whole, I think the game did a really good job with its characterization—but like just about all video games, it is not excused from sexism. Unfortunately, when it comes to VII, the sexism seems almost worse than it is in the other games because of how much more successful this one became.

Tifa and Aerith are the two most prominent female characters. In some ways, however, that’s not because of their personalities, but more because of their relationship to Cloud. Both of them are relegated into a love triangle with him. Fortunately, this does not cause any catfights or petty backstabbing. However, that’s all the more I can positively say about it. Not so positively, both of their motivations and their reasons for existing in VII are there to further Cloud’s storyline, when Tifa and Aerith could have been well-written characters otherwise. Much like Barret still displaying some racist qualities despite otherwise being a really good character, the same can be said of Tifa, Aerith, and sexism.

Ace plays Final Fantasy VII: The Racism

Final Fantasy VII features a character named Barret Wallace, seen above, who I’ve mentioned in previous posts as being the leader of a terrorist organization called AVALANCHE on a mission to save the Planet. I can’t say that I agree will everything AVALANCHE does and all of Barret’s viewpoints. I’ve mentioned before that I think some of the things Barret has done make him a complete asshole, and the same goes for all the other AVALANCHE members.

I do, however, find Barret a very complex character with a lot of agency. He used to work as a miner in a town called Corel. However, the Shinra Electric Company burned Corel to the ground, supposedly killed Barret’s best friend Dyne, and in the process of all this, Barret’s right hand was shot off. Following these events, Barret grew a great distrust for the Shinra Company and correctly proclaimed it evil. He adopted Dyne’s young daughter Marlene as his own, had a gun attached to the stump where his arm used to be, and eventually found himself the leader of AVALANCHE and at odds with Shinra due to their different ideals.

“Barret” is a Japanese transliteration of the word “bullet”. Before the release of the game in English, Barret was actually called Bullet in some of the magazines. His name has also been spelled “Barrett” on occasion as well.

Barret is very notable. He is actually the first playable black character in the Final Fantasy franchise. Reception to him, however, has been rather mixed.

Ace plays Final Fantasy VII: The Religion

I’ve already discussed religion before in Final Fantasy VII. To be sure, there are a lot of religious themes in VII, especially when it comes to Aerith’s character, who I think is a female Christ figure. Even the background of her people—who are referred to as the Planet’s chosen people—plays off a lot of Judeo-Christian themes, such as the search for the Promised Land. Not everything involving her people, the Cetra, are Judeo-Christian in nature, though. The Temple of the Ancients, for instance, is shaped much like a ziggurat, and the one room inside it has what looks like hieroglyphics.

I’m not about to launch into another post about Aerith, however, even if I left out a lot of things in my other post. What I plan to talk about is how religion in VII affects the culture of the world, by which I mean, not very much, if at all.

Ace plays Final Fantasy X-2: The Sexism

So I guess I could do a whole other series on the sequel as I did for the original, but that’s more effort than I want to expend. As a whole, I do enjoy X and its sequel. X-2 is a bit different than what I had expected, and though I don’t believe it’s a good Final Fantasy game, it’s still a good game. The graphics are improved, as well as the voice acting, and though the battle system was fun and unique in X, I like it a lot better here.

The story follows Yuna on her quest to find spheres about the past in hopes of seeing Tidus again. She and Rikku are now sphere hunters, being helped out by a new character Paine. Also along for the ride, we have Rikku’s brother, who is actually called Brother, his buddy, named Buddy, and a small genius kid, called Shinra. Yuna, Rikku, and Paine form the playable party, while Brother, Buddy, Shinra, and everyone else are all supporting cast members. So this is, I believe, the first and only Final Fantasy game that has an all-female party.

In Final Fantasy X it can be argued that Yuna is the main character while the story is simply told from Tidus’s point of view. Here, there is no doubt that the protagonist is Yuna. So overall, considering that this game has an all-female party and should act as a means to further develop the characters and the world, it should seem like a step in the right direction for female representation. I still hold that Final Fantasy is nowhere near as sexist as other games, and to be honest, with the exception of all the breast shots of Lulu, I probably wouldn’t have even noticed sexism in this story at all if it hadn’t been for X-2.

People always assume games and stories with a mostly-female cast will alienate male audience members, as if they think that being centered on women can never be interesting enough to attract male audiences. So they try to sexualize the girls as much as possible. It’s that mindset where anything masculine can be perceived as good and entertaining, but femininity? Oh, boy, we’ve got to sex that shit up if any guy’s going to be interested in it! Lord knows, character development and story arcs aren’t enough for a fulfilling game if it’s all about women.

So this is possibly the most sexist Final Fantasy game I have ever played, just from that aspect.